Film noir | the m0vie blog

Non-Review Review: Black Swan

Posted on February 16, 2011 by Darren

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “alterna-noir” – just looking at slightly unusual choices.

Wow. That was disturbing. It’s really rare to get such a strong reaction to a film, and to feel so distinctly uncomfortable. Well, it’s easy to feel distinctly uncomfortable – rent a Lars Von Trier film or The Human Centipede. However, the Black Swan feels bold and vivid and disturbing, without ever feeling cheap. It seems to be a very tough line to walk (especially given some of the sequences which could be deemed “trashy” in the hands of lesser directors), but the Black Swan manages to make the viewer squirm in their seats without ever feeling dirty.

Let's dance!

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Filed under: Non-Review Reviews | Tagged: Arnold Schwarzenegger, black swan, body horror, Darren Aronofsky, Film noir, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, horror, Human Centipede, Movies, Natalie Portman, non-review review, review, Sound of Fury | 10 Comments »

Non-Review Review: Brick

Posted on February 16, 2011 by Darren

You’ve helped this office out before.

No, I gave you Jerr to see him eaten, not to see you fed.

Fine. And very well put.

Accelerated English, Mrs. Kasprzyk.

Tough teacher?

Tough but fair.

– Brendan and Assistant Vice-Principal Trueman

Brick works by taking all the facets of the film noir we love, and transposing it against a high school background. Like cheese and onion, it’s a combination that really shouldn’t work so well, but makes for one tasty snack.

Phone a friend?

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Filed under: Non-Review Reviews | Tagged: arts, Brendan, Critical Essays, film, Film noir, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, Joseph Gordon-Levitt, Movie, Movies, non-review review, review, Rian Johnson, Richard Roundtree | 5 Comments »

Non-Review Review: Heat

Posted on February 15, 2011 by Darren

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “nineties noir” – I’ll be looking at two of the finest noir-inspired films of the nineties.

I do what I do best, I take scores. You do what you best, try to stop guys like me.

– Neil McCauley to Vincent Hanna

I’ll be honest and concede that, right off the bat, I have a lot more love for Heat than most. Don’t get me wrong, I don’t labour under the assumption that it’s a poorly-received film (it’s rare to find someone who will concede that they dislike it), but I still have a stronger affection for Heat than the vast majority of viewers. I was only ten years old when Heat was released, and I think that was a big a moment for me. My ten-year-old self was familiar with big, sprawling epic sagas, but I think I used to believe that these sorts of epics were reserved for stories set in times long past. I think, in my innocence (or foolishness, depending on how kind you wish to be to my younger self), I felt that epic stories didn’t really happen anymore.

And then I saw Heat, which somehow managed to take an epic, sprawling narrative style which – at the time – I could only remember from films like Dances With Wolves or Cleopatra or Gone With The Wind, and applied it to cops and robbers. If I were to construct a list of films which helped me fall in love with cinema, Heat would be on there. Pretty high, too.

It's a whole different ballgame...

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Filed under: Non-Review Reviews | Tagged: al pacino, christian bale, Christopher Nolan, dark knight, film, Film noir, film nori, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, heat, Heat (1995 film), johnny depp, L.A. Takedown, michael mann, Movies, review, robert deniro, Sam Giancana, Sheldon Turner, Vincent Hanna | 4 Comments »

Non-Review Review: se7en

Posted on February 15, 2011 by Darren

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “nineties noir” – I’ll be looking at two of the finest noir-inspired films of the nineties.

Although David Fincher has directing credits before se7en (most notably Alien 3), it was this look at a broken world which marked the up-and-coming director as a talent to watch. It’s a movie which works on many levels, entertaining on the superficial surface level while intriguing viewers looking for something just a little bit deeper. I have to say, of all the films I revisited as part of this blogging event, I think I got the most out of returning to se7en.

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Filed under: Non-Review Reviews | Tagged: arts, atmosphere, brad pitt, crime, Critical Essays, david fincher, Film noir, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, Howard Shore, john doe, mood, Morgan Freeman, Movie, Movies, non-review review, review, serial killer, serial killers, Seven (film), silence of the lambs, Sound of Fury, YG Entertainment | 2 Comments »

Non-Review Review: L.A. Confidential

Posted on February 14, 2011 by Darren

Over the next week, I’ll be taking a look at the more modern films inspired and descended from film noir. It’s been tough trying to classify them all, to narrow down what I wanted to cover in the seven days that I had. In many cases, I wasn’t sure that I’d be able to successfully link the films back to the original genre. Trust me when I say that I had tonnes of films on my shortlist to look at as part of this event – many of them were on and off the list at various times as I attempted to include a bit of variety or range. However, there was one modern film that was always near the top of list of films that I wanted to cover – L.A. Confidential.

Best Buds?

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Filed under: Non-Review Reviews | Tagged: 1950, Bloody Christmas, Curtis Hanson, Dudley Smith, fifties, Film noir, films, For the Love of Film Noir, For the Love of Film Noir: The Film Preservation Blogathon, kevin spacey, LA Confidential, los angeles, Movie, noir, review, Sound of Fury | 7 Comments »

Noir the Battle to the Strong: Why I’m Afraid of Classic Cinema…

Posted on February 14, 2011 by Darren

I have to admit, the “For The Love of Film Noir” blogathon is a very worthy cause. Bloggers from all around the world continuously blogging in order to raise funds to restore classic films. It’s something that I just couldn’t ignore the chance to be a part of – to have the chance to say that I helped restore a classic film print of an actual honest-to-goodness classic film. It was too great an opportunity to ignore… and yet I almost did. I hesitated as I wrote the comment agreeing to take part. My fingers felt heavy. My thoughts caught in wherever it is that thoughts catch. I wanted to blog about film noir for a week straight, but I was also genuinely terrified by the idea. After all, what do I know about classic film?

Too hot to handle?

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Filed under: Movies | Tagged: black and white, classic films, classics, coen brothers, film, Film noir, martin scorsese, Movie, Movies, old films, old movies, review, richard donner, Sound of Fury, stanley kubrick | 13 Comments »

What if the Best Picture Posters Told the Truth?

Posted on February 9, 2011 by Darren

Truth be told, I’m a little behind this week. I took a trip down to Sligo at the weekend and I’m preparing for a film noir blogothon next week (stay tuned). So posting this week may be a little… scattershot. Anyway, in a nice way to tie into those wonderful BAFTA poster redesigns from last year, this year we have – courtesy of theshiznit.co.uk – a simple question: what if this year’s Best Picture nominees told the truth, up front? Instead of vague names like Winter’s Bone or Inception or The Fighter… well, that last one’s pretty spot on… but what if the movies just told you everything you needed to know, on the poster? They might look like this…

(click to enlarge)

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Filed under: Movies | Tagged: Academy Award, Academy Award for Best Picture, arts, comedy, Film noir, films, funny, homouir, Movies, Oscars, parody, poster, sligo, Winter's Bone | 8 Comments »

Non-Review Review: Chinatown

Posted on November 16, 2010 by Darren

“You may think you know what’s you’re dealing with,” a character warns private detective Jack Gittes at one point during Chinatown, “but, believe me, you don’t.” Later on, Gittes confesses to his lover that, when he was a police officer working in Chinatown, his beat consisted of doing “as little as possible”, an anecdote that screenwriter Robert Towne reportedly heard from an officer who had actually served in Chinatown – rather than an officer involving himself in some sort of event that he couldn’t possibly comprehend, the police would actively disengage themselves from the community. That’s the core of the corruption at the heart of Polanski’s film – how little anyone actually knows about what is really happening, and how it’s easy to ignore these things rather than attempting to deal with them.