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Recommended Batman Comics 102: Batman – The Animated Series…

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I know that movies traditionally have a minimal impact on comic book sales, but to celebrate the release of The Dark Knight Rises, I thought I’d make a list of accessible jumping-on points for fans of Batman in mass media. There are several wonderful things about Batman. There are two especially relevant to this article. First, Batman is an infinitely adaptable character. He can literally be anything to anybody. It is entirely possible for somebody to love one interpretation of Batman while loathing others. So I’ll be breaking down my recommendations by source, so you can look at your favourite interpretation of Batman and find the most thematically and tonally relevant jumping-on points:

The second factor is that Batman is one of the few characters blessed with a back catalogue of accessible runs and stories, so there’s quite a few recommendations for each. It’s as simple as finding one that works for you.

We’ll continue with perhaps the most comprehensive and consistent portrayal of the character in mass media, Bruce Timm and Paul Dini’s Batman: The Animated Series.

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Judd Winick’s Run on Batman & Robin – Streets Run Red (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Today we’re taking a look at three of the authors who followed Grant Morrison’s groundbreaking Batman & Robin run. And, rounding off our day of reviews, is Judd Winick’s three-issue arc.

I can’t help but feel a bit disappointed at how DC editorial handled Batman & Robin after Morrison departed. In hindsight, it’s apparent that they were waiting until the high-profile post-Flashpoint DCnU to relaunch the title with its new creative team of Peter Tomasi and Patrick Gleason, but that still means there were ten issues between the end of Morrison’s run and the proper start of Tomasi and Gleason’s. While using fill-in writers and artists might have seemed logical, I can’t help but feel like there should have been tighter editorial control of the book.

While Paul Cornell and Tomasi both maintained some association with Morrison’s well-loved run, Judd Winick uses the title to tell a three-issue story arc that doesn’t necessarily fit. Instead, this three issue story-arc feels like it should have been a miniseries or featured in an anthology title, fitting more easily within the character continuity of Winick’s resurrected Jason Todd than within any framework of Batman & Robin.

All good for the Hood?

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Peter Tomasi & Patrick Gleason’s Run on Batman & Robin – Tree of Blood (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Today we’re taking a look at three of the authors who followed Grant Morrison’s groundbreaking Batman & Robin run. And, in the middle, are Peter Tomasi and Patrick Gleason.

It seems that Peter Tomasi and Patrick Gleason were originally intended to be the full-time creative team succeeding Grant Morrison on Batman & Robin, allegedly chosen by the Scotsman himself to take over the title. However, possibly due to the post-Flashpoint reboot, the series ended up bouncing around various authors and artists, including Judd Winick and Paul Cornell. However, Tomasi and Gleason did manage to contribute one three-issue storyline to the title before the relaunch, Tree of Blood. While it might not be the most conceptually fascinating Batman story, it does show that the team are well suited to the title, and serves as an appetizer for their current run.

Signal for action…

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Paul Cornell’s Run on Batman & Robin – The Sum of Her Parts (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Today we’re taking a look at three of the authors who followed Grant Morrison’s groundbreaking Batman & Robin run. We’ll start with Paul Cornell.

I’m going to be entirely honest here. I am very disappointed that Paul Cornell hasn’t really got a shot at an on-going Batman book. The author has been something of a rising star at DC comics for what seems like years, and recently provided the best Superman run in recent memory with his wonderful Lex Luthor story in Action Comics. He’s a writer who is astutely aware of the genre conventions, while being shrewd enough to exploit them to his advantage. He writes distinctly “comic book!” comic books, but without following the standard plot patterns just for the sake of adhering to formula. His three-issue Batman & Robin fill-in arc might not be his best work, or the best work on the title, but I do admire Cornell’s willingness to provide a compelling criticism of the Batman mythos instead of merely offering a generic paint-by-numbers treading-water adventure. Even if it doesn’t quite stick the landing, Cornell’s story is certainly ambitious.

Drilling it into them…

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Non-Review Review: Batman! (1966)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I have to confess, I think that Adam West’s Batman! gets a bit of an unfair time from comic book aficionados, movie fans and even casual pundits. In the years since the iconic movie and television show, fans have acted like camp and comedy are elements that have no place in the world of the Caped Crusader. There is – of course – a reason for that. Darker portrayals have since come dominate Batman’s characterisation, from Tim Burton’s Batman to Frank Miller’s The Dark Knight Returns to Christopher Nolan’s The Dark Knight. However, I think one of the most endearing aspects of Batman as a pop culture icon is his ability to adapt. “I’m whatever Gotham needs me to be,” Batman tells Gordon at the climax of The Dark Knight. Sure, sometimes we need him to be a staunch and iconic hero triumphing against adversity. Other times we simply need him to whip out the Bat Shark Repellent.

