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Tintin: Tintin in the Land of the Soviets (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

The two earliest Tintin adventures, Tintin in the Land of the Soviets and Tintin in the Congo, are looked back upon as the black sheep of the Tintin novels produced by Hergé. While Tintin in the Land of the Soviets is shameless anti-Communist propaganda (and does contain a hint of the foul racism we’d see a lot more of in Tintin in the Congo), one can detect a lot of the charm that Hergé brought to his iconic creations, scattered throughout the work, from the surreal sense of humour to the writing style to the love of ridiculous suspense, seemingly for the sake of suspense. The best was definitely yet to come, but it all started here.

The collection isn't Tintin at his finest...

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