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Does Avatar Deserve the Best Picture Oscar?

Last week, I posted about the inevitable post-Oscar analysis we would see if James Cameron took home the Oscar for Avatar. I bemoaned the possibility that this would be sold as the moment the Academy re-engaged with mainstream culture, observing that they would only give it to him because he was James Cameron, not because of the box office numbers or the fact the film had resonated with the public. Those who read this blog with any regularity will know that I’m not the biggest fan of the film, I have several huge problems with it, but I feel the need to clarify my position on Avatar. I don’t think that it doesn’t deserve to win – and yes, that’s a double negative. I wouldn’t feel robbed if James Cameron got another little gold statuette. I can even concede that Avatar  might have earned it.

James Cameron is probably going to need a bigger Oscar cabinet...

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Could Avatar Flip The ‘Populist Oscar’ Debate?

With the Golden Globe firmly in hand, James Cameron’s double victory at the Golden Globes cemented Avatar as a serious contender for the Best Picture Oscar. Not that there was ever really much doubt about the film receiving a nomination: the Academy loves Cameron. It still just seems a surprise in a race that has generally seen debate over Precious, Up in the Air and The Hurt Locker, with a fringe advocating Inglourious Basterds. Still, give the people what they want, right? An Oscar win for Avatar clearly indicates that the Academy is moving back to embrace popular tastes, right? I’m not so convinced.

Yes, that's James Cameron biting his lips to stop himself from reminding you how awesome he is...

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Non-Review Review: Avatar

Yes, it is as visually stunning as you have heard. No, the special effects and 3D don’t combine to give you massive headaches. No, you’re never really dizzy or disorientated. Yes, it is the most technically impressive movie since… well, Titanic. But, with all that said, there’s really very little here. Cameron might be a master chef, and is an expert at serving up meals that look incredible, but here it seems that he spent more time on the decoration than on the ingredients. The movies is easily the most incredible technical accomplishment of the decade, but does that really matter when the plot is not only recycled (in fairness, that suits the green tone of the movie), but recycled poorly? Is watching two-and-a-half-hours of visually stunning work enough if it can’t generate any sort of emotional investment?

I wish I could say it blue (geddit?) me away...

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Early Avatar Reviews Are In; Nerds Everywhere Sigh With Relief…

It’s not easy being green. I imagine it’s even harder being blue. It’s almost as hard being a film nerd, with all the news and speculation that’s been going backwards and forwards about Avatar, James Cameron’s triumphant return to filmmaking. There was a lot of hmm-ing and hah-ing, a lot of speculation about the film’s budget and about the director’s excess. Too late to do anything about that. The first reviews are sneaking in. And I think we can all rest a little bit easier.

Apparently James Cameron is still king of the world...

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Bah Humbug! Are We Past the Point Where Technical Wizardry Can Amaze?

Hmm… I bet Robert Zemickas was expecting a somewhat bigger reaction for the release of the first trailer for his version of A Christmas Carol (aka Jim Carrey plays almost everyone), the follow-up to The Polar Express (aka Tom Hanks plays everyone), than the collective ‘meh’ that it received. I’ve watched the trailer and it looks technically magnificent (and I’m sure it’ll be even more technically impressive in 3D) – but why should I care? If I’m going to put on a pair of glasses and look at something beautiful until it give me a mild headache, shouldn’t I at least be looking at something interesting and intriguing of itself? Are we past the point where technical wonders alone are enough to lure the geeks out in droves?

Here's hoping Santa can bring Zemickis a 150% return on his investment...

Here's hoping Santa can bring Zemickis a 150% return on his investment...

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It’s a funny world – Comic Con ’09 in retrospect…

It seems to have been a fairly average year at Comic Con – no big surprises (pleasant or otherwise), just solid confirmation of what us movie watchers had suspected all along. Contrary to what some suggested, apparently the Twilight fangirls didn’t ruin the experience for everyone. In fact, there were a whole host of fascinating insights on a whole slate of geek-interest projects. I don’t think anyone seems to have left particularly disappointed.

Fun with glow sticks...

Fun with glow sticks...

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Awards Season Forecast…

It’s summer time! That means blockbusters, comic book movies! It’s comic con time! That means more blockbuster and more comic book movie gossip! It seems that everything from the Tron viral campaign to the impending release of the Alice in Wonderland teaser is generating a lot of buzz. And quite right, too. We do live in the era of the geek. However, once we get into autumn proper, there are more prestigious films approaching. Looks like the studios are sticking to the tried-and-true “cram as many Oscar contenders as you can into the least amount of time” method, and there’s a huge schlock of films coming out. Here are just some of the main ones I’m looking forward to during awards season.

Starring Morgan Freeman? Check. Directed by Clint Eastwood? Check. Story of an iconic figure? Check. Story of triumph over adversity/prejudice? Check. Set in the past? Check. Oscar Gold? Check.

Starring Morgan Freeman? Check. Directed by Clint Eastwood? Check. Story of an iconic figure? Check. Story of triumph over adversity/prejudice? Check. Set in the past? Check. Oscar Gold? Check.

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Avatar – Hollywood Continues to Break New Ground with Blockbusters

We’re still months away from a release date for Avatar – though there are rumours of a trailer coming soon in front of Transformers 2 (the most interesting talk I’ve heard about that particular film) – but things are still very quiet. All we know about the plot is that it is a Pocahontas-style narrative, with one of a bunch of exploitive explorers “going native”. We know that t will be in 3D – apparently mindblowing 3D. We know that one of the reasons that the movie has waited 14 years to get made it because Cameron was waiting for the technology to do it justice. And we know that – according to early word of mouth from insiders – he has succeeded. I have to say, I am quite eagerly anticipating this film. However, I find Hollywood’s new-found love of innovations within major blockbusters fascinating, given the traditional cautious conservatism of the studios.

Wow, Cameron really has a thing for giant walking hulks of metal, doesn't he?

Wow, Cameron really has a thing for giant walking hulks of metal, doesn't he?

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3D or not 3D?

As 3D enters its second golden age (yes, I’m using a little hyperbole, but let’s run with it), it’s generating a lot of discussion. Just how gimmicky is it? Is doomed to forever by a “nine day fad”, as blithely summed up by Alfred Hitchcock himself? Worse, does 3D fade colours and detract from the actual viewing experience, as Roger Ebert protests? I figured I’d give my two cents on the third dimension.

Retro chic

Retro chic

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Fly Me to the Moon…

I’m back…

Science-fiction film Moon, starring Sam Rockwell and Kevin Spacey is opening in the States next week. It actually looks quite good – with reviews seemingly spanning the divide from “it’s solidly entertaining with a great performance” to “it’s classic science-fiction”. It looks likely to be one of those films I will really try to get to see over the Summer (when it eventually opens here in Ireland), and the trailer is well worth a look. Still, this got me thinking about how the fictional fascination with life on other worlds has been embraced by the genre, and whether that has really changed in recent years.

Sam Rockwell's many jobs on the lunar station include changing lightbulbs when needs be...

Sam Rockwell's many jobs on the lunar station include changing lightbulbs when needs be...

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