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The Flash – Going Rogue (Review)

So, I’m considering reviewing this season of The Flash, because the pilot looks interesting and I’ve always had a soft spot for the Scarlet Speedster. I’m also considering taking a storyline-by-storyline trek through the 1987-2009 Flash on-going series as a companion piece. If you are interested in reading either of these, please let me know in the comments.

One of the more endearing aspects of The Flash is the way that it embraces the stock superhero clichés. It is a television show that seems completely unashamed of its genre trappings, occasionally basking in its cheesiness. The dialogue is occasionally corny, the set-ups occasionally forced, the plot beats a little melodramatic – but that is a large part of the appeal. The Flash feels like something of a live action comic book.

Going Rogue is an episode that basks in its pulpy four-colour roots. Not only does the episode find a bright design for Leonard Snart that hues close to the character’s roots, not only does the show bask in various “cold” puns, not only does it lean heavily on the “save the innocent or catch the guilty” moral dilemma, it even throws in a nice crossover love triangle to keep things interesting. Going Rogue is silly and goofy, but in all the right ways. Endearing and charming, it is a demonstration of how well the show can work.

Chill out.

Chill out.

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Geoff Johns’ Run on The Flash – The Dastardly Death of the Rogues & The Road to Flashpoint (Review)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, following a week full of Flash stories.

It’s hard not to look at Geoff Johns’ return to The Flash and wonder what might have been. After all, his original run solidified Johns as a talent to watch in the superhero field, fed into his iconic Green Lantern run and paved the way to his ascent up the DC food chain. And it’s quite clear that DC were putting a lot of energy into pushing The Flash as the next “breakout franchise”, clearly hoping that Johns could find an angle on the character and mythos that would push the book up the sales charts to match the Batman and Green Lantern franchises. That obviously didn’t happen, but it feels like a shame because it very nearly could have happened, had things gone a little differently.

Flash! A-ha! He saves every one of us!

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Geoff Johns’ Run on The Flash – Ignition, The Secret of Barry Allen, Rogue War

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, but – in the spirit of the character – we’re going to have a marathon run through Flash stories before we get there. Check back daily this week for more Flash-ified goodness…

Superman soars above everyone. Batman hides from everyone. Wonder Woman preaches to everyone.

Me? I run right alongside everyone. My name’s Wally West. You probably know the rest.

– The Flash reintroduces himself, The Secret of Barry Allen

Geoff Johns’ run on The Flash can really be split into two distinct sub-runs. The first saw him working with artist Scott Kolins, defining Keystone and building up a supporting cast. The second, following the climax of Blitz, is something of a revised origin for the character – an attempt by Johns to tell his own particular version of an origin story for the character. Of course, it isn’t a literal origin like his own Green Lantern: Secret Origin or Superman: Secret Origin, rather a rediscovery. Although I do have a slight preference for the earlier half the run, there’s no denying that Johns has put together quite a wonderful story during his tenure on The Flash.

What a run...

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Geoff Johns’ Run on The Flash – Wonderland, Blood Will Run & Iron Heights

Geoff Johns is pretty much on top of the world. He’s a renowned comic book writer, who has got to work on all his favourite childhood properties – in many cases making them as popular as they’ve been in decades. He’s in charge of DC’s multimedia approach – he’s the guy in charge of the movies and television shows based around the iconic properties. Without his work on the character, next year’s Green Lantern movie wouldn’t be happening. And yet he had to begin somewhere. Although it doesn’t represent his earliest work in comics by a long stretch, in 2000 he took over as writer on The Flash. Despite a string of solid work behind him – and a really successful run for Mark Waid on the title – it was this creative pairing which would arguably propel both writer and character into the spotlight like never before. A decade later, Johns has returned to the book which made him famous, so I think it’s time to begin a trip down memory lane.

Wally's going to have to think fast...

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Geoff Johns’ Run on Green Lantern – Blackest Night: Black Lantern Corps (Vol. I & II) & Rise of the Black Lanterns

All right, gang. Let’s go shoot some zombies.

– Captain Cold, Blackest Night: Flash

It wouldn’t be a massive world-ending crisis of a DC Universe cross-over if there weren’t tie-in issues by the bucketful. Sinestro Corps War, Geoff Johns’ earlier Green Lantern mega-event, was relatively low-key in its ambitions, only really spilling across into four specials that dealt with the wider DC Universe. This time there’s close to thirty, which is, as you’d imagine, quite a lot. Given the relatively simplistic nature of the event (it’s basically “superhero zombies”), you’d be forgiven for expecting that the crossovers and tie-ins would become dull or monotonous, but they mostly avoid that. It’s partially due to the variety of perspectives offered, but also due to the extremely talented pool of writers and artists on hand.

As cold... as ice...

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Is Picking a Bad Guy the Biggest Hurdle In Getting The Flash to Screen?

The rumour is that the Flash is the next Green Lantern. By which I mean the character looks set to move to the centre of DC’s universe – on panel and on screen – in the next few years. Geoff Johns relaunched Hal Jordan with Green Lantern: Rebirth about four years ago and since then he’s guided the character through arguably two of the best received event comics of the past decade (Sinestro Corps War and Blackest Night), launched a direct-to-DVD animated feature and is getting the big screen treatment from Martin Campbell, the man who saved Bond (twice). All this from what a character who was a second stringer a few years ago. It appears that the Flash is on a similar trajectory. A relaunch of the comic book was completed last month with the final issue of Flash: Rebirth and there are rumours of a big screen treatment already in the works. Part of me wonders, however, if the character’s foes are ready for the big screen?

They're either a bunch of supervillains, or a very committed eighties concept band...

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