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Bah Humbug! Are We Past the Point Where Technical Wizardry Can Amaze?

Hmm… I bet Robert Zemickas was expecting a somewhat bigger reaction for the release of the first trailer for his version of A Christmas Carol (aka Jim Carrey plays almost everyone), the follow-up to The Polar Express (aka Tom Hanks plays everyone), than the collective ‘meh’ that it received. I’ve watched the trailer and it looks technically magnificent (and I’m sure it’ll be even more technically impressive in 3D) – but why should I care? If I’m going to put on a pair of glasses and look at something beautiful until it give me a mild headache, shouldn’t I at least be looking at something interesting and intriguing of itself? Are we past the point where technical wonders alone are enough to lure the geeks out in droves?

Here's hoping Santa can bring Zemickis a 150% return on his investment...

Here's hoping Santa can bring Zemickis a 150% return on his investment...

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Pixar’s Ant-Man!

Yes, I can’t resist the urge to post every bit of awesome Pixar-related news that comes to my attention. This week it’s the potential payoff on the humongous (yes, I’ve been waiting to use that word a while now) Marvel-Disney deal that broke last week and sent ripples through the geeksphere. I was less-than-interested because I knew it would be years before we say any payoff (given the long Hollywood development cycle) and even more years before Disney got its hands on the movie rights to any ‘big hitters’ (as all the big franchises are tied up with other studios at the moment). There was the thought at the back of my mind that I dared not articulate, but it has happened: Pixar are apparently doing a comic book movie. An Ant-Man movie!

Wait, who?

Na na na na na na na na na na na na na na na na, Antman!

Na na na na na na na na na na na na na na na na, Antman!

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Gotta Get a Gilliam…

Apparently Terry Gilliam wants to work at Pixar. How incredibly awesome would that be? Even the concept is intriguing. I’m not as head-over-heels in love with Gilliam as most film fans seem to be (his output tends to fluctuate wildly in quality), but Brazil is quite possibly my favourite science fiction film ever. And I love science fiction. Anyway, I would have thought a major studio that is a subsidiary of possibly the largest and most influential entertainment conglomerate in the world would be the last place an auteur like Gilliam would be found.

Evidently, I was wrong.

Rawr! Gilliam's Gonna Get Ya!

Rawr! Gilliam's Gonna Get Ya!

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Getting Animated – The Revival of Old-Fashioned Animation?

We live in the era of 3D and CGI. I remember back in they day there were worries and complaints by all the unions in Hollywood that the advent of perfect CGI would mean the end of actors in Hollywood – why pay Jim Carrey $20m a film when you can create a character for a fraction of that? Needless to say it hasn’t happened yet and I doubt it will. Hollywood and movies have always been the land of personalities. Get rid of those personalities and you have very little. It isn’t the antics of directors and writers that fuel the tabloid industry. So it’s logical that the part of the industry that has been most threatened by the marching on of science is the one where there is already minimal personality. I speak of course of the death of 2D animation. Although I hope I’m being premature – there have been two stories in the past 24 hours that indicated that old-fashioned non-live action films may not be quite dead.

Just a fraction less sophisticated than the animation Wes Anderson employs...

Just a fraction less sophisticated than the animation Wes Anderson employs...

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The Sweetest Film Story of the Year

It’s a news story that’s got a fair bit of coverage all over the shop, but I thought I’d simply put it up here.

Pixar got a phonecall from the family of ten year old Colby Curtin, a child dying of cancer. Colby was a huge fan of the studio’s work to date, and had told her mother that she’d hang on in to see their latest film, Up. The family had planned to take her to the cinema, but she took a turn for the worse before the release. Apparently the family didn’t even know anyone at the company, they’d just made the call when it became clear Colby would not be able to see the film in cinemas. Pixar sent out the film to her house for a private screening. Apparently Colby was impressed with the result. Having seen the movie, she died later that night.

A still from Pixar's Up

A still from Pixar's Up

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3D or not 3D?

As 3D enters its second golden age (yes, I’m using a little hyperbole, but let’s run with it), it’s generating a lot of discussion. Just how gimmicky is it? Is doomed to forever by a “nine day fad”, as blithely summed up by Alfred Hitchcock himself? Worse, does 3D fade colours and detract from the actual viewing experience, as Roger Ebert protests? I figured I’d give my two cents on the third dimension.

