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Justice League Unlimited – Flash and Substance (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. To tie into the review of Green Lantern: First Flight today, we thought we’d take a look at an episode centred on that other iconic Silver Age DC hero, the Flash.

Justice League and its spin-off Justice League Unlimited were two very strange shows, at least from a structural perspective. They both featured expansive casts (the latter more than the former, admittedly) – most of which were crammed full of characters new to the DC animated universe. Batman: The Animated Series and Superman: The Animated Series had done a great job establishing the two biggest names, but the bulk of the characters were pretty much blank slates heading into the crossover series. So characters like the Martian Manhunter and Green Lantern relied on episodes centring on them to grow and develop character – although the focus was very much on the ensemble cast. However, my own favourite episode of the show is a more intimate character profile of a character frequently overlooked: the Flash.

Frenemies…

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Batman: A Death in the Family

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. Later on today, I’ll be taking a look at the animated movie Batman: Under the Red Hood, so I thought I might take a look at one of the stories which inspired it.

A Death in the Family holds something of a sacred spot in the line-up of classic Batman stories. It was the moment that Batman failed – and he failed monumentally. The image of Batman cradling a bloody and bruised Robin in his arms is almost iconic, recognisable to any pop culture aficionado. However, the story itself really isn’t anything too spectacular – it’s as if writer Jim Starlin was trying to combine the adventurous take on Batman from the seventies with the more grim-and-gritty crusader of the late eighties, with a frankly inexplicable desire to dabble in global politics. Frankly, despite the power of the rich imagery provided by Jim Aparo, the story is more than just a little bit weak, and certainly not strong enough to support the label of “classic” that is applied so frequently to the story.

Batman will be carrying this with him for quite some time...

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DCAU Fortnight Kicks Off!

Right, I am taking a little break from work and blogging and everything for the next little while, just trying to clear my head a bit, so I won’t be around quite as much as I would like to be. However, I do have a treat for the nerdier children of the nineties out there – I’m going to take a retrospective look at the animated DC universe, the Warner Brothers cartoons produced during the nineties and into the last decade which gave us Batman: The Animated Series among many other things. Anyone who grew up during the decade can’t possibly have missed these wonderful little shows, which perhaps got me interested in comic books in the first place.

And he always times it juuust right to catch the bolt of lightning...

Note: Over the course of this two week event (and a schedule can be found below), I will occasionally return to cover something big or huge (like our scheduled Tron: Legacy review, for example). I also hope to have more time to get back into reading and engaging with other bloggers. It has been far too long.

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Thoughts on Snyder’s Superman

It has been over a week since the news that Zack Snyder would be directing the Superman reboot was announced. And what a week it has been. No sooner was the movie announced than details started flooding in – Luthor would not be the main villain, it would be an origin story of sorts, it would not share continuity, Zod would be the primary antagonist, Brandon Routh would not return. That’s quite a bit of news to get straight out of the gate, and I took a while to really shape my opinion of it all. And I’m optimistic, just very cautiously so.

Look! Up in the sky!

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Richard Donner & Geoff Johns’ Run on Action Comics – Last Son, Escape from Bizarro World, Superman & The Legion of Superheroes & Brainiac

In light of the recent announcement that the villain of Christopher Nolan and Zack Snyder’s Superman reboot will be General Zod (brought to the screen by Terrence Stamp in Superman II), we thought we might take a look at the run which reintroduced Zod to comic book audiences (written by the director of the first two films).

You kinda figure that Geoff Johns would be the perfect fit for Superman as a character. I mean, no character needs to re-engage with his roots while seeming fresh and renewed quite like the modern Superman. Despite his iconic status, the character hasn’t really registered on global pop culture since Richard Donner brought him to life in Superman, the first of the modern superhero films. Fittingly enough, legendary director Donner joins Geoff Johns as co-writer for the first half of the run – if you needed any more indication that this was a pairing to be excited about, consider the fact that Donner gave Johns his first “in” in show business, working as the director’s assistant. If you needed any more, take a look at how perfectly illustrator Gary Frank draws the Man of Steel, making him look like Christopher Reeve. However, although the run is entertaining and engaging, it can’t help feeling a little incomplete – as if Johns is spending more times aligning the pieces on his board rather than playing with them. Still, it’s a pretty damn good collection of Superman stories that Johns and Donner have put together here.

Superman is adrift no more...

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Oh My Zod: Nolan’s Superman Movie Gets Its Villain…

It had been quite an exciting day for Superman fans. First, director Zack Snyder was confirmed as the man who will be helming the movie under the tutelage of Christopher Nolan. It was then suggested Brandon Routh would not be returning to the role. And then we got some supervillain confirmation. Thankfully it looks like the movie won’t be featuring Lex Luthor as its primary antagonist, but will feature General Zod.

