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Non-Review Review: Halal Daddy

Halal Daddy is a pleasant enough culture clash comedy, perhaps most notable for how conventional it is.

The premise of Halal Daddy is immediately striking, based on a true story about the halal meat factory in Sligo. It is a compelling set up, one with a lot of potential to explore the collision of differing perspectives and outlooks against the backdrop of the West of Ireland. Certainly, director Conor McDermottroe does an excellent job capturing a sense of place and texture in this Sligo-set comedy.

Meat cute.

However, what is most surprising about Halal Daddy is how conventional it feels. In many ways, it plays like the extended pilot for a BBC sitcom. Indeed, there is a sense that Halal Daddy might easily have been broken down into a series of six relatively interconnected episodes built around a variety of miscommunications and errors in judgment featuring the core cast. At certain point, Halal Daddy feels like a compressed set of stories, with each new set of complications summarised as “the one where…”

This is not a huge problem. Halal Daddy has a lot of charm. Some of that charm comes from a winning central performance from Nikesh Patel, while some of it comes from the casual ease with which it navigates from sitcom beat to sitcom beat without ever letting any of these potential problems overwhelm its characters or the audience. Halal Daddy is an enjoyable feel-good comedy, one that only occasionally feels a little light of touch.

There’ll be halal to pay.

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What if the Best Picture Posters Told the Truth?

Truth be told, I’m a little behind this week. I took a trip down to Sligo at the weekend and I’m preparing for a film noir blogothon next week (stay tuned). So posting this week may be a little… scattershot. Anyway, in a nice way to tie into those wonderful BAFTA poster redesigns from last year, this year we have – courtesy of theshiznit.co.uk – a simple question: what if this year’s Best Picture nominees told the truth, up front? Instead of vague names like Winter’s Bone or Inception or The Fighter… well, that last one’s pretty spot on… but what if the movies just told you everything you needed to know, on the poster? They might look like this…

(click to enlarge)

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Memories of a Multiplex: The Gaiety Cinema, Sligo

I took a trip down to Sligo with the better half at the weekend there. I grew up in the city, but I haven’t found myself visiting too often. There’s something strange about returning to the town where you grew up. Everything seems smaller, even if there are far more shopping centres and recognisable brands around the place. It was good to go back and to see it all again. And my better half was so kind that she suggested that we go to the local cinema and catch a screening. And so we attended a showing of The Fighter at the Gaiety Cinema Sligo.

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