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Film Adaptation of the Play “Kursk” Streaming at the Space From Tomorrow…

Every once in a while, somebody passes on a bit of information to the site that I think is worth sharing, just because it’s kinda a little bit cool and a little bit fascinating. In May, the British Arts Council and the BBC launched The Space, an on-line hub for the arts – available to stream on-line for free. It’s an absolutely fantastic way of sharing the arts with people who honestly wouldn’t get a chance to see them otherwise. (Especially at the moment, when the economy is the way that it is.) Starting tomorrow, The Space will be streaming a film adaptation of a play Kursk, based around the infamous Russian submarine disaster.

Image: Kursk Photographer: Keither Pattison

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Win! Bourne Legacy T-Shirts!

Courtesy of our friends at Universal Pictures Ireland, we have five T-shirts to give away to celebrate the release of The Bourne Legacy on 13th August 2012. The film is the fourth in the “Bourne” series, and sees Jeremy Renner starring as another Treadstone agent dealing with the consequences of Jason Bourne’s activity. It’s being directed by Tony Gilroy, who directed Michael Clayton and wrote all three Bourne films, and it has one heck of a cast assembled. It looks to be a very interesting take on the story – rather than trying to carry on or continue the story from the first three, it looks like The Bourne Legacy takes place “around” those films, its own narrative that overlaps and intercepts at points.

Thanks to Universal Pictures Ireland, we have five T-shirts to give away for the film. To enter the competition, just fill in the form below.

Click to enlarge…

Note: All entrants must be based in the Republic of Ireland. You must provide a valid address and phone number so that you can be contacted if you win. Your details will not be used for any other purpose.

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Non-Review Review: Paranormal Activity 3

Part of me wonders how far you can stretch a particular concept. I’m a big fan of the original Paranormal Activity, and I think it’s fair to argue that it was a massive game-changer for low-budget horror, somehow finding a novel twist on the “found footage” genre. However, there’s only so many times a particular trick will work. Paranormal Activity 3 works a lot better than Paranormal Activity 2 ever did, even if it comes with its own set of problems and its own diminishing returns.

Putting this spectre to bed…

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Peter Tomasi & Patrick Gleeson’s Run on Batman & Robin – Born to Kill (Review)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

DC’s “new 52” was a fairly massive success. Hoping to re-energise their line, the company launched a massive retooling following their crossover Flashpoint. Some characters had their history radically reworked and altered – Morrison’s work on Action Comics standing as perhaps the most obvious example. However, some characters transitioned through the change with relative ease. Geoff Johns’ Green Lantern pretty much continued from where War of the Green Lanterns left off, and the entire Batman line was pretty much business as usual, save for the return of Bruce Wayne to the centre of the stage and Dick Grayson’s return to the role of Nightwing.

Peter Tomasi and Patrick Gleason took over as the regular creative team on Batman & Robin, a book that had been launched by Grant Morrison only two or three years earlier. The book originally focused on the dynamic between Dick Grayson as Batman and Damian Wayne as Robin, so there’s a fairly fundamental shift in the tone of the book as Bruce Wayne is teamed up with his own son. While the set-up might seem to take a while to find its feet, there’s certainly no shortage of intriguing ideas here.

A Boy Wonder…

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The Batman Archives, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

This is where it all began. The Batman Archives collect the stories originally published in the Detective Comics anthology series that introduced the Caped Crusader to the world. It’s interesting to look back at these initial adventures featuring the character, as you see artist Bob Kane and writer Bill Finger really figuring out how the character and his world should work. Although there’s quite a lot of generic plotting, and some bizarre Golden Age craziness, it’s fun to watch the creators establish the elements that would define the character and the world he inhabits. From the sleazy corruption of Gotham City to the supervillains to the Boy Wonder himself, these stories provide an interesting template for the evolution of the Dark Knight.

