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Non-Review Review: For a Few Dollars More

Early in the movie, our anonymous bounty hunter, Blondie or The Man With No Name or whatever you want to call him, wanders into a tavern looking for his target. Identifying the bandit gambling at a table, inches from an impotent sheriff, the hunter wanders over to his mark. He silently grabs the cards and starts counting them out. The hardened criminal stares up silently, and he plays along. The game is poker. The two men settle their hands and trade their cards. The villain lays out his cards on the table. It looks good, and then the stranger reveals his cards. Of course, his hand is better. The gambler at the table looks up to this drifter who has so silently intruded on his game. Apparently behind the audience, he asks what the stakes were. As it always is in stories like this, “Your life.”

You know how it ends.

Sometimes you have to take the Good with the Bad...

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The Absolute League of Extraordinary Gentlemen, Vol. II (Review)

I don’t think it’s really fair to split up The League of Extraordinary Gentlemen into two separate volumes. I’d argue that they are instead two halves of the same tale. It’s to the credit of this second storyline that it doesn’t feel like a sequel to the original – it feels like the second half of a circle, closing it out.

Out of this world!

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The Absolute League of Extraordinary Gentlemen, Vol. I (Review)

The League of Extraordinary Gentlemen is, like most works from writer Alan Moore, a strange beast. Essentially a pulp comic book narrative banding together several iconic fictional characters from Victorian fiction (Allan Quartermain, Mina Murray, Captain Nemo, Hawley Griffin and Edward Jekyll form the main cast), the series is much more than that. Cleverly and insidious cross-referencing and weaving its way through a slew of existing fictional and non-fictional elements. I spent as much time googling a rake of obscure and semi-obscure names and events and locations, all tying back to the great authors at the turn of the last century. How ironic that a pulpy Victorian tale would be perhaps the first classic of the internet age.

Nothing to Hyde...

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Dennis Hopper

I’ve been kinda sitting on my hands about this. I mean, far more eloquent and informed writers and sources have draft eulogies to the man. And movie stars pass away all the time, yet I’ve never paused to acknowledge them here. I don’t know, I guess I should probably write something, if only for my own reflection in years to come. This isn’t a well-informed article. These are just my memories and associations of Dennise Hopper.

Dennis Hopper, 1936-2010

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Thor and Captain America Costumes Leaked On-Line…

I actually think these are both pretty cool and as reasonably faithful as a big screen live-action adaptation could be, but the costumes for Thor and Captain America: The First Avenger have been leaked on-line. Click below for bigger images.

Source for Thor Concept Art: Cinema Blend

Source for Captain America Concept Art: Fused Film

I am actually quite happy with both, I think they are pragmatic adaptations of costumes which – while iconic – simply wouldn’t work in real life or on the big screen. It does seem though, in banishing the wings from the helmets of each hero (and Thor’s helmet altogether) that Marvel has a vendetta against feathers.

I am a little surprised that Thor hasn’t been “Ultimised” at all. The Marvel movies have shown a trend so far of trying to move iconic heroes more towards reality (or at least in the general direction) and I had kinda expected that Thor’s whole “Viking armour” schtick might be a bit much for mainstream movie-goers. I was kinda expecting something a bit more stripped-down, similar to the look Bryan Hitch gave him in the modernised retelling of the origin of the Avengers, The Ultimates, much in the same way that the movies have presented the Samuel L. Jackson version of Nick Fury, rather than the mainstream spandex-wearing version of the super spy – most memorably brought to life as David Hasselhoff, for those with a fondness for terrible movies.

Its hammer time...

Still, I’m just surprised. I’m certainly not disappointed. If Kenneth Branagh thinks he can pull this off, then, well… I trust Kenneth Branagh. Certainly more than I trust Joe Johnson.

Though the look above has kept the black “power” waistcoat (complete with bubbles), it’s more clearly influenced by the classic conception of the character, complete with chainmail armour and red cape. For those interested in nerdy nuggets of trivia, it’s the waistcoat which was the source of his power in The Ultimates, leading various skeptical characters to suggest that he wasn’t a god of thunder, just a nut job who had stolen some secret technology. This allowed the writer Mark Millar to explore the character’s divinity rather than simply throwing him into the mix with the other more technologically-driven heroes and skirting over the whole “a god walks amongst you” bit.

I’m now kinda curious about how Hugo Weaving’s Red Skull will look in Captain America. A red Skull is probably as least as difficult as that iconic red, white & blue uniform to adapt to screen.

Sight Unseen: Killers and the Future of Film Criticism…

I remember it was only a few years ago that it was just really unapologetically bad movies with built-in audiences that refused (or simply couldn’t be bothered, knowing the inevitable trashing they’d receive) to be screened for critics. You know the films I’m talking about: horror remakes, horror sequels, horror in general. However, it seems that since G.I. Joe demonstrated that blockbusters can still bust blocks even without advanced critical presence. Perhaps it’s a side effect of the viral age we live in, but you don’t need a review in the Friday papers to put bums in seats. Anyway, apparently it looks like there’s more to come: Killers will not be screened for critics either.

Do we have a hit on our hands?

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The Immortal Iron Fist Omnibus

My name is Daniel Rand. I am the Immortal Iron Fist. And though it may be in chaos, my world just got a little bigger. My sense of self has grown ten thousandfold.

– Danny Rand reflects on the first half of his run

Who the hell is the Immortal Iron Fist, I hear you ask? It’s a good question. The character traces his roots back to 1974, with Marvel attempting to work off the success of the period’s kung-fu films with a line of martial arts comics. Just like they used to have western comics and war comics and so on. However, the character – despite enjoying success at the time and creating a vocal supportive fan base – never really breached pop culture consciousness in the same way that the truly big comic book characters did. He remained mostly a cult figure, beloved of some and virtually unknown to others. Matt Fraction and Ed Brubaker, two very talented comic book creators who had recently found a home at Marvel, decided to stage a revival of the character in the middle of the last decade. Apparently Marvel was so happen with the result that they omnibus’ed it, releasing it in one giant collection.

Okay, maybe ‘giant’ is exaggerating, but it’s certainly impressive.

Everybody was kung-fu fighting...

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24 for 24: The Best Cliffhangers

24 will bow out on UK and Irish television screens next week. I figured I’ll review the final season of the hit show, but I also thought I should do something a bit more special for the occasion. So, I decided I’d count down the top 24 cliffhangers. As those familiar with the show will know, each episode ends with a massive cliffhanger designed to reel the audience back in the following week. A major character is killed, someone is a mole, Jack does something almost unforgivable. Anyway, the best ones leave us hungry for more. So, over the eight years of the show, what are my personal best 24 moments?

The only reason you’re still conscious is because Jack Bauer doesn’t want to carry you…

Note: By its very nature, this article contains spoilers for all eight seasons. Don’t read it if you haven’t watched them yet, but still plan to. Even if you’re a casual fan of the show, some of these may shock you and ruin a good twist or two.

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Claws Out for Sex and the City? The Irish Times Has Just the Ticket…

Sex and the City 2 came out last week. Not that it really affects or bothers me one way or the other. I just find it fascinating that The Ticket, the normally rather wonderful entertainment supplement which comes with The Irish Times, chose to offer its front page to the girls, while containing nothing but vitriol within. It seems a little contrary to have your reviewer and your features writer going at the film with the critical equivalent of baseball bats and then give them prime of place in your lineup and publicity, no? Especially given that the front page didn’t read “Sex and the City 2: It’s Quite Crap, Actually”.

Just the ticket?

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