Batman was “Urk-ed” by the Penguin’s plan…

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Batman: Vampire Trilogy – Red Rain, Bloodstorm & Crimson Mist (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I’m going to be entirely honest. I’m not completely sure what to make of Doug Moench and Kelley Jones’ Batman: Vampire trilogy. A collection of three Elseworlds stories, all following a Batman who confronted Dracula early in his career, they initially seem like grim and dark comics from the nihilistic nineties. There’s a lot of violence, a lot of cynicism, and a lot of gore. As with a lot of Batman written around that time (and arguably beyond), The Dark Knight Returns seems like a major influence, presenting a progressively darker and unhinged Dark Knight and an increasingly brutal war on Gotham’s crime. However, there were times, reading the trilogy, that I couldn’t help but read it as a sort of an implicit criticism of these sorts of excessively dark and edgy comics.

Streets run red…

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Recommended Batman Comics 101: Christopher Nolan’s Batman Films…

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I know that movies traditionally have a minimal impact on comic book sales, but to celebrate the release of The Dark Knight Rises, I thought I’d make a list of accessible jumping-on points for fans of Batman in mass media. There are several wonderful things about Batman. There are two especially relevant to this article. First, Batman is an infinitely adaptable character. He can literally be anything to anybody. It is entirely possible for somebody to love one interpretation of Batman while loathing others. So I’ll be breaking down my recommendations by source, so you can look at your favourite interpretation of Batman and find the most thematically and tonally relevant jumping-on points:

The second factor is that Batman is one of the few characters blessed with a back catalogue of accessible runs and stories, so there’s quite a few recommendations for each. It’s as simple as finding one that works for you.

We’ll start with the most recent of the bunch, Christopher Nolan’s Dark Knight trilogy.

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Non-Review Review: The Dark Knight Rises

Note: Here’s a spoiler-filled, more detailed version of my review of The Dark Knight Rises. If you want a spoiler-light look at the film, click here.

It’s here. Christopher Nolan has defied the law of superhero trilogies, which seemed so natural that it was akin to gravity. The Dark Knight Rises might not be the perfect piece of cinema, but it does perfectly wrap up Nolan’s Dark Knight trilogy, with enough grace, wit and intelligence to avoid the problems that faced other superhero threequels. While it falls a little short of The Dark Knight, mainly because of what it lacks rather than what it fails at, The Dark Knight Rises manages to make some telling observations about its central character, while proving an epic for our time.

The Dark Knight was the best mainstream film to explore the War on Terror, and The Dark Knight Rises might be the best movie about the social implications of the current economic strife – the philosophy of the “1%.” Finding a way to handle both the political allegory and the central character’s myth in under three hours is no small accomplishment, and Christopher Nolan once again demonstrates why he’s one of the best directors working today. Nobody blends blockbuster scale and aesthetic with sophistication and suspense nearly as well as Nolan.

The Dark Knight Returns?

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Final Crisis: Revelations (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I have to admit, I’ve always preferred DC’s approach to big comic events, as opposed to the approach at Marvel. While Marvel’s events (like Civil War or Secret Invasion) seem to exist to encroach on a writer’s comic book run (Ed Brubaker’s Captain America or Matt Fraction’s Iron Man), DC’s events tend to allow writers to tidy up loose ends. Or, to be fair, that’s what Final Crisis appeared to do. The major tie-in miniseries didn’t seem to exist to fill in gaps with the main book. Instead, they allowed the writers to resolve or move forward their own plots. For Geoff Johns, Rogues’ Revenge allowed him to segue between his first Flash run and Flash: Rebirth, while Legion of Three Worlds allowed him to sort out some outstanding Legion of Superheroes continuity.

Revelations exists to serve as a coda to Greg Rucka’s superb Gotham Central and his Question series, as well as tying in a bit to his upcoming Batwoman work. While I’m not the biggest fan of “comic book events” in general terms, I do respect that they allow writers to tell stories they might not otherwise get a chance to.

Shine a light…

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Catwoman: When in Rome (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

Catwoman: When in Rome technically exists to fill in the gaps in Jeph Loeb and Tim Sale’s The Long Halloween and Dark Victory, particularly in accounting for Catwoman’s absence during the early part of Dark Victory. However, it also exists as something of a “bridge”, connecting Loeb’s earlier Batman trilogy with Sale and his later work on Hush with Jim Lee. It’s an interesting exploration of an early phase of Catwoman’s costumed career, building off her origin in Batman: Year One and seeing the character attempt to move out of Batman’s shadow. While it’s hardly going to be remembered for developing a truly independent version of the character, it does make for an interesting read, and a fascinating companion piece to the rest of Jeph Loeb’s Batman work.

Go fish…

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