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New Escapist Column! On The Third Season of “Star Trek: Picard” as an Exercise in Justifying Nostalgia…

I am doing weekly reviews of Star Trek: Picard at The Escapist. They’ll be dropping every Thursday morning while the show is on, looking at the third season as the show progresses. This week, the premiere.

The third season of Picard is a staggering work of fan service nostalgia, a collection of imagery and iconography that the audience recognises, with little to tie it together beyond assumed familiarity. Part of what is so interesting about the series is that it seems to understand this. Picard is largely built around justifying that nostalgia, to itself and its audience, as if trying to desperately reassure viewers that it’s fine to give up the future and retreat into the comforts of an illusory past.

You can read the piece here, or click the picture below.

Star Trek: Enterprise – Bound (Review)

This May, we’re taking a look at the fourth (and final) season of Star Trek: Enterprise. Check back daily for the latest review.

Bound is, for all intents and purposes, the last standalone episode of Star Trek of the Rick Berman era.

There are five more episodes following Bound, but they consist of two two-parters and the official series finale. Bound is very much the last “regular” episode of Star Trek: Enterprise to be produced, the last episodic adventure in the series. In fact, given the trends in contemporary television that are nudging the format towards serialisation and long-form storytelling, it seems entirely plausible that Bound could be the last standalone episode of Star Trek ever produced.

Strike a pose.

Strike a pose.

As such, it is a shame that Bound is a complete and utter disaster. It is an embarrassment to the series and to the franchise. More than that, it is an embarrassment that was written by the fourth season showrunner and which feels very much like the big ideas of the fourth season carried to their logical conclusion. Bound recalls the horrible sexism of episodes like Precious Cargo and Bounty, cloaking its objectionable sexual politics in the guise of nostalgia. Arguably the best things about Bound is that it makes Rajiin seem well-constructed in comparison.

Bound is easily the worst episode of the season and a strong contender for one of the worst episodes of the series. What better way to remember Enterprise?

Nostalgic sexism, hoy!

Nostalgic sexism, hoy!

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The Marvels Project (Review/Retrospective)

hIn celebration of the 4th of July and the release of Captain America: The First Avenger later this month, we’re jumping into Marvel’s comic book alternate history and taking a look at the star-spangled avenger every Wednesday this month.

Truth be told, I’m not sure what to make of The Marvels Project, a miniseries from Ed Brubaker. Brubaker has been doing acclaimed work on Captain America for some years now, so I guess I almost figured that The Marvels Project would be an extension of that – a period piece set during the Second World War which would allow perhaps the definitive Captain America author to put his own stamp on that iconic comic book origin. For better or worse, this isn’t really that story – sure, Steve Rogers’ early career is covered, but as one small section of a much larger puzzle. Far more than the origin of Captain America, The Marvels Project is the origin of the Marvel Universe.

Carryin' the torch...

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Now That’s First Class: X-Men – First Class & Superhero Nostalgia

I have to admit that X-Men: First Class is a movie that I find myself in a wild state of flux over. At times, I’m delighted by the sensational casting, the fantastic director and the wonderful artistic design that we’re seeing. However, I am equally curious as to what the point of a prequel is, or why Bryan Singer jumped ship so quickly. At times, it’s one of my most anticipated movies of the coming year, while at others it’s just another film awaiting release. Somewhat lost amid the announcement that Bane and Catwoman would be the villains of The Dark Knight Rises, Fox released a slew of information about their newest X-Men film last week. looking at eth photos, I can’t help wondering whether the superhero movie genre is on the cusp of the nostalgia-fest which has swept their comic book counterparts in recent years.

He always had a magnetic personality...

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I Love the Eighties: Blockbuster Edition

I am a child of the eighties. It’s a bit of an irony that I am too young to actually recall any of the decade, but still feel more than a pang of nostalgia about it. Evidently I’m not the only one. Perhaps it’s in recognition of the turn of a new decade or the rise of a younger generation, but even a cursory glance at the big budget blockbusters coming our way this summer reveal that the times, they are a-changing. No longer is our fascination with quirky seventies sex comedies or gritty urban cop dramas of that decade: this year, we’re going back to the eighties.

The Expendables is a blast from the past...

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Best Picture Poster Porn…

Here’s a little treat to get you in the mood for this evening’s festivities. BAFTA hired artist Tavis Coburn to basically design retro-style posters for their own awards – you know, like Turner Classic Movies did last summer. Since there’s significant overlap between the Oscars shortlist and the BAFTA shortlist, it’s a nice way to get yourself geared up for an interesting night. It’s a shame there isn’t an Inglourious Basterds poster, as that movie is arguably the best suited to a retro reimagining, but I guess the recent charity redesigns will have to do.

The posters are below. Click for bigger versions.

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