films | the m0vie blog

Non-Review Review: A Christmas Carol (2009)

Posted on November 25, 2011 by Darren

I’m yet to be sold on the Robert Zemeckis school of “motion capture.” Don’t worry, I don’t hold a prejudice. I’m just waiting to be convinced, and I worry that Zemeckis – for all his championing of the technology – might not be the one to do it. For, as impressive as the technical merits of his technique might be, I think that Zemeckis has yet to find a story that truly needs to be told in that format, or at least a story that resonates in that format. Much as Pixar have somewhat validated computer-generated animation (a school of filmmaking that met with a ridiculous amount of cynicism in its early years), I think the key to proving the worth of this sort of approach lies in finding a story that connects with audiences, while demonstrating the strengths of the tool being used to tell it.

While it’s an enjoyable enough holiday film, A Christmas Carol simply is not that film.

Totally Scrooged...

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Filed under: Non-Review Reviews | Tagged: a christmas carol, Bob Hoskins, Charles Dickens, christmas, Christmas Carol, colin firth, films, gary oldman, jim carrey, Movies, Muppet Christmas Carol, non-review review, pixar, review, robert zemeckis | 2 Comments »

Non-Review Review: Shrink

Posted on November 3, 2011 by Darren

There’s a good movie to be found somewhere within Shrink. I’m just not sure exactly what it is. Ensemble dramas are a lot tougher to get right than they may initially seem: lining up a variety of interesting plot lines is only half the battle, as the movie has to balance these threads and ensure that all remain intriguing, while none dominate. Shrink doesn’t really do that. Using Kevin Spacey’s “self-medicating” Los Angeles psychologist as a jumping-off point, the film never really finds a compelling hook for us – and the performances aren’t strong enough to get us to invest in the characters colliding and intersecting like balls on a pool table.

Small problems...

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Filed under: Non-Review Reviews | Tagged: A Bug's Life, colin farrell, film, films, hollywood, kevin spacey, los angeles, Movies, non-review review, review, robin williams, Shrink | Leave a comment »

The Silicon Chip Inside Her Head Gets Switched to Overload: On-Screen Mania and Off-Screen Motives….

Posted on November 1, 2011 by Darren

And daddy doesn’t understand it
He always said she was good as gold
And he can see no reasons
‘Cos there are no reasons
What reason do you need to be show-ow-ow-ow-own?

– I Don’t Like Mondays, The Boom Town Rats

I have to admit, I have a soft spot in my heart for cheesy horror films. Not necessarily all of them, as there’s a lot of dross out there, but I have to admit that there’s nothing like a well-constructed scary movies. I was watching Scream again, this time with my gran in preparation for Halloween, and I enjoyed it yet again – I think it’s a fascinatingly clever look at the slasher genre, and a movie which is as relevent today as it was when it was released, untouched and unspoilt by the wave of inferior imitations that we’ve seen in the years since. There’s a line towards the climax of the film which got me thinking about these sorts of films, and how they’re scary. Asked to provide a motive, the killer responds, “Did we ever find out why Hannibal Lector liked to eat people? Don’t think so! See, it’s a lot scarier when there’s no motive.” Is the unknowable that much scarier?

Psyche!

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Filed under: Movies | Tagged: bruce wayne, Christopher Nolan, films, halloween, hannibal, hannibal lecter, horror, Jamie Lee Curtis, Movies, ridley scott, scary, tim burton, unknowable, Unknown | 2 Comments »

Vault-emort: Harry Potter and the Disney Vault: Won’t Somebody Think of the Children?

Posted on October 25, 2011 by Darren

I’ve known about the “Disney Vault” ever since I started buying DVDs, well over a decade ago. It’s the reason why you can’t simply go into a movie shop and ask for a copy of every Disney movie, as the company regulates the titles coming in and out of release on various home entertainment platforms at any given moment, giving consumers only the smallest window of opportunity to pick up a given childhood classic before snatching it away for another six or seven years. While I have some serious problems with the practice, it’s a shrewd economic move, and I always wondered why Disney were the only studio to really do it.

Well, Warner Brothers recently announced that they’d be doing something similar, pulling the theatrical versions of the Harry Potter films from DVD and blu ray on the 29th December 2011. That leaves movie fans with only forty-eight days in which to pick up their copy of Harry Potter and the Deathly Hallows: Part II. I suppose this sort of development was inevitable, but it doesn’t mean I have to like it.

Will a lot of film fans feel a bit hallowed by the news?

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Filed under: Movies | Tagged: Citizen Kane, disney, Disney Vault, DVD, economy, films, harry potter, Harry Potter and the Deathly Hallows, Movies, The Walt Disney Company, Warner Bros | 4 Comments »

Non-Review Review: Patriot Games

Posted on October 17, 2011 by Darren

Truth be told, I think Patriot Games stands as one of the best American spy movies produced in the last thirty or so years. It helps that it has, for my money, one of the great leading actors in Harrison Ford, but I also think it works because it tries to explore something of how the American espionage services work, while functioning as a thriller in its own right. It’s easy to reduce the American intelligence agencies to mere window-dressing in a conventional action movie, or to heavily politicise the organisations as part of a political drama, but I think Patriot Games works best because it’s a spy movie that actually feels like it’s a thriller about the intelligence gathering community.

Family man or Company man?

