A Hit is a Hit works a lot better than Boca, despite the fact that it’s structurally quite similar. It introduces a bunch of new characters and concepts to the series which don’t really extend beyond the episode in question. Massive G never appears again, and the pending lawsuit he threatens is never discussed in any later episode. It’s a light stand-alone tale coming towards the end of a season which has dedicated so much time and effort to building a full-formed world.
However, A Hit is a Hit doesn’t feel completely disposable. Part of that is down to the wonderful B-plot in which Tony finds himself struggling for acceptance among more the more reputable members of his neighbourhood, but it’s also down to the fact that the main plot feels like develops the themes of The Sopranos a lot better than Boca did, and that Christopher’s character arc feels like a logical progression rather than simply “an issue of the week.”
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