In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.
“Unfortunate,” is probably a word that gets tossed around quite frequently about Tintin in the Congo. The second adventure in the series, it was omitted from the list of books on the back of my old Tintin collection, for reasons that aren’t too hard to fathom. Apparently, like Tintin in the Land of the Soviets, the book was driven by editorial edict – to encourage Belgians to move to the colonies in the Congo, rather than to drum up fear and mistrust of communist Russia – though, to be frank, I really can’t see much here stirring a desire to emigrate. Tintin in the Congo is very mush a product of its time, filled with casual racism and awkward portrayals. That doesn’t make it any better, and it’s genuinely quite difficult to look past that fact.
Filed under: Comics | Tagged: Adventures of Tintin, arts, Captain Haddock, controversy, Hergé, peter jackson, political correctness, racism, Secret of the Unicorn, steven spielberg, The Adventures of Tintin: Secret of the Unicorn, Tintin in the Congo, Tintin in the Land of the Soviets, Warner Bros | 4 Comments »



























