In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.
Tintin in America was the earliest Adventures of Tintin book I read as a child, and I owned the entire collection from this point on (for obvious reasons, Tintin in the Land of the Soviets and Tintin in the Congo were not recommended childhood reading). That said, I’ve always regarded Tintin in America as one of the weaker entries in the series, perhaps because my childhood imagination yearned for something relatively more exotic than a trip to North America, or perhaps because the saturation of American pop culture made all the elements Hergé was spoofing seem like old hat. I’m not entirely sure, but I have to admit that the story hasn’t improved too much on re-reading.
America, %&#! Yeah!
Filed under: Comics | Tagged: Adventures of Tintin, Al Capone, comic books, gangsters, Hergé, history, native americans, peter jackson, racism, review, steven spielberg, The Adventures of Tintin: Secret of the Unicorn, tintin, tintin in america, Tintin in the Congo, Tintin in the Land of the Soviets, United States | Leave a comment »
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