There are two different, decent competing movies tucked away inside The Roads Not Taken. Sadly, the whole is much less than the sum of its two largest parts.
The first of these movies is a fairly conventional study of a daughter coping with her father’s neurological degeneration. It is a fairly standard template, tapping into recognisable anxieties about growing old, and the realisation that many children will have to act as caregivers for their parents in old age. This is a solid basis for a movie on its own terms. Indeed, it seems like a film that could easily net an awards nominations for actors Javier Bardem and Elle Fanning.
Holding it together.
The second film is a more abstract and ambitious work, in which an older man reflects on the life that he has lived and – trapped inside his own head with a slipping sense of reality – allows himself to play out fantasies of how his life might have been different. This a more philosophical work, a more reflective and introspective film. It seems like something from a stranger and more unusual movie, something like The Fountain or even Cloud Atlas.
The problem is that these two angles on the story do not fit together. In cutting across them, director Sally Potter undercuts and undermines both narratives. Neither thread has enough room to breath and build momentum, and both are driven by fundamentally different stakes. One movie is about the experiences of an aging writer named Leo, while the other is about his daughter Molly, and shifting back and forth causes the movie to lose its emotional footing. The result is an interesting and well-intentioned curiosity, but an underwhelming film.
Baby, I’m a-maize-d by you.
Filed under: Non-Review Reviews | Tagged: Elle Fanning, film, javier bardem, Movie, non-review review, review, sally potter, the road not taken | Leave a comment »
the m0vie blog 