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Non-Review Review: Broken City

Broken City seems like an ironic title for a movie that seems to take so much pride in being functional. Broken City is a political investigative thriller, a subgenre that has produced any number of genuinely classic films. However, while Broken City doesn’t really excel in any true sense, it does take a great deal of care in making sure that everything works, that everything is assembled with enough care, and that there’s no real discordant note to be heard. Broken City isn’t a very good film on its own merits, but it manages to avoid being an overly bad one.

Broken marriage...

Broken marriage…

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Batman: Broken City (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I can’t help but feel like Brian Azzarello and Eduardo Risso were massively unfortunate when they were asked to write Batman: Broken City. The story was placed immediately following the breakout sales sensation that was Hush, a massive blockbuster epic written by Jeph Loeb and illustrated by Jim Lee, offering a whistlestop tour of Batman’s iconic selection of villains. Azzarello and Risso inherited the title from them with considerable hype. These were, after all, the two creators of the celebrated neo-noir comic book 100 Bullets, so they’d work their magic on the title, right? More than that, though, their arc seemed to consciously play up its similarities to Hush, revolving around Batman’s attempts to solve a central mystery while taking a trip through his rogues gallery. Understandably, fans and critics were taken by surprise when they got a seedy detective vibe instead of an action epic. I can’t help but wonder if time has been kind to this six-issue storyline.

The Devil in the Pale Moonlight?

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