• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Alfred Hitchcock Presents: Breakdown (Review)

As part of the “For the Love of Film” blogathon, I’ll be taking a look at Alfred Hitchcock’s contributions to his celebrated anthology series Alfred Hitchcock Presents. I’ll be looking at some of the episodes of the classic show that he directed. The “For the Love of Film” blogathon this year is raising money to keep one of Hitchcock’s earlier works, The White Shadow (which he wrote, edited, designed and assistant-directed), available on-line and streaming for free. It’s a very worthwhile cause and you can donate here.

Breakdown is an interesting concept, but one that feels like it has been adapted into the wrong medium. Most of the story centres around an executive who survives a car crash, paralysed. We are treated to his inner monologue as various people come along and interact with him. Adapted by Francis M. Cockrell and Louis Pollock from the latter’s short story, I can’t help but feel the concept might have worked better as a radio play than in television. Still, the idea is solid, and Joseph Cotton gives a nice central performance. It just feels a bit clunky for a television adaptation.

Continue reading

Alfred Hitchcock Presents: Lamb to the Slaughter (Review)

As part of the “For the Love of Film” blogathon, I’ll be taking a look at Alfred Hitchcock’s contributions to his celebrated anthology series Alfred Hitchcock Presents. I’ll be looking at some of the episodes of the classic show that he directed. The “For the Love of Film” blogathon this year is raising money to keep one of Hitchcock’s earlier works, The White Shadow (which he wrote, edited, designed and assistant-directed), available on-line and streaming for free. It’s a very worthwhile cause and you can donate here.

It’s amazing to think of the talent involved in some of these Alfred Hitchcock Presents episodes. Obviously the director himself was the host and directed seventeen episodes, but he also had a star-studded cast on hand for a great many installments. That said, there was just much talent behind the camera. Robert Altman, Sydney Pollack and William Friedkin were among the other directors to work on the series, and author Roald Dahl contributed some episodes as well. Dahl contributed the much-loved Man From The South, featuring Peter Lorre and Steve McQueen, but he also offered this wonderful little murder tale about an especially inventive killing.

Continue reading

Alfred Hitchcock Presents: Revenge (Review)

As part of the “For the Love of Film” blogathon, I’ll be taking a look at Alfred Hitchcock’s contributions to his celebrated anthology series Alfred Hitchcock Presents. I’ll be looking at some of the episodes of the classic show that he directed. The “For the Love of Film” blogathon this year is raising money to keep one of Hitchcock’s earlier works, The White Shadow (which he wrote, edited, designed and assistant-directed), available on-line and streaming for free. It’s a very worthwhile cause and you can donate here.

Good evening. I’m Alfred Hitchcock, and tonight I’m presenting the first in a series of stories of suspense and mystery called – oddly enough – Alfred Hitchcock Presents. I shall not act in these stories, but will only make appearances, something in the nature of an accessory before and after the fact: to give the title to those of you who can’t read, and to tidy up afterwords for those who don’t understand the ending.

– Hitchcock lays down the rules

It’s interesting to look back at Hitchcock as a director who had an exceptional gift for working with material that might be derided as “trashy.” Certainly, if one divorces the subject matter from the director himself, a significant amount of his work can be seen as somewhat exploitative, inside genres that are traditionally dismissed by those more serious and elitist film commentators. (Indeed, one could argue that Psycho laid the foundation for the much-maligned “slasher” genre.) I’ve actually found this a significant appeal in examining Hitchcock’s work. Like many of the very best directors ever to work in film, he has a knack for elevating his subject matter beyond the expectations of the genre. I think that his anthology television show, Alfred Hitchcock Presents, is especially fascinating, because it illustrated the director taking an entire medium far more serious than many of his contemporaries.

Continue reading

Minor Miracles: Supporting Characters & The Lesson of Hannibal Lecter

“Less is more.” Or so we’re often told at least. It generally seems to be used in a polite way to limit our exposure to things we don’t like. However, I can’t help but wonder if it is true of supporting characters. After all, those interesting side characters in movies that happen to capture our imaginations with a relatively minor roles. Indeed, I reckon that I could probably name more supporting characters I took a shine to, rather than iconic lead characters. While we undoubtedly relish every moment they appear on-screen, and perhaps lament that we only get so limited an exposure to them, I can’t help but wonder of that somewhat restricted presence might be precisely what makes them so appealing in the first place.