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Filed under: Non-Review Reviews | Tagged: films, harrison ford, ira, Ireland, Jack Ryan, james bond, Movies, non-review review, Patriot Games, Phillip Noyce, review, Ryan, sinn féin, tom clancy, United States | 2 Comments »

Re-Release Me… Let Me Go… Hollywood and Re-Releases…

Posted on October 14, 2011 by Darren

So, yep. It’s a bad time for the US box office. The Lion King, a movie first released in 1994, managed to hold on to the number one spot at the top of the charts for two whole weeks, and ranking higher than any new release in its third week. If anything, the major movie studios have been very quick to jump on any trend that offers even the slightest hint of a money-making opportunity. It’s a trend one can easily see from the way that Hollywood pursues ideas. After Harry Potter was a breakout hit, every studio in town was looking for a young adult franchise to adapt to the big screen. After The Dark Knight, it became customary to plan for the superhero sequel before the original even hit theatres. It’s a trend even more obvious with technological gimmicks. After Christopher Nolan proved that you could make money in Imax, it seemed every other movie was being released in the format (even if it didn’t warrant it). Avatar led to a wave of 3D releases, which seemed to be growing old fast. So the success of a film originally released nearly two decades ago in the cinema, remastered in 3D, is pretty much assured to be the next big thing.

I'd be lion if I didn't admit I want to see it...

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Filed under: Movies | Tagged: 3d, cinema, disney, films, finding nemo, george lucas, james cameron, Lion King, Little Mermaid, monster, Movies, originality, re-release, release, rerelease, Star War, the lion king, The Lion King 3D | 6 Comments »

Non-Review Review: Contagion

Posted on October 13, 2011 by Darren

It’s somewhat ironic that the biggest fault with Contagion is that it’s not nearly clinical enough. Soderbergh’s exploration of the impact of a mass pandemic actually works best when the director pulls back to give us a high-level overview of a society collapsing, the individual lives reduced – appropriately enough – to microscopic cells in a larger organism in what might be its death throes. It’s these sequences and shots that are brilliantly effective, demonstrating the systemic and group dynamics that enable and facilitate the spread of a deadly bird flu variant, while the more intimate moments feel awkward and shoehorned in, never afforded enough space to develop character or plot lines. Still, if you pull back and look at the big picture, Soderbergh’s latest effort is an engaging ambitious disaster movie.

One sick picture...

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Filed under: Non-Review Reviews | Tagged: bird flu, Bryan Cranston, Contagion, disease, film, films, Gwyneth Paltrow, hollywood, Horror film, Jennifer Ehle, jude law, kate winslet, laurence fishburne, matt damon, Movies, review, roland emmerich, Soderbergh, Steven Soderbergh | 6 Comments »

Non-Review Review: Real Steel

Posted on October 12, 2011 by Darren

Well, at the very least, Real Steel confirms that Hugh Jackman is a bona fides movie star (as if X-Men Origins: Wolverine didn’t already do that). It proves that the actor can pretty successfully anchor and ground any high concept blockbuster in a charming performance, one that’s engaging and witty enough to allow the audience to overlook some of the movie’s more obvious flaws. Still, despite the rather wonderful special effects and the strong cast, I left Real Steel feeling just a little bit strange, as if I’d been watching a movie that I appreciated, but never really engaged with.

And in the neon orange corner...

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Filed under: Non-Review Reviews | Tagged: Boxing, Charlie, Dakota Goyo, Evangeline Lilly, films, hilary swank, hugh jackman, James Rebhorn, Kevin Durand, mark wahlberg, Million Dollar Baby, Movies, non-review review, Real Steel, review, Shawn Levy, Steel | Leave a comment »

Grand Larson-y: Nick Swardson and Being Critical of Comedies…

Posted on October 12, 2011 by Darren

This type of thing happens every once in a while, to the point where it’s almost not really news at all. Kevin Smith took to twitter to lambast critics of his (admittedly) disappointing Cop Out, and studios have a habit of releasing potentially divisive films around critics (look at how they sold G.I. Joe: The Rise of Cobra). Nick Swardson, who has only come to my attention of late with a solid supporting role in the perfectly adequate but unexceptional 30 Minutes or Less, has taken to lashing out at the critics who didn’t respond especially favourably to Bucky Larson: Born to be a Star. He suggests:

I knew the critics were going to bury us. It was a softball. They were waiting, waiting to hate that movie. It’s kind of funny that they get their rocks off on reviews like that. They review The King’s Speech, then they review Bucky Larson.

…

It’s a lot of work and a lot of reviewers aren’t going into that movie to like it. They don’t want to like it. None of those reviewers was psyched to see Bucky Larson and laugh. They go in with the mentality, fuck these guys for making another movie. They go in there to kind of headhunt. It makes me laugh because it’s just so embarrassing. It makes them look like such morons. You can’t review Avatar then review Bucky Larson. Comedy is so subjective, you know what I mean? To sit there and technically pick it apart is so stupid. We’ve never made movies for critics, so we could give a f***.

There’s obviously more than a hint of bitterness (the last line is very much “well, we don’t care what they think!”), but does Swardson have a point about the difficulty of reviewing comedies?

Bucky bites back...

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Filed under: Movies | Tagged: adam sandler, Born to Be a Star, Bucky Larson, comedies, cop out, criticism, film, films, kevin smith, King's Speech, Movies, Nick Swardson, review, reviews, rotten tomatoes, subjectivity, Swardson | 4 Comments »

Non-Review Review: The Three Musketeers (2011)

Posted on October 5, 2011 by Darren

“Guilty pleasure.” That’s a phrase that feels strangely appropriate when referring to Paul W.S. Anderson’s The Three Musketeers. It’s silly and daft, and has two fairly fundamental flaws, on top of the cheesiness that’s going to divide audiences straight down the middle. However, despite these fairly central and hard-to-avoid problems, it also features a knowing self-awareness, an appealingly straight-forward approach to the fact that is so very silly, a (mostly) great cast and some rather wonderful steam-punk production design. It’s not going to appeal to everybody, but I actually warmed quite a bit to it.