sex and the city 2 | the m0vie blog

Sequel Query: Hollywood’s Fascination With Sequels…

Posted on June 10, 2010 by Darren

Can you remember a year when the summer wasn’t dominated by sequels or spin-offs or reboots or prequels? If you can, most of them were probably adaptations. There’s been a lot of back-and-forth recently about the abundance of such films in the summer lineups, so I thought it might be worth a little exploration into the history of the sequel and of Hollywood blockbusters, and also worth considering the suggestion that has been mooted a lot recently: are movie-goers tiring of sequels?

: Even death couldn’t keep Spock out of the next Star Trek movie…

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Filed under: Movies | Tagged: audiences, films, hollywood, Inception, lowest common denominator, Movies, original films, originality, prequels, remakes, sequels, sex and the city 2, spin-offs, studios | 2 Comments »

Claws Out for Sex and the City? The Irish Times Has Just the Ticket…

Posted on June 1, 2010 by Darren

Sex and the City 2 came out last week. Not that it really affects or bothers me one way or the other. I just find it fascinating that The Ticket, the normally rather wonderful entertainment supplement which comes with The Irish Times, chose to offer its front page to the girls, while containing nothing but vitriol within. It seems a little contrary to have your reviewer and your features writer going at the film with the critical equivalent of baseball bats and then give them prime of place in your lineup and publicity, no? Especially given that the front page didn’t read “Sex and the City 2: It’s Quite Crap, Actually”.

Just the ticket?

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Filed under: Movies | Tagged: ana carey, complaining, cynicism, donald clarke, film, irish times, Movies, sex and the city, sex and the city 2, sex in the city, Television, the irish times, the ticket, ticket, twilight | 11 Comments »

How Is Hollywood Dealing With Recession?

Posted on September 18, 2009 by Darren

Hollywood. It’s the place where dreams come true. Where normal things like traffic don’t bother heroes like Jack Bauer, credit ratings and mortgage payments don’t halt Carrie’s spending spree and Bruce Willis never has to fill out an insurance claim form. No wonder they used to call it Hollywoodland, like some sort of fairytale kingdom (in actuality it was to advertise a housing development). This magical quality (or, if you’re cynical, ‘disengagement’) means that Hollywood can take its time in reflecting the tastes of the common people and the issues that really affect them.