• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

The Day That 2D Died…

I’m not going to bore you with another 3D post. In short, my opinion is thus: I’m not outright against it, but recognise it is a cynical money-making plow that has yet to really add anything to any movie (with the possible exception of Avatar). I just noticed something today which indicates we may have hit the tipping point. And it isn’t the news of an Oscar-baiting drama like Precious being rendered in 3D like I thought it might be. It’s the fact that Clash of the Titans is being advertised as “also in 2D”. It’s in small print in all the ads, but it seems to suggest that the standard movie-viewing experience has now become the smaller, optional one. Something for the cinema-completest rather than the default way of viewing the film. I remember not even last year when rendering a movie in 3D was a selling point of itself, a quirk. Now it appears that we should be treating it as standard for these films, with the 2D screenings being essentially sideshows and extras.

Some would rather stare at Medusa's face than watch the satndard 2D version...

I’m fairly sure that Avatar may have used the same “also available in 2D” line, but there’s a huge difference between Avatar and Clash of the Titans. It might not seem much (in fact, it likely seems very little), but this I think this may be the moment that the impact of 3D has truly sunk in for me, with 2D screenings now being a curiousity and an afterthought, with 3D the norm rather than a bonus.

Non-Review Review: Alice in Wonderland

I imagine Lewis Carroll’s iconic fantasy story poses quite the problem for anybody looking to bring it to the screen. Both Alice in Wonderland and Alice’s Adventures Through The Looking Glass essentially consist of a collection of vignettes, very loosely linked to each other. One minute you’re translating The Jabberwockey and the next you’re hearing the story of The Walrus and the Carpenter. I can’t imagine it would be particularly easy to produce a film following that sort of almost random structure. Perhaps that’s why Tim Burton’s wonderfully visual fantasy seems to draw perhaps more heavily from The Lord of the Rings than its own source material, which is a shame, as the director fantastically brings the magic of Wonderland to life. If only there were more of it.

Down the rabbit hole...

Continue reading

When Cinemas Strike Back…

Hmm… I knew there wasn’t good news on the horizon when Disney announced they were steamrolling ahead with their plan to truncate the cinematic run of Tim Burton’s upcoming Alice in Wonderland adaptation. Obviously driven by the home entertainment market (and the fact that parents would be look for distractions for the kids as the summer holidays approach), they want to release the DVD 12 weeks after the movie premieres, rather than the standard 17 weeks. As you can imagine, this has ticked off the cinemas who make more money the later into a film’s release you see it, so it looks like we may have a boycott – in the UK at least. 95% of 3D screens may not be showing it. Including Cineworld, the largest cinema in Dublin.

Through the looking glass but not necessarily on the big screen...

Continue reading

Three Dimensions of Drama?

Hmm… Last year I wasn’t so sure about 3D being the future of movie-making that everyone was lauding it it to be. And, being honest, part of me is still on the fence. The two biggests revolutions in the distribution of popular cinema have been the advent of sound and the introduction of consistent and effective colour. Home media is probably third, but that’s probably not what the major studios want to hear as they attempt to milk every possible cent out of the big screen in this era of pirated movies and downloads and such. Avatar pretty much knocked the digital 3D thing out of the park and demonstrated that the concept had a life beyond kids flicks like Coraline and Monsters vs. Aliens (the only time I mention those two together, I promise) and horror flicks like My Bloody Valentine and The Final Destination. James Cameron has taken what Alfred Hitchock memorably derided as a seven-day fad and made it matinee fare. And, of course, Hollywood has noticed. Clash of the Titans, one of the early summer blockbusters this year, is being reworked into 3D before release – probably as a direct result of Avatar’s success. Still, if 3D is to be as huge a game changer as colour or sound was, it needs to become the norm for films produced – it needs to become dominant. So when we are we going to see 3D prestige pieces?

The way things are meant to 3D?

Continue reading

Is Avatar Addictive?

I read an interesting article on Avatar over at CNN last week, which basically suggested that some audience members were feeling a deep depression on returning home from the cinema. Since my dislike of the film appears to a very minority view (a borderline fringe view, to be completely honest), I will assume it has nothing to do with the poor storytelling of the movie. Instead, they seem to depressed at the prospect of leaving Pandora, having been so immersed in the 3D world that James Cameron had created.

Did the end of Avatar leave you feeling blue?

Continue reading

Non-Review Review: Avatar

Yes, it is as visually stunning as you have heard. No, the special effects and 3D don’t combine to give you massive headaches. No, you’re never really dizzy or disorientated. Yes, it is the most technically impressive movie since… well, Titanic. But, with all that said, there’s really very little here. Cameron might be a master chef, and is an expert at serving up meals that look incredible, but here it seems that he spent more time on the decoration than on the ingredients. The movies is easily the most incredible technical accomplishment of the decade, but does that really matter when the plot is not only recycled (in fairness, that suits the green tone of the movie), but recycled poorly? Is watching two-and-a-half-hours of visually stunning work enough if it can’t generate any sort of emotional investment?

I wish I could say it blue (geddit?) me away...

Continue reading

Early Avatar Reviews Are In; Nerds Everywhere Sigh With Relief…

It’s not easy being green. I imagine it’s even harder being blue. It’s almost as hard being a film nerd, with all the news and speculation that’s been going backwards and forwards about Avatar, James Cameron’s triumphant return to filmmaking. There was a lot of hmm-ing and hah-ing, a lot of speculation about the film’s budget and about the director’s excess. Too late to do anything about that. The first reviews are sneaking in. And I think we can all rest a little bit easier.

Apparently James Cameron is still king of the world...

Continue reading

George Lucas Planning a Trilogy of Trilogies

Everyone loves a good, juicy rumour and this is about as juicy as it gets. Apparently George Lucas is working on a new trilogy of Star Wars films in order to capitalise on the 3D film-making craze – apparently remastering the originals isn’t all he had in mind. This sounds like something resembling a mixed blessing to anybody with particularly strong feelings about the original trilogy, but there is one grain of hope: apparently Lucas won’t be directing.

Maybe by the time he makes them, technology will be able to generate good performances from bad actors...

Maybe by the time he makes them, technology will be able to generate good performances from bad actors...

Continue reading

Neil Jordan at Trinity College

I had the great pleasure to pop along to a discussion with Neil Jordan hosted by the University Philosophical Society in Trinity College last night. I didn’t have a pen and paper handy, but I did make a few notes on the conversation which at least offer an interesting perspective or two from the Irish autuer. The Phil website normally has recordings of event up fairly promptly, so I’ll add a link to them soon. In the meantime, there are a few interesting thoughts in what the man said.

Irish film legend...

Irish film legend...

Bah Humbug! Are We Past the Point Where Technical Wizardry Can Amaze?

Hmm… I bet Robert Zemickas was expecting a somewhat bigger reaction for the release of the first trailer for his version of A Christmas Carol (aka Jim Carrey plays almost everyone), the follow-up to The Polar Express (aka Tom Hanks plays everyone), than the collective ‘meh’ that it received. I’ve watched the trailer and it looks technically magnificent (and I’m sure it’ll be even more technically impressive in 3D) – but why should I care? If I’m going to put on a pair of glasses and look at something beautiful until it give me a mild headache, shouldn’t I at least be looking at something interesting and intriguing of itself? Are we past the point where technical wonders alone are enough to lure the geeks out in droves?

Here's hoping Santa can bring Zemickis a 150% return on his investment...

Here's hoping Santa can bring Zemickis a 150% return on his investment...

Continue reading