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Batman: The Dynamic Duo Archives, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

It’s very hard to believe, but there was a time when both Batman and Detective Comics were on the verge of cancellation. While the character had been one of the first major superheroes to emerge, and had a profound impact on many who followed, the fifties had not been kind to the Batman. When changes in the market forced the publisher to move away from the traditional crime stories, they tried to tell science-fiction epics. This approach actually worked quite well on Superman and Action Comics, as Superman leant himself to stories about aliens and other dimensions, but these elements felt somewhat out of place in a Batman comic book. In a last ditch effort to save the titles, editor Julius Schwartz was drafted in to revamp the character and his world, resulted in a “new look” version of the Caped Crusader who would inspire Adam West’s version of the character, but felt like something of a return to the character’s roots.

Na na na na na na na na…

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A Look Back at Burton and Keaton’s Batman (and Bruce Wayne)…

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

With the release of The Dark Knight Rises just around the corner, it seems like Christopher Nolan’s interpretation of Batman is getting a lot of attention and generating a lot of reflection. I have to admit, I think that the director’s take on the character presents the best live action interpretation ever, and probably the single best take on the character since Batman: The Animated Series during the nineties. However, I can’t help but feel that Tim Burton’s take on the character gets brushed aside a little too easily, dismissed from consideration far too quickly. In particular, I’m especially fond of Michael Keaton’s superb central performance as Bruce Wayne and Batman. While I wouldn’t necessarily rank his performance as better than Christian Bale or Kevin Conroy, I do think that Keaton’s Batman (and especially his Bruce Wayne) get unfairly overlooked.

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Scott Snyder’s Run on Detective Comics – Batman: The Black Mirror (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

These past few years have been a great time to be a Batman fan. On top of Christopher Nolan’s acclaimed Dark Knight trilogy, you’ve also had the Arkham Asylum video games, Grant Morrison’s genre-busting run on Batman & Robin and now Scott Snyder joining the franchise. Indeed, even the lesser on-going series (like Tony Daniel’s Batman or Paul Dini’s Streets of Gotham) are still relatively entertaining, if significantly flawed. However, when good creators have gotten their hands on the Batman mythos in the past five years or so, incredible things have happened. And Scott Snyder’s Detective Comics run, The Black Mirror, is one of those incredible things.

Jump in…

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Non-Review Review: Batman – Mask of the Phantasm

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

There is a legitimate argument to be made that Batman: Mask of the Phantasm is the best Batman movie produced prior to Christopher Nolan taking over the film franchise. While I narrowly prefer Batman Returns, it’s hard to deny that this animated take on the character from the creator behind Batman: The Animated Series isn’t a superb exploration of the Caped Crusader and his world. Kevin Conroy is still, after all these years, my favourite actor to play Batman, and I can’t help but feel like the movie deserves a lavish re-release to celebrate the pending release of The Dark Knight Rises.

You’d have to finally go batty to do this in the long-term…

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No Venom Intended: Thoughts on the Inevitable Amazing Spider-Man Spin-Off…

Apparently Sony is pressing full speed ahead with this Spider-Man license. I suspect they looked at the massive success that Marvel, Paramount and ultimately Disney have had with their series of Avengers films. Releasing a series of relatively independent superhero films that all tied together proved to be quite the financial success, becoming one of the biggest earners of all time. It’s easy enough to understand why other studios might want to follow the business model. The problem? Sony only really has the license to Spidey and his supporting cast. How do you build a multi-character franchise when you only own the rights to one admittedly iconic? You spin-off his supporting characters, of course. In this case, it’s the villain Venom, who is reportedly getting a film from director Josh Trank, who made quite the impression with his début directing Chronicle, and possibly tying into the sequel to The Amazing Spider-Man.

He’s coming right at you!

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Grant Morrison’s Batman Incorporated: The Deluxe Edition (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Criminals used to be afraid because they didn’t know where Batman was. Things are different now. Thanks to Batman Incorporated, I can tell you exactly where Batman is. Batman is everywhere.

– Bruce Wayne, Batman Incorporated #6

I’ll admit to warming to Grant Morrison’s gigantic Batman epic. Sure, I don’t think it ranks with All-Star Superman or New X-Men or even Seven Soldiers as the very best of the writer’s mainstream work. It’s still immensely fun comics. I’ll concede that I’m still only lukewarm on his initial continuity-heavy Batman run, but the combination of his Batman & Robin and his Return of Bruce Wayne were some of the most entertaining comics produced by a major comic book company in the past few years. (Certainly the only other mainstream book that could match Morrison’s energy was Paul Cornell’s severely underrated Action Comics run.) While Batman Incorporated never quite reaches those same pulpy highs, it is a massively entertaining and very astute pulp narrative featuring one of the most enduring pop culture creations of the twentieth century.

