This is the eleventh in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.
Messiah Complex is billed as the “second instalment” of the X-Men “Messiah Trilogy”, following on from Messiah Complex and leading into Second Coming. The arc essentially follows Hope, the first mutant baby born in the wake of the infamous House of M crossover and the quest by various factions to exploit her – will she be a salvation of Marvel’s erstwhile bunch of mutants, or their ultimate damnation? Messiah War essential combines the two on-going X-Men books launched in the wake of Messiah Complex, with Cable following Hope and the time-travelling X-Man as they flee those who wish the child harm and X-Force following Wolverine’s bunch of “black-ops” “darker and edgier” X-Men strike force. Of course, the only way it could get more nineties was if you threw in Deadpool, Apocalypse and Stryfe… oh, wait. They did.
Has the bar been raised?
Filed under: Comics | Tagged: apocalypse, arts, bishop, cable, Christopher Yost, Comics, Craig Kyle, crossovers, Duane Swiercynski, hope, marvel, marvel comics, Mutants, nineties, Rob Liefeld, stan lee, stryfe, the times and life of lucas bishop, x-force, x-force/cable: messiah war, x-men, X-Men: Messiah Complex, x-men: messiah war, x-overs | Leave a comment »
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