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Re-Release Me… Let Me Go… Hollywood and Re-Releases…

So, yep. It’s a bad time for the US box office. The Lion King, a movie first released in 1994, managed to hold on to the number one spot at the top of the charts for two whole weeks, and ranking higher than any new release in its third week. If anything, the major movie studios have been very quick to jump on any trend that offers even the slightest hint of a money-making opportunity. It’s a trend one can easily see from the way that Hollywood pursues ideas. After Harry Potter was a breakout hit, every studio in town was looking for a young adult franchise to adapt to the big screen. After The Dark Knight, it became customary to plan for the superhero sequel before the original even hit theatres. It’s a trend even more obvious with technological gimmicks. After Christopher Nolan proved that you could make money in Imax, it seemed every other movie was being released in the format (even if it didn’t warrant it). Avatar led to a wave of 3D releases, which seemed to be growing old fast. So the success of a film originally released nearly two decades ago in the cinema, remastered in 3D, is pretty much assured to be the next big thing.

I'd be lion if I didn't admit I want to see it...

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Sequel Query: Hollywood’s Fascination With Sequels…

Can you remember a year when the summer wasn’t dominated by sequels or spin-offs or reboots or prequels? If you can, most of them were probably adaptations. There’s been a lot of back-and-forth recently about the abundance of such films in the summer lineups, so I thought it might be worth a little exploration into the history of the sequel and of Hollywood blockbusters, and also worth considering the suggestion that has been mooted a lot recently: are movie-goers tiring of sequels?  

Even death couldn’t keep Spock out of the next Star Trek movie…

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It’s The End of Cinema As We Know It…

Tell us something we don’t know. Okay, I’m being mean, but Francis Ford Coppola, once so optimistic about the future of the medium of cinema, has become jaded and cynical about the studio system:

The cinema as we know it is falling apart. It’s a period of incredible change. We used to think of six, seven big film companies. Every one of them is under great stress now. Probably two or three will go out of business and the others will just make certain kind of films like Harry Potter — basically trying to make Star Wars over and over again, because it’s a business.

And, yes, this is from the man who made The Godfather III.

But does he have a point?

He gave us The Godfather III and Bram Stoker's Dracula and NOW he's worried about the death of cinema?

He gave us The Godfather III and Bram Stoker's Dracula and NOW he's worried about the death of cinema?

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