Retro chic

Retro chic

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The Magic of Pixar

How do Pixar continue to do it? Of the ten films they have produced so far, nearly all are considered animated classics (though I remain skeptical of A Bug’s Life). Somehow the company seems to have found a way to not only compress the whole spectrum of human emotion (though it has been suggested that they do better with loss and depression than triumph and love), and distill these precious elements into a technically marvelous computer-animated form. With Up seemingly continuing the trend, how can they continue to do it?

Carl knew it wouldn't all be plane sailing...

Carl knew it wouldn't all be plane sailing...

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Cannes in Review

Well, it’s almost over. The Cannes film festival – generally praised as the height of sophisticated cinema – will wrap up on Sunday evening. I may have been a bit negative in my coverage of Cannes this year – with jabs at Lars von Trier and Quentin Tarantino who were screening at the festival – but I’m absolutely delighted with how the festival seems to have gone, and with the weather the way it is over here, I figured it was time to run some good news.

Things I like about Cannes #1: I like that it's always sunny in Cannes...

Things I like about Cannes #1: I like that it's always sunny in Cannes...

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The DVD Dilemma…

I have a moral dilemma. Pixar’s Up is released in the United States next weekend. It has opened to nigh-universal praise at Cannes. My girlfriend is anticipating the film like nobody’s business. And we’ll have to wait five months to get to see it over here. By that stage, the DVD and Blu Ray will have been released in the United States.

So, should I feel guilty about wanting to import a legally purchased DVD or Blu Ray of a film that hasn’t arrived in cinemas yet?

You shouldn't have to trek halfway around the world to see Up...

You shouldn't have to trek halfway around the world to see Up...

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It was the summer of 2009…

Lately I’ve taken a bit of interest in Box Office numbers – I figure that might distract me from the fact Ryan Tuberty is hosting the Late Late. And looking at the few months ahead of us, I can see this being a very big summer for the US box office. In fact, I can see the film industry beating the recession with a large stick (cinema generally does quite well during recessions as it’s well, cheap), thanks to a fairly epic and broad lineup of blockbuster films.

It seems that just about every film this year is a sequel or prequel. Some (Angels & Demons) are both – it’s complicated (the book is a prequel the film is a sequel). We’ve had a relatively strong introduction to the season with the two prequels on offer. Neither Star Trek nor Wolverine broke any major records (though the Imax thing is pretty neat, as is the biggest second-week in May ever). I can see Star Trek having the legs to last in the background at least a month (which, given the onslaught of bigger movies and the disappointing staying power of other would be blockbusters, is really something).

Even before we reach the end of the month, we’ll have the second Dan Brown film, which can’t do too badly with a cast like Ewan McGregor and Tom Hanks and a cult following among a slightly older demographic usually ignored, the fourth Terminator film, which should do big business despite all the reasons that geeks have to worry, and the kid-friendly A Night at the Museum. Rounding off the month’s smaller (pbut possibly slow-burning) releases are Pixar’s Up and Sam Raimi’s return to cult horror with Drag Me to Hell. Again, neither should set opening weekend alight, but I’d expect a decent amount of business from either or both.

Then we have the traditional summer months. Summer movies have been creeping in earlier and earlier (Watchmen was arguably better suited to a summer release; Iron Man last year set the official start-of-season bell back at least a few weeks), but your meat-and-potatoes are here. These are the movies that cannot possibly fail, they are just that wired-in to cheesy pop sentiment. Michale Bay will confirm his title to the throne of summer blockbusters with a brainless sequel to a feature-length toy commercial with Transformers: Revenge of the Fallen, but even he will likely have to stand in the shade created by what most commentators have settled on as the biggest money-spinner of the year, Harry Potter and the Half Blood Prince. The series has built in devotees that Star Trek can only dream about, and they will be out in full force along with any parent looking to entertain a child over the summer months. This and the fact that my sources within the fan community tell me this is the best book points to a right to print money.

I think that GI Joe: The Rise of Cobra may falter as a brand with relatively little name recognition, despite the most over-qualified cast ever – Christopher Eccleston, people! On the other hand, I really hope that Michael Mann’s Public Enemies can do at least respectably, as the man generally delivers and has an amazing cast at his disposal.

All that said, I wouldn’t expect anyone to dethrone The Dark Knight or Titanic. I just think that culminatively the box office should be huge, but it could hugely backfire and lead to blockbuster fatigue, though I doubt it. It’ll be interesting to read the end-of-year numbers.

After that there’s the lonely Autumn followed by the glut of awards-bait. I’m already hyped about some of the movies we won’t be seeing on this side of the Atlantic for another nine months, but I’ll talk about them some other time.