x-men | the m0vie blog

Non-Review Review: X-Men III – Last Stand

Posted on April 7, 2011 by Darren

I’ll confess right off the bat that I don’t share the same honest-to-goodness hatred of this third film in the X-Men series that most on-line commentators do. It isn’t a patch on Bryan Singer’s original two films (and – looking at Superman Returns – it might have been better for all if he’d stayed on here), but it isn’t quite as weak as other third-instalments in other superhero franchises (Spider-Man III and Batman Forever, for example). It’s not a fantastic film, and it’s not the final chapter that the film series deserved, but it’s not a complete disaster.

Weathering the Storm...

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Filed under: Non-Review Reviews | Tagged: anthony heald, batman forever, bill duke, brett ratner, bryan singer, cure, cyclops, dark phoenix, dark phoenix saga, gifted, Golden Gate Bridge, Halle Berry, hugh jackman, james marsden, mutant cure, patrick stewart, phoenix, Shohreh Aghdashloo, spider-man 3, superman returns, Warren Worthington III, wolverine, x-men | 5 Comments »

A Good Poster for X-Men…

Posted on March 10, 2011 by Darren

If you were on the inter-webs yesterday, you might have had the grave misfortune to stumble across Michael Fassbender’s face superimposed over Sir Ian McKellen’s crotch and James McAvoy’s eyebrows being cut short by Patrick Stewart’s wheelchair arm in a vain attempt to promote X-Men: First Class, which must have the worst marketing campaign in the history of cinema. However, in order to help you forget those images (I never will), Last Exit to Nowhere tweeted the below epic X-Men posted from Eric Tan. It has nothing to do with actual movie, but it still manages to fit the whole “nostalgic” thing the movie’s going for (albeit fifties instead of sixties).

Superb.

On the other hand, I do quite like the (relatively) more subtle European posters which don’t feature Michael Fassbender’s face superimposed over Sir Ian McKellen’s crotch and nor James McAvoy’s eyebrows being cut short by Patrick Stewart’s wheelchair arm.

Filed under: Movies | Tagged: ian mckellen, james mcavoy, matthew vaughn, Michael Fassbender, patrick stewart, Professor X, x-men, x-men:first class | Leave a comment »

Now That’s First Class: X-Men – First Class & Superhero Nostalgia

Posted on January 25, 2011 by Darren

I have to admit that X-Men: First Class is a movie that I find myself in a wild state of flux over. At times, I’m delighted by the sensational casting, the fantastic director and the wonderful artistic design that we’re seeing. However, I am equally curious as to what the point of a prequel is, or why Bryan Singer jumped ship so quickly. At times, it’s one of my most anticipated movies of the coming year, while at others it’s just another film awaiting release. Somewhat lost amid the announcement that Bane and Catwoman would be the villains of The Dark Knight Rises, Fox released a slew of information about their newest X-Men film last week. looking at eth photos, I can’t help wondering whether the superhero movie genre is on the cusp of the nostalgia-fest which has swept their comic book counterparts in recent years.

He always had a magnetic personality...

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Filed under: Movies | Tagged: bryan singer, Comics, comics books, Cuban Missile Crisis, elektra, emma frost, fantasy, first class, Fox, Gwen Stacy, james mcavoy, January Jones, mark webb, marvel, Mary Jane Watson, matthew vaughn, nostalgia, realism, retro, sam raimi, sony, spider man, superhero movies, superheroes, x-men, X-Men Origins: Wolverine, X-Men: First Class | 5 Comments »

X-Men: Second Coming (Review/Retrospective)

Posted on December 29, 2010 by Darren

This is the sixteenth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

Second Coming is the culmination of about five years of X-Men plots. In fairness, the finale was pretty obvious from the moment that the Scarlet Witch rather infamously muttered “no more mutants” at the climax of the muddled House of M. When mutants were rendered an “endangered species” we always knew the saga would come down to one gigantic confrontation between mutants and the humans who would seek to exterminate them – while at the same time lifting the weight of extinction from the shoulders of the mutant franchise. Reflecting on the events within the Marvel universe, Cyclops comments, “Osborn is gone. The Avengers are back. And the X-Men… we can stand for something again.” And perhaps that’s the best thing to come out of all of this – the return to the status quo. If that sounds disappointing, it probably is.

Cable's gunning for the record for most kills by a one-armed mutant ever...

