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Kurt Busiek’s Avengers – Avengers Assemble! Vol. 4 (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Read our review of The Avengers here.

I don’t envy the fourth collection of Avengers Assemble! On one side of this collection, you have three volumes of work featuring the collaboration between writer Kurt Busiek and artist George Perez. On the other side, you have the epic conclusion to Busiek’s run, The Kang Dynasty. Between the two, you have this collection – which features only six actual issues of The Avengers, the rest padded out with annuals or specials or miniseries. It’s something of a transitional time. A lot of the story is about the impact of what has happened so far, while foreshadowing what’s to come.

One 4 all?

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Ghost Rider by Jason Aaron Omnibus

You’re the divine wrath of God himself, Johnny Blaze. Yet you spend all your time cruising around the U.S. of A. Did you really think that was the only country God cared about?

– Sara, The Last Stand of the Spirits of Vengeance

Ghost Rider is a strange character. Created in the seventies, he saw his stock take a huge increase in value during the nineties in the era of “darker and edgier” heroes before slowly fading down to relative obscurity. The closest the character has come to mainstream success has been the god-awful Nicolas Cage Ghost Rider film. So, he makes a strange choice to receive a Marvel Omnibus, somewhat comparable to the Omnibus collecting  The Immortal Iron Fist a few years back. The prestige format is usually reserved for the best of the best, high profile runs (past and present) on characters of either historical importance or receiving a feature film in the coming year. Jason Aaron is a creator rising in prominence, but it still seems a strange choice to publish his Ghost Rider run in the format. That said, it is perhaps the best run ever written on the character.

Head-to-head, skull-to-skull...

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World War Hulk (Review/Retrospective)

This is the sixth in a series of comic book reviews that will look at the direction of Marvel’s continuity (and particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity. Get an overview of what I’m trying to take a look at here.

Forget sides. They’re all screwed when the Hulk gets back.

– a popular internet meme which puts Civil War in perspective

I have to admit, World War Hulk reads like something of a guilty pleasure. The fantastic artwork from John Romita Jr. (whose fantastical character designs work much better here than in Kick-Ass or even Enemy of the State) certainly helps, as does the relative brevity of the miniseries. It’s a relatively self-contained five-issue storyline, as opposed to the large House of M or Civil War which directly preceded it and Secret Invasion which would follow – it also helps that the tie-in issues seem a lot less essential (and certainly less omni-present) than they did for any of those series. World War Hulk is pretty far from perfect, but it’s an enjoyable little arc from a writer who is clearly familiar with the Incredible Hulk.

Hulk makes quite an impact...

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Wolverine: Enemy of the State (Review)

Wolverine is a bit of an odd character. He’s a bit of an odd character to have endured the sheer amount of publicity that he has and to remain a big gun at Marvel. He was introduced as an opponent in The Incredible Hulk, before ending up drafted on to Chris Claremont’s revised Uncanny X-Men roster. After that, he was lucky enough to earn his own miniseries (written by Claremont and drawn by Frank Miller), which became his on-going series which led to him featuring as a leading character in multiple team books and a title character in several solo series, all at the same time. Only Spider-Man can compete with that level of exposure, and Spider-Man arguable has a better claim to it as a richly layoured, complex and pseudo-realistic character (in the sense of being “Peter Parker: Schmuck”, rather than “Your Friendly Neighbourhood Spider-Man”… you get the idea). On the other hand, Wolverine’s defining trait is that he is very, very good at killing things.

Even an unstoppable killing machine can stop to pet the dog...

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