I'm Zod-ding in approval...

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Bats isn’t in my Belfry: Nolan’s Batman & Superman and the Inevitable Justice League Film…

Word filtering through the grapevine is that we can expect a “big announcement” from Warner Brothers and DC comics in the next few weeks. Two words seem to be on everybody’s mind at the moment: Justice League. I mean, it makes sense. Warner Brothers are in real need of a new cashcow franchise. There’s only so long they can pump out Harry Potter movies (the final one is due out next year), and the DC comics titles offer a nearly bottomless pile of untapped fantasy-esque cookie-cutter blockbuster-ready properties that they can churn out with instant-ready popularity and geek appeal. And, let’s face it, Marvel has demonstrated with at least Iron Man and Iron Man 2 (if not The Incredible Hulk) that a shared film universe is a profitable investment. Warner and DC certainly missed the train on that one. They must regard their rivals with envious eyes, and slowly and surely they drew their plans against them. And, to be frank, DC is in a much better position than Marvel to exploit this team-up. Marvel sold the Fantastic Four, the X-Men (including Wolverine) and Spider-Man to different companies, effectively meaning that they can’t be included in Marvel’s on-screen universe. However, DC hasn’t sold any big names. However, it has a problem. Christopher Nolan – the man in charge of both Batman and Superman – has decided that he doesn’t want to share. And maybe that’s not a bad thing, after all. 

Should Superman sit this one out?

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Geoff Johns’ Run on The Flash – Wonderland, Blood Will Run & Iron Heights

Geoff Johns is pretty much on top of the world. He’s a renowned comic book writer, who has got to work on all his favourite childhood properties – in many cases making them as popular as they’ve been in decades. He’s in charge of DC’s multimedia approach – he’s the guy in charge of the movies and television shows based around the iconic properties. Without his work on the character, next year’s Green Lantern movie wouldn’t be happening. And yet he had to begin somewhere. Although it doesn’t represent his earliest work in comics by a long stretch, in 2000 he took over as writer on The Flash. Despite a string of solid work behind him – and a really successful run for Mark Waid on the title – it was this creative pairing which would arguably propel both writer and character into the spotlight like never before. A decade later, Johns has returned to the book which made him famous, so I think it’s time to begin a trip down memory lane.

Wally's going to have to think fast...

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Wednesday Comics: Metamorpho

Earlier this week I reviewed Wednesday Comics, a rather spanking anthology from DC Comics. I kinda figured, however, it might be worth my while to break out some of those fifteen stories on their own (but not all of them) and discuss them, as it’s easy to lose sight of a particular writer/artist’s work in an anthology. And hey! It’s Neil Gaiman!

Good old Metamorpho. If ever there was a cult DC property, good old Rex Mason would be in the running. He isn’t exactly the highest profile name in the DCU – he’s not even B- or C-List (which makes it hilarious when this script introduces us to “the Metamorpho Fans of America”, followers of “the most popular comic book in America”, and he even has his own TV show). But those who know him love him and his basic concept – he “can transform himself into 94 elements!” – is wonderfully hokey. Hokey enough, perhaps, that he seems a perfect fit for the conscious throwbacks of Wednesday Comics. Indeed, that this was the character writer Neil Gaiman and artist Michael Allred chose to work on shouldn’t really be a surprise, nor should the fact that it’s one of the very few strips in the collection which boldly experiments with the format.

That shark needs a fast food chain...

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Wednesday Comics: Sgt. Rock & Easy Co.

Earlier this week I reviewed Wednesday Comics, a rather spanking anthology from DC Comics. I kinda figured, however, it might be worth my while to break out some of those fifteen stories on their own (but not all of them) and discuss them, as it’s easy to lose sight of a particular writer/artist’s work in an anthology. Now we’re going back to a “new” old bunch of pulp characters.

Sgt. Rock & Easy Co. is an interesting choice for the anthology. Although it’s a war comic, it was only introduced in 1959, long after the end of the conflict and in the twilight days of the newspaper strips that this anthology is meant to reproduce. It’s inclusion arguably speaks more to the desire by DC to create a nostalgia for a long legacy that never quite existed than it does to the character’s popularity or place within DC continuity. Sgt. Rock & Easy Co. is one of only three non-superhero strips included – the post-apocalyptic adventures of Kamandi and the Strange Adventures strip, following Adam Strange: Space Hero – and it seems a logical fit if the goal was to create the impression of a large interconnected tapestry of DC history. After all, the only thing as pulpy as a superhero story is good old fashioned war yarn.

That's the closest you'll come to a splash page in this storyline...

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