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Non-Review Review: Black Gold

This film was seen as part of the Jameson Dublin International Film Festival 2012.

The problem at the heart of Black Gold is that its politics are too simple to fit within the confines of the epic sand-swept adventure that it sets out to tell. It’s hard to construct a standard epic when there’s no clear delineation between the forces of good and evil. While the stylish direction, larger-than-life performances and James Horner’s classic score may point to an old-fashioned adventure film, the fact we’re asked to sympathise with a protagonist burning men alive in tanks or engaging in terrorist tactics creates a surreal dissonance that the movie never quite gets past.

Riders in the sandstorm...

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Non-Review Review: Albert Nobbs

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Albert Nobbs is a fascinating little film that plays host to two fascinating central performances. It’s no secret that the movie has been something of a passion project for Glenn Close since she first played the role on stage, and she relishes the opportunity to bring the eponymous character to the big screen. Just as impressive is Janet McTeer as her confident and an unlikely friend. However, the movie suffers a little bit from a script that offers clever and enticing symbolism and metaphor, at the expense of offering an accessible narrative.

Close call...

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Non-Review Review: The Best Exotic Marigold Hotel

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Coming from director John Madden, The Best Exotic Marigold Hotel is fairly straight-forward in what it offers audiences. Unlike Dev Patel’s entrepreneurial “Sonny”, who lures foreign tourists to his Indian hotel using a carefully photoshopped image, there’s no sense that the movie is in any way misleading. It’s a feel-good travel comedy-drama that throws together a wealth of experienced British talent in a story about embracing life and change and various other wonderful aspects of existence. It’s always thrilling to see these sorts of actors afforded the opportunity to shine, and a huge amount of the appeal of The Best Exotic Marigold Hotel is in watching its veteran thespians just cut loose and have a bit of fun.

Lounging around...

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Non-Review Review: Saving the Titanic

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Saving the Titanic is an interesting blend of documentary and drama, exploring the efforts of the engineers onboard the ill-fated ship, fighting to keep her afloat and alight just a little bit longer. The narration from Liam Cunningham suggests that the selfless bravery of those working in the bowels of the ship allowed her to survive more than an hour and a half longer than she should have. While the docu-drama never really reconciles the two approaches it takes to events – creating the impression that it should have opted for a “one or the other” style of approach – it is a fascinating look at one of the most important events of the twentieth century.

It's a dirty job...

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Berry Your Head in Shame: Watching The White Dwarf Stars In Slow Motion…

Speedman is a dying star. A white dwarf headed for a black hole. That’s physics. It’s inevitable.

– Les Grossman, Tropic Thunder

Fame is like anything else. It’s like money or luck. It comes and it goes. Still, as the poster for Halle Berry’s latest film, Dark Tide, arrive, it’s hard not to feel a little bit sorry for those performers who have watched their fame and popularity slip out from underneath them.

Halle Berry won an Oscar for Monster’s Ball. She played one of the few James Bond characters to be considered for a spin-off, appearing in Die Another Day. She got a considerable pay increase for showing her breasts in Swordfish. She headlined one of the very few female-centric superhero films, the dire Catwoman. Not all of those were good films. In fact, being harsh, I’d argue that one of them was a good film, and the rest were significantly flawed, if not outright terrible. Still, it’s quite sad to see the former Oscar-winner relegated to appearing in the latest film from the director of Blue Crush and Into the Blue.

She did make some Berry questionable choices...

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The Sequel Dilemma: What Does It Take to Convince You To See a Sequel to a Really Bad Movie?

I can’t help it. I am kinda excited to see Ghost Rider: Spirit of Vengeance. I know the first Ghost Rider was terrible. I sat through it. However, there’s still a little part of me that’s yearning to get a look at what Mark Neveldine and Brian Taylor have done to the series. After all, the pair helmed Crank, perhaps the quintessential “very silly, very exciting” action movie. And, to be fair, there have been any number of movie franchises that have recovered from a near catastrophic instalment to offer something new and exciting and engaging.

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Non-Review Review: Extremely Loud and Incredibly Close

Stephen Daldry’s latest film, and surprise Best Picture nominee, looks lovely. It opens with a credit sequence that see Tom Hanks falling through the air like an even more stylish version of the Mad Men opening credits. The blue background is just the right shade, the picture is crisp, the focus is tight. Of course, that beautifully illustrative opening sequence exposes the primary flaw with Extremely Loud & Incredibly Close. Some things just aren’t meant to look pretty, and some events can’t be wrapped up inside a feel-good blanket with a tidy ribbon on the outside.

Not quite picture perfect...

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Peter Tomasi & Fernando Pasarin’s Green Lantern: Emerald Warriors (Review/Retrospective)

Emerald Warriors suffers a bit from being a rather obvious lead-in series to the War of the Green Lanterns crossover than DC was pushing for its space cops to coincide with the release of the Green Lantern film. It’s very clear that the book is written with an editorial mandate to establish certain characters and dynamics, and I think it suffers to a certain extent, because of this – to the point where the series wasn’t renewed as part of the DCnU relaunch, which makes it seem like the series never really existed as anything more than a tie-in to a large event, rather than a cosmic comic book in its own right. It’s a shame, because Peter Tomasi has been one of the most consistant second-tier writers at DC, and his Guy Gardner is second-to-none. Also, you know, it looks incredible.

A breath of fresh air...

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Non-Review Review: Leon (The Professional)

What makes Leon so fascinating is the combination a wonderfully disturbing script that puts a novel and unsettling twist on that “suddenly a father” subgenre, Besson’s understated direction, Eric Serra’s atmospheric score and a trio of fantastic central performances. The movie is never less than completely engaging, especially when it’s being very deeply uncomfortable. The movie is very much a “messed up”portrait of the survivor of a family massacre and her unconventional surrogate father figure, with the difficulties that both have adapting to their situation, although it’s probably Gary Oldman’s powerhouse villainous performance that you’re going to leave the film thinking about.

Leon is a bit daunted by the scope of fatherly responsibility...

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Dude, Where’s My Midnight in Paris Blu Ray?

I own a blu ray player. I still like to buy my blu ray and DVDs, even if I accept that Netflix might render that a thing of the past. However, I can’t help but feel that some of the distributors are shooting themselves in the foot in how they are handling the medium. I mean, Criterion have suddenly decided to region-lock their blu ray releases, making the highest-quality home media releases less accessible than the DVD editions of the same films. Last week, I went to pick up a copy of Woody Allen’s Midnight in Paris from HMV, making my weekly trip and, while the DVD was present, there was no blu ray to be found.

A long, dark midnight of the format...

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