• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

International On-Line Film Critics’ Poll Nominees Announced…

The nominees for the 2012 International On-Line Film Critics’ Poll 2012 have been announced. Open to all films released in the United States between November 2011 and November 2012, it allows for a slightly different playing field than the Oscars typically does. It also means that I am (as a non-American) far more likely to have seen all the nominees, with only Lincoln yet to see among the Best Picture nominees. Anyway, I will be sending in my ballot soon enough, but take a gander at the full list of nominees below. It’s a strong list, to be sure.

iolfcp1

Continue reading

Watch! Dark Zero Thirty Trailer!

So far, Dark Zero Thirty has been a bit of an unknown quantity in the end-of-year Oscar race. Following the team responsible for assassinating Osama Bin Laden, Kathryn Bigalow’s movie has to be on the short-list for awards contention. It received a fairly radical change of course yesterday, meaning that it might not open in the States as early as expected. Instead, it looks like it might be pushed back to January for a wide release, following a more traditional Oscar pattern. It’s a roll-out strategy that was worked quite well for contenders in other years.

Reportedly, the film’s release had been considered for the November elections, but it may now open wide in the States only slightly early than it opens here. (The notion of being used as a political volleyball in various election-related op-eds was probably less-than-appealing to the film.) It releases in Ireland on 25th January 2013, and we have the new trailer below. Bigalow has assembeld one hell of an ensemble, with some fantastic actors putting in appearances. I am very much looking forward to this one. Enjoy.

Non-Review Review: Beasts of the Southern Wild

Benh Zeitlin’s Beasts of the Southern Wild is a fascinating film, and I’m not quite sure I’ve figured it out yet. It looks stunning, especially considering the relatively tiny budget, and it features two stunning lead performances from newcomers Quvenzhané Wallis and Dwight Henry. However, there’s a sense that movie lacks substance, that Zeitlin’s ethereal coming of age fantasy lacks a firm grounding necessary to convince us to embark with the young Hushpuppy on her coming of age adventure.

Lighting up the screen…

Continue reading

A Little Gold Man, Far Away: Oscar Season as a Spectator Sport…

In case you hadn’t realised, Oscar season is in full swing. We’ve already had the Toronto International Film Festival. There’s already a front-runner in the form of The Master. The seemingly obligatory voting controversy has already been reported upon. Newspapers and on-line film websites are already launching their coverage of a race that won’t be over for another five months, despite the fact that many would argue the race probably already has a winner. And that discounts those websites already set up specifically for the race, which are (understandably) kicking into overdrive.

And I… find myself having difficulty mustering too much enthusiasm about it.

The show goes on…

Continue reading

Michael Clarke Duncan, R.I.P.

It’s very strange to hear that an actor who really emerged during your life time has passed away. I was actually already an aspiring movie buff when Michael Clarke Duncan gave his breakout performance in The Green Mile. Duncan, of course, had been around for a while before that. He’d been working in the entertainment industry even before he decided to seriously pursue acting as a career – the early nineties saw the guy working as a bodyguard for Will Smith among others. He turned earnestly to acting in the mid- to late-nineties, and had a small but memorable role in Armageddon that led Bruce Willis to recommend him for The Green Mile. In many ways, I watched Duncan become a recognisable screen presence, and I was very shocked and saddened to hear of his passing.

Continue reading

The Longest Wait: The Difference Between European and American Release Dates…

I have to confess, part of me is a little disappointed that we are slowly phasing out of blockbuster season and into the traditional Oscar season. Not because I prefer the films in one to the other, of course, but because it means that apparently my entire continent is going to drop off the radar for a few months. As the major studios in the United States scramble to get their best Oscar shots released in Los Angeles (and, often, the rest of the country) by the end of the year, it seems that they forget about the rest of the world. While the release of the summer blockbusters have gotten just a bit more synchronised, there’s still a sense that the release of the prestige pieces over here remains an afterthought.

Let’s deal with this fur once and fur all…

Continue reading

Non-Review Review: The Apartment

The Apartment is a classic romantic comedy, and deservedly so. Reuniting director Billy Wilder with actor Jack Lemmon, it’s a wonderfully dysfunctional look at life in the big city, and the compromises the people find themselves forced into. While I think the movie probably works better as a romantic drama than as a comedy – with some outstanding moments of bleakness, including a serious suicide attempt and another false alarm towards the end – Wilder and Lemmon do an exceptional job keeping the movie just light enough that the darker elements don’t overwhelm the film. It is a piece of cinematic history, and one that holds up as well today as it ever did.

The neighbours were wondering about the racket…

Continue reading

Non-Review Review: Jeff Who Lives at Home

This film was seen as part of the Jameson Dublin International Film Festival 2012. As the movie’s getting a delayed Irish release this weekend, I thought I’d share it again.

There’s a common misconception about the films of Mark and Jay Duplass. It’s easy to confuse their films with comedies. Just look at the cast they assembled for Cyrus, including Jonah Hill and John C. Reilly (with Marisa Tomei taking home her Oscar for a comedic turn in My Cousin Vinny), or even the one they’ve gathered here. After all, Jason Segel is still most recognisable from How I Met Your Mother or The Muppets or Forgetting Sarah Marshall. Ed Helms’ filmography includes The Office and The Hangover and Cedar Rapids. While Jay and Mark Duplass include a wonderful amount of humour in their work, it tends to distract away from their core themes or ideas. Beneath the awkward triangle in Cyrus, there’s a coming-of-age family drama. Underneath the witty exterior of Jeff Who Lives at Home, there’s a sincere and optimistic romantic drama. And I’m a sucker for romantic drama.

Rub a dub dub, two men in a tub…

Continue reading

Non-Review Review: Courage (Wymyk)

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Courage is a fascinating little Polish film, with an interesting dramatic hook. Director Greg Zglinski offers a searing portrait of masculinity and impotence in the twenty-first century, where ever moment and action and decision seems to be documented for future use – our private failures of judgment ultimately become public spectacles, and in this era of globalisation and instant media connections, it’s impossible to escape the consequences of one bad split-second decision. While Zglinski’s film might overstay even its relatively short runtime, it does raise some interesting and challenging ideas about heroism in the twenty-first century.

Oh, brother!

Continue reading

February 2012 (Jameson Dublin International Film Festival) In Review

Well, it’s been a fun month. I’ve been blogging from Dublin’s annual movie festival, the Jameson Dublin International Film Festival, which ran for the eleven days leading up to the Oscars. I saw twenty-five films in the festival, two films outside it, and took part in two of the special movie-related events. It was quite a month of high-intensity movie-going experiences, and I think that the entire group responsible for organising the festival deserve considerable credit for pulling off. I thought it might be handy to centralise all my reviews and articles relating to the festival in one place, just for ease of reference. Some of these might be opening near you soon, some may get more limited releases, and some are already out, but these are the films I saw as part of the Jameson Dublin International Film Festival 2012.

Continue reading