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The Sopranos: Down Neck (Review)

I’ve said before (and many far smarter individuals have said it before me), but The Sopranos really feels like a novel for television. You can see that approach most distinctly in the first season, where David Chase cleverly structures the show that we spend more than half the season getting to know the cast, and getting comfortable with them, before things actually start happening in any truly meaningful sense. Of course, things have happened. The restaurant exploded, Junior and Tony nearly came to a head, but the approach has really been first and foremost about defining who these characters are, before we really get into what they do.

Down Neck, halfway through the first season, is really the perfect example. Not much really happens. Sure, plot threads advance. Livia discovers that her son is seeing a therapist. We hear that Junior is really settling into his new-found position of nominal authority. However, the most significant beats of Down Neck are concerned with character. A large portion of the episode is an extended flashback focusing on a dead character, and the rest sees the family dealing with the possible diagnosis of Anthony’s Attention Deficit Disorder. Hardly what one might have expected from the halfway point in the first season of a mob drama.

Family values…

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Film Adaptation of the Play “Kursk” Streaming at the Space From Tomorrow…

Every once in a while, somebody passes on a bit of information to the site that I think is worth sharing, just because it’s kinda a little bit cool and a little bit fascinating. In May, the British Arts Council and the BBC launched The Space, an on-line hub for the arts – available to stream on-line for free. It’s an absolutely fantastic way of sharing the arts with people who honestly wouldn’t get a chance to see them otherwise. (Especially at the moment, when the economy is the way that it is.) Starting tomorrow, The Space will be streaming a film adaptation of a play Kursk, based around the infamous Russian submarine disaster.

Image: Kursk Photographer: Keither Pattison

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The Sopranos: College (Review)

College is interesting because it perfectly captures a lot of the themes at the heart of The Sopranos, effortlessly blending Tony’s upper-middle-class concerns with his familial obligations (both to his nuclear family and to the mob). At the same time, it explores many of the inherently contradictory aspects of modern living, including the implied acquiesce to a culture of greed and corruption. College is the first time that we really see Tony get his own hands dirty, and it’s the point at which we explore how complicit Carmela is in his shady dealings and illegal activities. I think it’s a show that really pins down what the show is going to be – and it’s no surprise that the episode won Chase his first writing Emmy for the show, and is reportedly his favourite episode of the series.

Driving the conversation...

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