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Filed under: Comics | Tagged: avengers, marvel universe, matt fraction, Messiah War, secret invasion, United States, x-men, X-Men: Messiah Complex | Leave a comment »

Matt Fraction’s Run on Uncanny X-Men – Nation X (Review/Retrospective)

Posted on December 15, 2010 by Darren

I am doing a weekly look at Marvel’s complicated crossover chronology, following various key crossovers to see if they might give me a better idea of what I’m missing by avoiding mainstream comic book continuity. While – with The Avengers due for release in 2012 – I am focusing on the stories told featuring those characters over the past five years, I also have time for the X-Men. While this isn’t strictly speaking a crossover, it is a series of issues which connect Utopia to Second Coming, so I figured it was worth a look.

Utopia ended with a heck of a plot twist. Cyclops decided that his merry band of mutants have had enough of being looked down upon in New York and , more recently, San Francisco, so he decides to build himself an island from the remains of Magneto’s “Asteroid M” just off the San Francisco Bay. Announcing the new nation of “Utopia”, he declares the island a haven for mutants. Nation X provides a hardcover collection of the issues from Matt Fraction’s Uncanny X-Men which bridge the gap between Utopia and Second Coming, as well as the four-issue Nation X anthology miniseries. And, while it’s a decidedly uneven reading experience, I have to admit that some of Fraction’s portrayal of the mutant team is a little bit interesting – even if most is slightly boring and deeply convoluted.

Magneto has a magnetic personality...

Note: This collection opens with Dark Reign tie-in X-Men: The List written by Matt Fraction and following an attempted assassination attempt on Namor by Norman Osborn. Accordingly, I think I should open this review with a link to Abhay’s quite excellent article on the issue, which – among some more serious points – suggests that Namor is starring in his own private version of You Don’t Mess With The Zohan. Seriously, check it out.

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Filed under: Comics | Tagged: asteroid m, change, comic books, cyclops, Doctor Nemesis, emma frost, fans, greg land, israel, Kitty Pryde, magneto, marvel, marvel comics, matt fraction, metaphor, Professor X, retrospective, review, san francisco, status quo, terry dodson, uncanny x-men, utopia, x-men, x-men: nation x, x-men: utopia | 1 Comment »

X-Men/Dark Avengers: Utopia (Review/Retrospective)

Posted on December 15, 2010 by Darren

This is the fourteenth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (and, in particular, their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity. Get an overview of what I’m trying to take a look at here.

There’s an essay to be written about how Marvel has so carefully and meticulously replaced the X-Men with The Avengers as their biggest A-list franchise book (in fact, there’s a quite wonderful essay written here about that). During the nineties, the big event crossovers at Marvel seemed to exist at the leisure of their mutants – Age of Apocalypse and Onslaught being two of the more obvious examples. However, since House of M, the mutants have been consciously sidelined. They continue to have their own internal events and crossovers – Messiah Complex and Second Coming the most obvious examples – but they remain largely insular and detached from the regular goings on in the Marvel Universe. Except for Wolverine, because he’s everywhere.

Marvel announces Dark Avengers on Ice!

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Filed under: Comics | Tagged: avengers, avengers/x-men, comic books, Comics, crossover, cyclops, dark avengers, dark reign, dark x-men, emma frost, marvel comics, matt fraction, norman osborn, san francisco, scott summers, the cabal, the list, utopia, x-men, x-men/avengers | 1 Comment »

Ed Brubaker’s Run on Uncanny X-Men – The Rise and Fall of the Shi’ar Empire (Review/Retrospective)

Posted on December 8, 2010 by Darren

I’m currently wading my way through Marvel’s somewhat complicated continuity, with a major focus on The Avengers, what with the film due out in 2012 and all that. Anyway, this isn’t really a “big” crossover in its own right, but it factors into a big event I’ll be looking at later on today. Consider this an appendix.

Ed Brubaker’s run on Uncanny X-Men isn’t as widely praised as his work on Daredevil or Captain America – in fact, while Marvel couldn’t wait to churn out omnibus releases of his work on those two titles, his Uncanny X-Men run, like Matt Fraction’s run which followed, has been haphazardly collected. Part of me suspects that this might be down to factors outside Brubaker’s control – Joss Whedon was monopolising the most popular X-Men for Astonishing X-Men when Brubaker kicked off his run – but part of it comes down to the simple fact that Brubaker simply isn’t a great writer of team books. That said, writing a year-long space epic featuring none of the more iconic characters as his introductory arc probably didn’t help much.