Bloody brilliant…

Continue reading

Non-Review Review: The Rite

The Rite has an interesting premise and a somewhat novel approach to its material within the first half. On the other hand, it seems to squander that potential with a disappointingly conventional second half, one falls prey to the clichés and conventions of exorcism movies that we’ve already seen replicated elsewhere countless times before. It starts out as an interesting exploration of religious faith, but it ends up feeling like a waste of some good ideas.

Don't cross him...

Continue reading

My Best of 2011: Thor, Daddy Issues & The Triumph of Optimism…

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

Thor is number five. Check out my original review here.

This is perhaps one of my “what the…?” picks, one of my choices that will seem especially random, and a blockbuster highly unlikely to show up in any other critic or commentator’s “best of 2011” of “end of year” countdown lists. However, I think there’s a lot to like about Branagh’s adaptation of Marvel’s faux-Shakespearean hammer-wielding Norse God, and I think it works so well because Branagh seems to acknowledge the same sentiment that Stan Lee tapped into when creating The Mighty Thor: the idea that superheroes are a modern American mythology, a vehicle with which to explore the hopes and fears of the modern world through a fantastical prism, something that can be traced back to the pantheon of old. While the best superhero films explore this sense of relevance, I admired the way that Thor managed to embrace it in the most abstract manner, tracing it back to that earliest and most basic type of story: the story of fathers and sons.

Continue reading

The Film Fan’s Curse: What Might Have Been…

The first photograph from the Farrelly Brothers’ The Three Stooges appeared on-line last week. It will star Will Sasso, Sean Hayes and Chris Diamantopoulos as the eponymous trio. Still, I can’t help wondering how many film fans looked at that picture and shared the exact same thought that popped into my head, mourning what might have been, rather than getting excited about what we had. Sure, most of the audience who see the film probably won’t know any better, but I can’t help be wonder what the original cast of the remake might have looked like.

Three of a kind of a letdown?

Continue reading

Non-Review Review: The Remains of the Day

It’s a sad truth that Emma Thompson and Anthony Hopkins are rarely handed roles that allow them to demonstrate their true abilities. The Remains of the Day is an absolutely stunning period drama from Merchant Ivory (which sounds far more impressive than any functional “combination of last names” really should). It’s a rather beautiful look at the classically romantic British character, but also an absolutely scathing attack upon it. It’s a brilliant examination of the inherent tragedy of the stereotypical British detachment, the capacity to maintain emotional distance in order to endure whatever life has to offer. Mister Stevens is the quintessential English butler, but he’s also one of the most tragic central characters I think I’ve seen in quite some time.

All that Remains...

Continue reading

Non-Review Review: You Will Meet a Tall, Dark Stranger

This film was seen as part of the Jameson Dublin International Film Festival.

You Will Meet a Tall, Dark Stranger is – we’re told at the start by the (now seemingly customary) narrator – “a tale told by an idiot, filled with sound and fury, signifying nothing.” It doesn’t use the exact quote from Macbeth, but it references it pretty explicitly. However, this seems less like the genuine intention of Woody Allen and more like an excuse scribbled on the introduction to a term paper he couldn’t be bothered finishing, as if to declare to the world, “It’s okay if nothing is ever really resolved or developed and random stuff seems to occur for no reason – that’s the stylistic approach I’m adopting!” I don’t doubt that the movie’s inconclusive nature is undoubtedly intentional, but it’s inconsistency is still infuriating – perhaps more for the sections of the movie that do engage rather than those that meander. It’s not necessary a bad film – Allen is still a great storyteller, even when he doesn’t seem especially bothered – but it’s just not up there with Vicki Cristina Barcelona or even Match Point.

Growing old disgracefully...

Continue reading

Thor 101: A Beginner’s Guide to Marvel’s Thor…

Another year, another slew of massive comic book adaptations. While most people are familiar with Batman or Superman, I think that we’re moving away from the more popular comic book properties being adapted for the big screen. Last month I wrote a brief introduction to the Green Lantern mythos, as Martin Campbell’s blockbuster approaches. The response was good enough that I thought I might take a look at Marvel comics’ upcoming blockbuster Thor, directed by Kenneth Branagh. Anyway, here’s the trailer.

Continue reading