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New Escapist Video! “Shadow and Bone – Review in 3 Minutes”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute television review of the new Netflix streaming series Shadow and Bone.

New Podcast! The Escapist Movie Podcast – “All Hail Judas and the Black Messiah”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the twelfth episode of the year, for a jam-packed discussion that covered Chaos Walking, Judas and the Black Messiah and Promising Young Woman.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Escapist Video! On the Appealing Meaninglessness of “Godzilla vs. Kong”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the release of Godzilla vs. Kong, it seemed like a good opportunity to take a look at the film’s appealing meaninglessness, particularly in an era that seems so over-signified with meaning.

New Escapist Column! On the Unknowable Monstrosity at the Heart of “Shin Godzilla”…

I published a new In the Frame piece at The Escapist this evening. With the release of Godzilla vs. Kong, it seemed like a good time to take a look back at Japan’s iconic reptilian monster. In particular, the way in which Godzilla evolved from an embodiment of monstrous uncertainty to protector of the planet. In this context, Shin Godzilla is a fascinating piece of work. Building on co-director Hideaki Anno’s work on earlier projects like Nausicaä of the Valley of the Wind and Neon Genesis Evangelion, the monster at the centre of Shin Godzilla is hauntingly unknowable, a grotesque intrusion of something almost beyond human comprehension into the material world. The film is all the more effective for that. You can read the piece here, or click the picture below.

New Escapist Column! On the Legacy of “Game of Thrones”…

I published a new In the Frame piece at The Escapist this evening. With the tenth (or “iron”) anniversary of Game of Thrones coming up, it seemed like a good opportunity to take a look at the show’s enduring legacy – in particular, the disconnect between the internet’s narrative of that legacy and the reality of it. To listen to the internet, Game of Thrones ended in such a way as to erase its cultural footprint and any residual cultural goodwill towards it. It’s not uncommon to hear people talk, at length, about how nobody talks about Game of Thrones anymore. However, there’s a fascinating dissonance here, because Game of Thrones appears to be thriving by any quantifiable measure. You can read the piece here, or click the picture below.

New Escapist Column! On “Guardians of the Galaxy” as the MCU’s Best Exploration of Loss…

I published a new column at The Escapist yesterday. With all the talk about how so much of the modern Marvel Cinematic Universe is about “loss”, it seemed like a good opportunity to take a look back at Guardians of the Galaxy.

The Marvel Cinematic Universe is not a machine that is designed to deal with concepts like loss head on. After all, most of its major departures were down to contract negotiations rather than narrative priorities. Characters are often resurrected, and losses are often temporary. This is what makes Guardians of the Galaxy so compelling. Director James Gunn understands that the Marvel Cinematic Universe is a space into which the audience and characters escape to avoid dealing with loss, even if it haunts them still.

You can read the piece here, or click the picture below.

New Escapist Column! On the Meaninglessness of “Godzilla vs. Kong”…

I published a new In the Frame piece at The Escapist this evening. With the release and success of Godzilla vs. Kong on HBO Max and in cinemas last week, it seemed like a good opportunity to take a look at the film’s aggressive rejection of meaning. Godzilla vs. Kong is not a movie particularly concerned with subtext or metaphor. It is not a parable for mankind’s confrontation of the unknown, the hunger for war that lurks in every human heart, or even the dangers of how mankind is treating the environment. Instead, it’s a movie about a giant monkey punching a giant lizard until one of them falls down. However, maybe there’s nothing inherently wrong with that, particularly following a year that has – for many people – been over-infused with meaning. You can read the piece here, or click the picture below.

New Escapist Column! On How the MonsterVerse Has Forsaken Awe and Wonder…

I published a new In the Frame piece at The Escapist yesterday. With the release of Godzilla vs. Kong, it seemed like a good opportunity to look at the film in the context of the larger MonsterVerse – in particular, Godzilla and Godzilla: King of the Monsters.

Godzilla vs. Kong is pure spectacle. The film features a host of impressive and showstopping sequences, including two major bouts between the title characters. However, there is something missing in all of this carnage. Like King of the Monsters before it, and like a lot of other modern blockbusters, there’s a curious lack of awe and wonder to the spectacle on display.

You can read the piece here, or click the picture below.

A smashing success?

New Podcast! The Escapist Movie Podcast – “Sound of Metal and the Oscars”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the tenth episode of the year, with a special guest Stacy Grouden, to talk about Sound of Metal and The Empty Man.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Escapist Video! “Godzilla vs. Kong – Review in 3 Minutes”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute feature film review to the channel, discussing Godzilla vs. Kong.