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Star Trek: Deep Space Nine – Crossfire (Review)

This February and March, we’re taking a look at the 1995 to 1996 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily Tuesday through Friday for the latest review.

In many ways, Star Trek: Deep Space Nine has aged remarkably well.

Episodes like Homefront and Paradise Lost arguably have greater resonance now than they did on initial broadcast, their commentary on state authority and the erosion of civil liberties packing more punch during the War on Terror than it did during the long nineties. The Way of the Warrior even invites comparison to the invasion of Iraq, despite the fact that the episode aired eight years before the invasion took place. In many respects, Deep Space Nine has aged considerably better than its siblings.

Odo's attempts at redecorating were not going well...

Odo’s attempts at redecorating were not going well…

On the other hand, there are some aspects that have not aged particularly well. There are certain elements of Deep Space Nine that feel ill-judged or ill-advised in hindsight; for example, the thinly-veiled (and awkward) racial politics inherent in the exploration of the Jem’Hadar in The Abandoned. The relationship between Odo and Kira is another such example, the show’s central “will they?”/“won’t they?” dynamic seeded in Necessary Evil and brought to fruition in Heart of Stone.

Taken on its own merits, Crossfire is a spectacular piece of television. It is skilfully written and directed, with a superb central performance from Rene Auberjonois as Odo. The plot of the episode seems to focus on Odo working through his long-simmering crush on Kira, suffering a near breakdown and eventually deciding to work through it. It is, in many ways, the best possible story that could be told using the relationship. However, the problem is that Crossfire is not the end of this particular thread. It is just a hurdle for Odo to pass.

Quark serves some unpalatable truths...

Quark serves some unpalatable truths…

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Geoff Johns’ Run on The Flash – Rogues, Crossfire & Blitz

What with Geoff Johns returning to write The Flash, I figured I’d dig out some of the old collections of his first run on the title – arguably the run which brought the writer to the attention of comic book readers everywhere. In a run spanning five years, Johns managed to not only offer a suitably impressive successor to Mark Waid’s run on the title, but also tell his own boldly unique story. In a way, the writer’s time on the title can be broken down into two distinct halves – in fact, the final issue collected here is consciously a transition, with the universe being massively re-written and the status quo irrevocably altered. This collection represents the end of that first half, in which Johns was paired with artist Scott Kolins. I think it’s fair to say that the pair made magic on the title.

The Rogues take the opportunity to chill out...

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