Batman and his Amazing Friends…

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Batman: Ego (and Other Tails) (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

“It’s at times like this…. In the cold… in the dark… I feel that I’m losing my way.”

– Batman’s opening monologue, Ego

Few modern comic book artists and writers are as respected as Darwyn Cooke. The illustrator began his career on Batman: The Animated Series, and then expanded out into the comic books that inspired it. He’s worked on any number of iconic projects, including the miniseries New Frontier and the adaptations of Richard Stark’s Parker books. This summer, he’s a major part of DC’s Before Watchmen initiative, writing Silk Spectre and writing and illustrating The Minutemen. Batman: Ego and Other Tails collects the bulk of the writer/illustrator’s work on the Caped Crusader, with Selina’s Big Score included for good measure. In his introduction, the writer confesses that the story was”an earnest yet flawed first effort”, and it seems like he’s being remarkably fair.

He’s created a monster!

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Batman: Broken City (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I can’t help but feel like Brian Azzarello and Eduardo Risso were massively unfortunate when they were asked to write Batman: Broken City. The story was placed immediately following the breakout sales sensation that was Hush, a massive blockbuster epic written by Jeph Loeb and illustrated by Jim Lee, offering a whistlestop tour of Batman’s iconic selection of villains. Azzarello and Risso inherited the title from them with considerable hype. These were, after all, the two creators of the celebrated neo-noir comic book 100 Bullets, so they’d work their magic on the title, right? More than that, though, their arc seemed to consciously play up its similarities to Hush, revolving around Batman’s attempts to solve a central mystery while taking a trip through his rogues gallery. Understandably, fans and critics were taken by surprise when they got a seedy detective vibe instead of an action epic. I can’t help but wonder if time has been kind to this six-issue storyline.

The Devil in the Pale Moonlight?

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Legends of the Dark Knight: Jim Aparo, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

The game was old and alluring… but when the Batman and his beautiful ally, Wonder Woman, buy into a sweep stakes of danger and double-cross, they learn too late that their tickets are punched…

– introduction to Play Now… Die Later!

I’ll freely concede that older comics are a mixed bag, and that they’re certainly an acquired taste. As much as I might recognise the importance of certain classic runs on iconic character, reading comics even a decade or two old is a strange experience for me. I can appreciate the care and craftsmanship going into them, but I’m frequently distracted by the redundant thought balloons, the bizarre logic and quaint characterisation. I know that’s my problem, and I freely concede that. Sometimes, however, I come across a piece of pure old-fashioned awesomeness that almost makes my feel that nostalgia many comic book readers recognise.

Legends of the Dark Knight: Jim Aparo, Volume 1 is such a book, collecting a portion of the iconic Brave and Bold run featuring art by Jim Aparo and scripts by Bob Haney. It is insane. It is awesome. It is fun. It is incredible. I was reluctant to put down these delightful unrestrained Batman stories, and I frequently found myself pumping my fist in the air with excitement and… well, awe. It’s never going to be considered high literature, but Jim Aparo and Bob Haney may have mastered the old-school “comic book” artform.

This isn’t even the craziest thing that happens this run…

Some of the more wonderful “comic book moments” captured here include:

  • the Joker forcing Batman and a friend to fight to the death… or he’ll shoot a puppy!
  • Batman accidentally selling his soul… to Hitler!
  • the Atom climbing inside Batman’s skull… and operating his body like a JCB!
  • Batman saving the Constitution and the Declaration of Independence… while tied to the cowcatcher on a train!
  • Batman teaming up with Kamandi… in a future dominated by talking animals and modelled on Planet of the Apes!

If none of these produce even a hint of childish glee, I don’t know what to say to you.

Even this image cannot capture the awesomeness of this comic… They left out the bit where the Joker is coercing them to do this by threatening to shoot a puppy… that has life-saving anti-virals in its blood for a plague the Joker started… to kill off a henchman who might testify against him…

Note: the ever-wonderful Bat-guru Chris Sims has done a whole slew of posts about the awesomeness of this comic. Here, here and here are some highlights.

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Batman: The Dark Knight Archives, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I figured, what with Christopher Nolan releasing the final part of his Batman trilogy this month, it might be worth going back and taking a look at the early days of the Dark Knight. DC have done a rather wonderful job collecting classic material featuring their iconic heroes as part of their “Archives” line, a line that seemed to have died last year, but I am very glad to see undergoing a resurgence. The idea is that each archive edition collects roughly a year’s worth of classic comics. The premium format pays for the restoration of the material, with DC then making it available in more cost-effective packaging, like their paperback “Chronicles” line that collects every appearance in order, or their “Omnibus” line, which collects larger chunks.

Batman: The Dark Knight Archives, Vol. 1 doesn’t collect Batman’s very first appearance in Detective Comics. However, it does collect the first four quarterly publications of his self-titled Batman comic book in 1940, each collecting several stories of Batman’s crusade against crime.

Batman Begins in six panels…

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