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New Escapist Video! “The Mandalorian – Chapter 11: The Heiress”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’ll be doing weekly reviews of The Mandalorian.

The review of the third episode of the second season, The Heiress, is available below.

New Escapist Column! On “Creed” as the Perfect Legacy Sequel…

I published a new In the Frame piece at The Escapist this evening. Because Creed is five years old this month, it seemed like an appropriate time to look back at one of the defining legacy sequels.

Creed arrived at a point in time when these sorts of movies were becoming a lot more common; Star Wars: Episode VII – The Force Awakens would premiere a month later. However, there is a lot that later legacy sequels could learn from Creed and how it approaches the idea of passing the torch from one generation to the next. Creed is a love letter to the Rocky franchise, but never loses track of its own identity, accomplishing the rarest of balances.

You can read the piece here, or click the picture below.

New Escapist Video! “The Mandalorian – Chapter 10: The Passenger”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’ll be doing weekly reviews of The Mandalorian.

The review of the second episode of the second season, The Passenger, is available below.

New Escapist Column! On “GoldenEye” and a James Bond Out of Time…

I published a new In the Frame piece at The Escapist this evening. Because GoldenEye is twenty-five years old this month, it seemed like an appropriate time to look back at one of the more underappreciated entries in the franchise.

GoldenEye arrived in a changed world, after the fall of the Berlin Wall and the collapse of the Union of Soviet Socialist Republics. Many of the underlying assumptions of the Bond franchise were no longer relevant to the new world order. At the same time, the Bond franchise was in an existential crisis following the commercial disappointment of the previous film and the longest gap between installments to date. However, GoldenEye hit upon a novel solution to this problem: instead of fighting against the idea of Bond as a man out of time, it would embrace it.

You can read the piece here, or click the picture below.

New Podcast! The Escapist Movie Podcast – “We Finally Have An Excuse To Re-Watch Willow”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the ninth episode. It was a light enough week for film news, so we talked about Disney’s new content warnings on some its older and more dated classics, the announcement that there was a Willow television series coming, and discussed the latest version of The Witches.

You can listen to the episode here, back episodes of the podcast here, click the link below or even listen directly.

New Escapist Column! On the “Joker” Controversy, One Year Out…

I published a new In the Frame piece at The Escapist this evening. It’s been roughly a year since the release of Joker, so it seems appropriate to take a look back at the controversy surrounding the film.

The controversy around Joker is interesting, because it was at once so loud and so meaningless. In the lead-up to the film’s release, there was a lot of hyperbole around the movie, arguing that it might empower or encourage a certain audience – angry young men – to commit acts of violence. This made the release of the film something of a wry practical joke, with Joker ultimately bending over backwards to avoid any potentially inflammatory choices. The result was a storm that raged in a tea cup, but which seemed eager to bubble over.

You can read the piece here, or click the picture below.

New Podcast! The Escapist Movie Podcast – “The Excellence of The Haunting of Bly Manor”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the eighth episode. It was a light enough week for film news, so we talked about Disney’s pivot to streaming, the rumours about the upcoming sequel to Spider-Man: Homecoming and Spider-Man: Far From Home, and the joys of The Haunting of Bly Manor.

You can listen to the episode here, back episodes of the podcast here, click the link below or even listen directly.

New Escapist Column! On “The Romance of Certain Old Clothes” as the Key to “The Haunting of Bly Manor”…

I published a new In the Frame piece at The Escapist this evening. With the release of The Haunting of Bly Manor last week, I figured it was worth a look at the season’s standout episode, The Romance of Certain Old Clothes.

Early in the season, the character of Peter Quint explains to young Miles Wingrave that people are like locked doors – in order to understand them, and get inside of them, one needs a key. That key serves as a detail that ties the whole together and makes sense of it all. The Romance of Certain Old Clothes, the penultimate episode of the season, serves that purpose – not only for The Haunting of Bly Manor itself, but arguably the bulk of showrunner Mike Flanagan’s output.

You can read the piece here, or click the picture below.

New Escapist Video! On the Snyder Cut and the Future of Pandemic Cinema…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This month, it will be releasing on the Thursday.

With that in mind, here is last week’s episode, covering the long-looming release of The Snyder Cut of Justice League, and why this might represent an attractive model for studios desperately looking for new (and affordable) content in the midst of a pandemic.

New Escapist Column! On the Potential of the Pandemic Awards Season…

I published a new piece at The Escapist today. There’s been a lot of interesting debate recently about the Academy Awards, and what what they might look like this year, so I thought it was worth taking a closer look.

With cinemas closed around the world – and most obviously in the familiar movie markets of Los Angeles and New York – it would be impossible for this awards season to work in the same way as previous years. The Academy has made changes to its rules to compensate, but some observers argue that the Oscar simply cannot go ahead in the current climate. However, there’s a solid argument to be made for pressing ahead under these conditions – for an awards season that looks as bizarre as the year that led into it.

You can read the piece here, or click the picture below.