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The Sopranos: Sopranos (Review)

I feel like I am massively late to the party. Not fashionably late, mind you. However, my gran received The Sopranos on DVD for Christmas, and I’ve decided to go back and watch it from the start with her. I’ve seen bits and pieces of the iconic television show over the years – even following it for a full two seasons in the middle – but I’ve never seen David Chase’s dark exploration of the American dream from beginning to end. So, slowly, in the company of my grandmother, I shall be making my way through what many people consider to be the best television show ever produced. And where better to start, after all these years, than the very first episode?

Talking it out...

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Non-Review Review: Casa De Mi Padre

This film was seen as part of the Jameson Dublin International Film Festival 2012. It was the first “surprise” film.

Will Ferrell’s Casa De Mi Padre is perhaps the most esoterical comedy ever produced. The comedian has his legion of loyal fans, but it’s difficult to imagine that there’s a large crossover between those who enjoy Ferrell’s work and those with an affection for Mexican telenovelas. Filmed in “Mexico Vision”, with pretty much all of the dialogue in Spanish (rather than, as one DEA agent puts it, “American”), the movie displays an astonishing commitment to its basic premise, which is effectively one joke sustained over its runtime. I can sense already that Ferrell’s latest project will be his most divisive to date, dividing film fans into “love it” or “hate it” camps. I fall strongly into the former.

A que no me alcanzas!

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Non-Review Review: Bel Ami

This film was seen as part of the Jameson Dublin International Film Festival 2012.

I have to admit to being pleasantly surprised by Bel Ami, the first film from theatrical veterans Declan Donnellan & Nick Ormerod. It’s a classy little period drama that doesn’t necessarily redefine the genre, but instead stands as a worth addition to the canon. In a way, it seems like a more lavish BBC adaptation, which is quite a compliment when it comes to period drama. I don’t know if actor Robert Pattinson will necessarily find life after Twilight, but I imagine he will find a niché if he choses his next couple of roles as carefully as he chose this one.

Hm... This guy rings a Bel...

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Non-Review Review: Saving the Titanic

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Saving the Titanic is an interesting blend of documentary and drama, exploring the efforts of the engineers onboard the ill-fated ship, fighting to keep her afloat and alight just a little bit longer. The narration from Liam Cunningham suggests that the selfless bravery of those working in the bowels of the ship allowed her to survive more than an hour and a half longer than she should have. While the docu-drama never really reconciles the two approaches it takes to events – creating the impression that it should have opted for a “one or the other” style of approach – it is a fascinating look at one of the most important events of the twentieth century.

It's a dirty job...

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Dude, Where’s My Midnight in Paris Blu Ray?

I own a blu ray player. I still like to buy my blu ray and DVDs, even if I accept that Netflix might render that a thing of the past. However, I can’t help but feel that some of the distributors are shooting themselves in the foot in how they are handling the medium. I mean, Criterion have suddenly decided to region-lock their blu ray releases, making the highest-quality home media releases less accessible than the DVD editions of the same films. Last week, I went to pick up a copy of Woody Allen’s Midnight in Paris from HMV, making my weekly trip and, while the DVD was present, there was no blu ray to be found.

A long, dark midnight of the format...

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Non-Review Review: The Blob (1958)

I’m surprised that The Blob doesn’t get more love as a late-fifties creature feature. It has all the right ingredients, from a compelling monster, a clever central metaphor and a dashing lead in Steve McQueen. Sure, the special effects haven’t aged well, and the movie occasionally veers into the realm of cheese, but it is a wonderful example of type of monster movies American studios used to churn out during the fifties – seemingly disposable little horrors that ended up a lot smarter and more sophisticated than most viewers took them for.

It came from outer space...

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Going Against the Grain: Unpopular Movie Opinions…

I quite liked J. Edgar. Don’t get me wrong, I didn’t think it was perfect or anything like that, but I thought it was an interesting piece of cinema that clearly articulated Eastwood’s views on twentieth century America, fitting as part of a tapestry the director had crafted exploring the country’s history. However, I still feel a little uncertain about my opinion. After all, it seems that most critics quite disliked it. I know that anybody writing or discussing film is required to formulate their own opinion, but there is a strange feeling that comes with disagreeing with the majority opinion. While the world wouldn’t be an interesting place if we all agreed, it’s sometimes hard to reconcile the individual’s opinion against that of the critical majority.

Suits you, sir...

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Dirty Dancing at the Grand Canal Theatre (Review)

It’s hard to fault Dirty Dancing Live, the latest in a long line of screen-to-stage translations of popular works. It’s not exactly bold, or challenging, or excessively original – but the stage show has a sense of style that fits the material, and an ensemble who can really move. Between that and a handsome leading man in Paul-Michael Jones, it should have everything necessary to satisfy the target audience – even if it won’t really convert to many skeptics.

Try to catch him dancin' dirty...

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Non-Review Review: Paul

Paul is a charming little film. It’s not the most consistently hilarious comedy of the year, and it occasionally gets a little bit too hung up on a particular joke, but it does have a few chuckles and an affable quality that allows it go down easy. There’s a genuine sense of affection in the film, following two British nerds and the eponymous alien escapee on a road trip across America, but there’s also enough of a bite the film never wallows too much in sentimentality. It’s hard to find a single quality that Paul excels in, but it has a broad enough mesh of qualities that it makes for a pleasant enough viewing experience.

Ap-paul-ling behaviour...

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Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #3-4) (Review/Retrospective)

This January, I’m going to take a look at some of DC’s biggest “events.” You can probably guess which event I’m leading into, but I don’t want to spoil it…

I have never read Swamp Thing before. This trip through these lovely (but sadly not oversized or filled with extras) hardcover editions of Alan Moore’s iconic run on the title has been my first encounter with the character. This is Moore’s longest tenure on a mainstream comic book, and the one which introduced him to the mainstream. What’s astounding here is not only how Moore manages to offer something which still stands up as something unique and challenging, but also offers a fairly exciting and well-written book on his own terms.

I have a burning desire to read more...

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