Na-na-na-na-na-na-na-na-na-na…

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Non-Review Review: Brave

Brave is certainly a significant improvement upon Cars 2, even if it doesn’t necessarily measure up the finest films in the Pixar stable. Part of the problem is the sense that, for the first time, the studio is telling a story that isn’t really their own. I know that particular films in the studio’s history owe a great deal to certain influences (The Incredibles to The Fantastic Four, for example), but Brave really feels like the studio is very much trying to put its own take on the conventional “Disney Princess” movie. While the results are certainly interesting, it never feels like Braveis entirely comfortable with itself. While the film is, technically speaking, quite impressive, it does feel like it never quite strikes the right balance.

The right to bear arms…

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Recommended Batman Comics 104: Adam West’s Batman!

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I know that movies traditionally have a minimal impact on comic book sales, but to celebrate the release of The Dark Knight Rises, I thought I’d make a list of accessible jumping-on points for fans of Batman in mass media. There are several wonderful things about Batman. There are two especially relevant to this article. First, Batman is an infinitely adaptable character. He can literally be anything to anybody. It is entirely possible for somebody to love one interpretation of Batman while loathing others. So I’ll be breaking down my recommendations by source, so you can look at your favourite interpretation of Batman and find the most thematically and tonally relevant jumping-on points:

The second factor is that Batman is one of the few characters blessed with a back catalogue of accessible runs and stories, so there’s quite a few recommendations for each. It’s as simple as finding one that works for you.

Finally, we’re going to take a bit of a leap backwards and dig into one of the first truly iconic representations of Batman outside of comics. No, I’m not talking about the film serial. I’m talking about the camp-tastic Adam West Batman! television show.

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Batman: Mad Love & Other Stories (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

If you asked me to name the best adaptation of the Batman mythos, I would hesitate. I think Christopher Nolan’s Dark Knight trilogy does a wonderful job of distilling the character to his core, and contextualising him within the cultural landscape of the twenty-first century. However, I’d also argue that Batman: The Animated Series is the most wonderfully comprehensive examination of the Caped Crusader’s mythology, and so perfectly captures a large volume of what the character is, has been and should be. Paul Dini would be on any shortlist of my personal favourite Batman writers, and Bruce Timm among my favourite Batman artists. So there’s something quite appealing about Mad Love & Other Stories, a collection of the pair’s work on comic books related to the nineties animated series.

Happily never after...

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Recommended Batman Comics 103: Tim Burton’s Batman Films…

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I know that movies traditionally have a minimal impact on comic book sales, but to celebrate the release of The Dark Knight Rises, I thought I’d make a list of accessible jumping-on points for fans of Batman in mass media. There are several wonderful things about Batman. There are two especially relevant to this article. First, Batman is an infinitely adaptable character. He can literally be anything to anybody. It is entirely possible for somebody to love one interpretation of Batman while loathing others. So I’ll be breaking down my recommendations by source, so you can look at your favourite interpretation of Batman and find the most thematically and tonally relevant jumping-on points:

The second factor is that Batman is one of the few characters blessed with a back catalogue of accessible runs and stories, so there’s quite a few recommendations for each. It’s as simple as finding one that works for you.

And now we’ll take a trip back in time to the late eighties and early nineties, when Tim Burton’s take on the character (with his films Batman and Batman Returns) seemed to dominate pop culture’s impression of the character.

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The Politics of Nolan’s Batman Films…

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

I think it’s fair to say that Christopher Nolan’s Dark Knight trilogy is quite an accomplishment. I think there’s a valid argument to be made that the series can be successfully measured against other classic film trilogies like the original Star Wars trilogy or even the more recent Lord of the Rings trilogy. However, I think it’s also notable just how much political discourse and discussion the trilogy has generated, particularly for its political content. It’s quite impressive that Nolan’s three films about a masked pulp hero have provoked such debate, and I’d certainly argue that The Dark Knight and The Dark Knight Rises are easily two of the most politically complex and fascinating blockbusters in quite some time.

A caped social crusader?

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