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New Podcast! The Time is Now – Season 2, Episode 22 (“The Fourth Horseman”)

The Time is Now is winding down its coverage of the second season of Millennium, and I was flattered to be invited to discuss the first part of the two-part season finale The Fourth Horseman with the fantastic Kurt North.

I’ve talked a lot about my love of the second season of Millennium, and I’ve argued that the show has one of the finest season (and arguably series) finales in television history. The Fourth Horseman and The Time is Now were episodes that really shattered my expectations of what was possible on network television in the nineties. They are bold, provocative and melancholy episodes of television. They remain one of the most evocative depictions of the end of the world that I have ever encountered in media. So it was a thrill to get to discuss them.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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New Escapist Column! On “Mad Max: Fury Road” and Finding Hope Amid the Apocalypse…

I published a new In the Frame piece at Escapist Magazine last week. There’s understandably been a lot of talk about the end of the world lately, understandably, but I thought it was worth unpacking Mad Max: Fury Road.

Fury Road is one of the best blockbusters of the past decade, appearing on countless lists of the best films of the 2010s. However, what distinguishes it from a lot of apocalyptic cinema is that it embraces hope in a very meaningful and practical way. Fury Road is largely about the impulse to retreat from horror and from untenable situations, to abandon a world that appears to be fallen. However, the film argues that such an impulse is ultimately self-destructive, as eventually such a retreat runs out of road. Instead, Fury Road contends that the proper response to a broken world is to turn around and face it head on, to fix it from the inside. It’s a brave and empowering message, and a large part of the film’s appeal.

You can read the piece here, or click the picture below.

Millennium – Force Majeure (Review)

This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.

Papa?

It’s begun.

Fire and ice.

Fire and ice.

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It’s The End of The World As We Know It – And I Feel Fine

So last week we had the box office dominance of Zombieland, a post-apocalyptic comedy. Over the weekend we had the simultaneous broadcast across US network television of five minutes of Emmerich’s newest disaster flick 2012. We also may have the first post-apocalyptic Oscar-nominee in The Road this year. And that’s just in the last three months of the year. Looking back over the last decade alone there have been a million-and-one end-of-the-world thrillers, chillers, comedies and dramas. That’s a lot of apocalypse for a relatively small planet. So, what gives? is there a greater reason for the zeitgeist’s fascination with the end of the world?

Darth Vader offers an example of what the end of the world might just look like...

Darth Vader offers an example of what the end of the world might just look like...

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