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New Escapist Column! On the Perpetual Apocalypse of “Atomic Blonde”…

I published a new In the Frame piece at Escapist Magazine this evening. Since it’s three years old, and there are rumours of a sequel coming, I thought it was worth taking a look at Atomic Blonde.

Released in July 2017 and set in November 1989, there’s a pervasive sense of apocalypse to Atomic Blonde. Set against the backdrop of the fall of the Berlin Wall and released in the early months of the Trump Presidency, Atomic Blonde captures the sense of a world collapsing into madness. The deliberately jumbled spy thriller unfolds as the ordering principles of the Cold War collapse around it. There’s a grim, suffocating, brutal nihilism to Atomic Blonde, one underscored in the film’s central fear: what if the apocalypse itself never actually ends? what if it’s eternal?

You can read the piece here, or click the picture below.

 

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