Brotherly love…

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Filed under: Comics | Tagged: chris claremont, comic book review, Comics, ed brubaker, emperor vulcan, gabriel summers, marvel, review, shi'ar, the rise and fall of the shi'ar empire, the shi'ar, uncanny x-men, vulcan, war of kings, x-men | 6 Comments »

X-Men: Messiah War (Review/Retrospective)

Posted on November 24, 2010 by Darren

This is the eleventh in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

Messiah Complex is billed as the “second instalment” of the X-Men “Messiah Trilogy”, following on from Messiah Complex and leading into Second Coming. The arc essentially follows Hope, the first mutant baby born in the wake of the infamous House of M crossover and the quest by various factions to exploit her – will she be a salvation of Marvel’s erstwhile bunch of mutants, or their ultimate damnation? Messiah War essential combines the two on-going X-Men books launched in the wake of Messiah Complex, with Cable following Hope and the time-travelling X-Man as they flee those who wish the child harm and X-Force following Wolverine’s bunch of “black-ops” “darker and edgier” X-Men strike force. Of course, the only way it could get more nineties was if you threw in Deadpool, Apocalypse and Stryfe… oh, wait. They did.

Has the bar been raised?

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Filed under: Comics | Tagged: apocalypse, arts, bishop, cable, Christopher Yost, Comics, Craig Kyle, crossovers, Duane Swiercynski, hope, marvel, marvel comics, Mutants, nineties, Rob Liefeld, stan lee, stryfe, the times and life of lucas bishop, x-force, x-force/cable: messiah war, x-men, X-Men: Messiah Complex, x-men: messiah war, x-overs | Leave a comment »

Peter Milligan & Michael Allred’s Run on X-Force – Famous, Mutant & Mortal (Review/Retrospective)

Posted on November 24, 2010 by Darren

For the past few months, I’ve been taking a look at Marvel’s sometimes convoluted crossover chronology as a sort of lead-in to The Avengers, arriving in cinemas in 2012. Later on today, I’ll be reviewing Messiah War, a crossover between two of the series relaunched in the wake of Messiah Complex so I thought I might take a look back at some of the series leading into it beforehand. However, the two series – Cable and X-Force both have roots in the “darker and edgier” period of X-Men history known as the nineties. Driven by Rob Liefeld, the two series became by-words for ridiculous violence, convoluted storytelling, shallow characters and lots of guns. Lots of guns.

That is not the version of X-Force I’m going to look at today.

British writer Peter Milligan apparently laughed pretty hard when he was asked to write X-Force. However, the early part of the naughties was a different time at Marvel. Perhaps the financial collapse of the company in the nineties had made the company bolder, more willing to take creative chances. Perhaps they figured that, with Grant Morrison working on New X-Men, there wasn’t anything that much more radical that Peter Milligan could do. Either way, the author was granted incredible creative control and the chance to do something truly different. He took advantage of it, and produced one of the most fascinating comic books of the past decade.

At least he’s honest about it…

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Filed under: Comics | Tagged: arts, Comics, doop, Gin Genie, grant morrison, Grantmorrison, marvel, marvel comics, Mike Allred, new x-men, Peter Milligan, Rob Liefeld, x-force, x-men, x-statix | 4 Comments »

Aaronofsky to Wrestle “The Wolverine”: Are Independent Directors the Best Choices for Superhero Cinema?

Posted on November 18, 2010 by Darren

I’m going to be honest, I like it when relatively obscure film directors are handed the reigns to huge blockbuster properties. It seems that these “cult” film makers tend to bring something fresh from outside the studio system to their work. I might sound more than a bit pretentious, but it reminds me of the way that many of the blockbuster directors of the seventies – including Lucas and Spielberg – originated from outside the studio system before revolutionising it from inside. As a concept, would I rather watch Michael Bay’s Transformers: Revenge of the Fallen or Christopher Nolan’s Batman Begins? No choice there. Any film with the name “Jerry Bruckheimer” attached or Sam Raimi’s Spider-Man? Again, no choice. So, despite the fact that Gavin Hood’s X-Men Origins: Wolverine was a critical failure and an infuriatingly (but, sadly, not unpredictably) disappointing film, am I alone in getting a little excited about Darren Aaronofsky’s The Wolverine.