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New Escapist Video! On the Appealing Meaninglessness of “Godzilla vs. Kong”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the release of Godzilla vs. Kong, it seemed like a good opportunity to take a look at the film’s appealing meaninglessness, particularly in an era that seems so over-signified with meaning.

New Escapist Column! “Kong: Skull Island” and the Monster in All Human Hearts…

I published a new In the Frame piece at The Escapist this evening. With the announcement that all Warner Brothers films are going to HBO Max, I thought I’d take a look at one of the films related to that move, in particular Godzilla vs. Kong and one of the films leading into it, Kong: Skull Island.

Skull Island is easily the best of the films leading into Godzilla vs. Kong. It is appreciably stronger than either Godzilla or Godzilla: King of the Monsters. A large part of that is down to the fact that it actually has themes, using its central monster to construct an exploration of the idea of warfare. Indeed, one of the more interesting aspects of Skull Island is the way that it implicitly positions King Kong in parallel with Godzilla, turning the giant monkey into a metaphor for the American experience of warfare in the twentieth century.

You can read the piece here, or click the picture below.