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The Flash – Going Rogue (Review)

So, I’m considering reviewing this season of The Flash, because the pilot looks interesting and I’ve always had a soft spot for the Scarlet Speedster. I’m also considering taking a storyline-by-storyline trek through the 1987-2009 Flash on-going series as a companion piece. If you are interested in reading either of these, please let me know in the comments.

One of the more endearing aspects of The Flash is the way that it embraces the stock superhero clichés. It is a television show that seems completely unashamed of its genre trappings, occasionally basking in its cheesiness. The dialogue is occasionally corny, the set-ups occasionally forced, the plot beats a little melodramatic – but that is a large part of the appeal. The Flash feels like something of a live action comic book.

Going Rogue is an episode that basks in its pulpy four-colour roots. Not only does the episode find a bright design for Leonard Snart that hues close to the character’s roots, not only does the show bask in various “cold” puns, not only does it lean heavily on the “save the innocent or catch the guilty” moral dilemma, it even throws in a nice crossover love triangle to keep things interesting. Going Rogue is silly and goofy, but in all the right ways. Endearing and charming, it is a demonstration of how well the show can work.

Chill out.

Chill out.

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Ed Brubaker’s Run on Detective Comics – Dead Reckoning (Review/Retrospective)

23rd July is Batman Day, celebrating the character’s 75th anniversary. To celebrate, this July we’re taking a look at some new and classic Batman (and Batman related) stories. Check back daily for the latest review.

It remains quite surprising that DC have never capitalised on the work that Ed Brubaker and Greg Rucka did on their Batman line during the early years of the twenty-first century. Given the popularity of Batman as a character, and considering the success that has been enjoyed by Brubaker and Rucka in the years since, it seems strange that DC has never made a consistent or concerted effort to package and release high-profile collections of their work on the character.

It is a shame, because the work is very good – both as solo writers on various titles and in collaboration with one another. Ed Brubaker enjoyed a solo run on Batman with artist Scott McDaniel shortly after No Man’s Land and through the end of Bruce Wayne: Fugitive. A few years later, while collaborating with Greg Rucka on the underrated and sorely missed Gotham Central, Brubaker also had a short run on Detective Comics.

Putting on his game face...

Putting on his game face…

He wrote a team-up between Bruce Wayne and Alan Scott in Made of Wood. However, Brubaker also wrote the epic six-part story, Dead Reckoning. On the surface, Dead Reckoning appears quite familiar. It follows a fairly standard set-up. It’s an adventure that features the width and breadth of Batman’s iconic rogues’ gallery, and unearths a terrible secret about the history of Gotham that – in Brubaker’s style – is a clever updating of a classic piece of continuity.

However, underneath the surface, Dead Reckoning is something much more harrowing and unsettling. It’s the story of lives destroyed by calamities and forces outside the normal human experience – it’s about wounds inflicted on ordinary people by monsters playing a very strange game. It feels like a post-9/11 superhero story, treating Batman’s world as something hostile and horrifying.

Snow escape...

Snow escape…

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Geoff Johns’ Run on The Flash – The Dastardly Death of the Rogues & The Road to Flashpoint (Review)

This January, I’m going to take a look at some of DC’s biggest “events.” I’ll be starting with the most recent one, Flashpoint, following a week full of Flash stories.

It’s hard not to look at Geoff Johns’ return to The Flash and wonder what might have been. After all, his original run solidified Johns as a talent to watch in the superhero field, fed into his iconic Green Lantern run and paved the way to his ascent up the DC food chain. And it’s quite clear that DC were putting a lot of energy into pushing The Flash as the next “breakout franchise”, clearly hoping that Johns could find an angle on the character and mythos that would push the book up the sales charts to match the Batman and Green Lantern franchises. That obviously didn’t happen, but it feels like a shame because it very nearly could have happened, had things gone a little differently.

Flash! A-ha! He saves every one of us!

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Geoff Johns’ Run on The Flash – Rogues, Crossfire & Blitz

What with Geoff Johns returning to write The Flash, I figured I’d dig out some of the old collections of his first run on the title – arguably the run which brought the writer to the attention of comic book readers everywhere. In a run spanning five years, Johns managed to not only offer a suitably impressive successor to Mark Waid’s run on the title, but also tell his own boldly unique story. In a way, the writer’s time on the title can be broken down into two distinct halves – in fact, the final issue collected here is consciously a transition, with the universe being massively re-written and the status quo irrevocably altered. This collection represents the end of that first half, in which Johns was paired with artist Scott Kolins. I think it’s fair to say that the pair made magic on the title.

The Rogues take the opportunity to chill out...

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Justice League Unlimited – Flash and Substance (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. To tie into the review of Green Lantern: First Flight today, we thought we’d take a look at an episode centred on that other iconic Silver Age DC hero, the Flash.

Justice League and its spin-off Justice League Unlimited were two very strange shows, at least from a structural perspective. They both featured expansive casts (the latter more than the former, admittedly) – most of which were crammed full of characters new to the DC animated universe. Batman: The Animated Series and Superman: The Animated Series had done a great job establishing the two biggest names, but the bulk of the characters were pretty much blank slates heading into the crossover series. So characters like the Martian Manhunter and Green Lantern relied on episodes centring on them to grow and develop character – although the focus was very much on the ensemble cast. However, my own favourite episode of the show is a more intimate character profile of a character frequently overlooked: the Flash.

Frenemies…

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