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Non-Review Review: Zombieland – Double Tap

“Time to nut up or shut up,” reflects veteran zombie hunter Tallahassee as a horde of the undead make their way across the front lawn of the Elvis-themed motel where he has taken up residence. His doppelganger, Albuquerque, responds derisively, “Isn’t that phrase a little 2009?”

It is more than “a little” 2009. Then again, Zombieland: Double Tap is more than a little 2009. The film is the latest in a line of long-delayed sequels, including Deadwood: The Movie, Maleficent: Mistress of Evil, Toy Story 4 and Rambo: Last Blood. It feels as if the studios are rushing through their development slate as the end of the decade approaches, frantically trying to check off any potential sequels and spin-offs that might have been gestating. This is all a little strange, given that Zombieland was itself a modest critical and commercial hit, and hardly a film crying out for a sequel that has been a decade in the making.

“Tonight were going to party like it’s 2009.”

Double Tap feels rooted in 2009, for better and for worse. It is great to see this cast reassembled, as if the intervening decade had never happened. Part of the appeal of Zombieland was the combination of an apocalyptic horror with a low-key hangout comedy, and that is dependent on cast chemistry. The years have not altered that. However, there’s also an awkwardness to the film, a sense in which it hasn’t managed to keep pace with times. A few of its jokes feel curiously dated, but it also seems strangely disengaged from any shifting cultural trends over the past decade.

The result is a movie that is as solid and charming as the original film, but which occasionally feels like it is running in place. Double Tap is easy and entertaining, but never quite gets the blood flowing.

Columbus’ Day.

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Non-Review Review: 30 Minutes or Less

This movie was seen as part of Movie Fest, the rather wonderful film festival organised by Vincent and everybody else over at movies.ie. It was well worth attending, and I’m already looking forward to next year. Good job all.

It’s kinda strange to watch 30 Minutes or Less. It’s an entertaining enough farce that is carried mainly by its superb primary cast, but it feels strange because the viewer gets the sense that the film might have worked better as a quirky caper film instead of a flat-out comedy. I enjoyed the movie, even if it wasn’t really in the same ballpark as Ruben Fleischer’s early film, Zombieland. I spent most of the movie with a smile on my face, rather than laughing out loud.

Banking on another great comedy...

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The Joy of Movie Fest…

So, the inaugural Movie Fest is over. It was an amazing (and successful) attempt to bring pop film to Dublin, organised by Vince Donnelly and the team at movies.ie. Vince should really and honestly be proud of what he accomplished, because spending the weekend at the festival was the most enjoyable weekends I’ve had in quite some time. There’s something about that sort of communal celebration of cinema that makes these sorts of festivals and conventions so popular, the idea of drawing together movie fans of all ages and backgrounds to share in a unique experience. As a huge film nerd, I do have to concede a giddy thrill at the idea that this is “hardcore.”

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Non-Review Review: Zombieland

It takes a certain mindset to enjoy Zombieland. Not everyone can laugh at the fact that a zombie clown’s nose squeaks as you bash its head with a mallet. Fortunately, I discovered, I can.

Tallahassee goes to bat...

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Are Zombies the Monster of the 21st Century?

They say that horror movies and (before that) ghost stories reflect the unconscious fears of the time. So, for example, vampires allayed the fear of burying members of the community alive – if there were scratch marks on the inside of their coffins, it was because they were monsters, not because your doctor made a mistake. Or Mary Shelley’s Frankenstein was a cautionary tale for a society just on the cusp of the age of reason – a warning not to dive too far into that pool labelled ‘scientific progress’. Monster stories and ghost stories allow us to put aside our fears even for a moment by expressing them in their most ridiculous forms – I don’t think that facet of human nature has disappeared over the past century or so. If we accept this line of reasoning, are zombies the current expression of our deeply buried fears? And, if so, of what?

At least they are taking good care of their teeth...

At least they are taking good care of their teeth...

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It’s The End of The World As We Know It – And I Feel Fine

So last week we had the box office dominance of Zombieland, a post-apocalyptic comedy. Over the weekend we had the simultaneous broadcast across US network television of five minutes of Emmerich’s newest disaster flick 2012. We also may have the first post-apocalyptic Oscar-nominee in The Road this year. And that’s just in the last three months of the year. Looking back over the last decade alone there have been a million-and-one end-of-the-world thrillers, chillers, comedies and dramas. That’s a lot of apocalypse for a relatively small planet. So, what gives? is there a greater reason for the zeitgeist’s fascination with the end of the world?

Darth Vader offers an example of what the end of the world might just look like...

Darth Vader offers an example of what the end of the world might just look like...

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It’s a funny world – Comic Con ’09 in retrospect…

It seems to have been a fairly average year at Comic Con – no big surprises (pleasant or otherwise), just solid confirmation of what us movie watchers had suspected all along. Contrary to what some suggested, apparently the Twilight fangirls didn’t ruin the experience for everyone. In fact, there were a whole host of fascinating insights on a whole slate of geek-interest projects. I don’t think anyone seems to have left particularly disappointed.

Fun with glow sticks...

Fun with glow sticks...

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