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The Sopranos: Down Neck (Review)

I’ve said before (and many far smarter individuals have said it before me), but The Sopranos really feels like a novel for television. You can see that approach most distinctly in the first season, where David Chase cleverly structures the show that we spend more than half the season getting to know the cast, and getting comfortable with them, before things actually start happening in any truly meaningful sense. Of course, things have happened. The restaurant exploded, Junior and Tony nearly came to a head, but the approach has really been first and foremost about defining who these characters are, before we really get into what they do.

Down Neck, halfway through the first season, is really the perfect example. Not much really happens. Sure, plot threads advance. Livia discovers that her son is seeing a therapist. We hear that Junior is really settling into his new-found position of nominal authority. However, the most significant beats of Down Neck are concerned with character. A large portion of the episode is an extended flashback focusing on a dead character, and the rest sees the family dealing with the possible diagnosis of Anthony’s Attention Deficit Disorder. Hardly what one might have expected from the halfway point in the first season of a mob drama.

Family values…

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The Sopranos: Pax Soprana (Review)

I think it’s possible to make the argument that The Sopranos can be read as that illusive “great American novel”, just handily divided into eighty-six chapters and televised as opposed to written. Sure, it’s a show about the mob, but it’s also a compelling examination of the disillusionment festering at the heart of the American psyche. Tony might be a New Jersey mob boss, but most of his problems aren’t too far disconnected from those eating away at the American middle class. (Hell, I’d argue that it speaks volumes to the Irish psyche and probably many other nationalities as well.) As such, across the crucial first season, Chase and his team of writers seem to lay down and establish the core themes, allowing Tony to confront and explore just one of the many gnawing insecurities eating away at any middle-class father. In College, Tony wrestled with the idea that his daughter might discover who he truly is, while Pax Soprana explores the notion of impotence and insecurity – some times literally.

Psyche!

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