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New Escapist Review! “TENET”

I have actually already reviewed TENET for this blog. However, given the state of the pandemic in the United States, The Escapist did not feel comfortable asking its writers to attend cinema screenings. As I am based in a country that is dealing with the crisis (relatively) well, I have stepped into the gap to provide written reviews for movies not receiving a streaming release.

This is unlikely to be a long-term dynamic, but I was flattered at the invitation and was happy to substitute in for this particular situation. This is a very unusual time. The review is much more conventional and concise than the reviews on this site, and even has a numerical score attached. I feel like a proper film critic. You can read the review here, or click the picture below.

New Escapist Column! On “Dark Phoenix” Taking the X-Men Into the MCU…

I published a new In the Frame piece at The Escapist this evening. With New Mutants limping into cinemas this week and drawing the shutters down on the X-Men Cinematic Universe, it seemed like an appropriate opportunity to reflect on the dying days of a shared universe.

Dark Phoenix is not a great film by any stretch of the imagination, but it is a fascinating one. It is a movie that embodies the strange listlessness of the X-Men franchise in the wake of X-Men: Days of Future Past, reflecting on the failed attempt to turn the series into a generic superhero franchise in X-Men: Apocalypse. It is a movie about the nightmare of stripping out any sense of identity from the merry mutants and packaging them as conventional and straightforward superheroes.

You can read the piece here, or click the picture below.

New Escapist Video! Introducing “In the Frame”…

For about a year now, I have been writing the In the Frame column twice weekly at The Escapist on Mondays and Fridays. Today, we have a very special announcement. We are looking at launching a companion video series, In the Frame. Hopefully it’ll be releasing on Mondays, but you can get a sense of what we have planned by taking a look at the teaser below or watching the video here.

New Podcast! The Escapist Movie Podcast – “Its All About DC Fandome!”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard and Bob Chipman for the first episode, a discussion of all things DC Fandome.

It was a packed schedule, with new footage from Wonder Woman, The Snyder Cut and The Batman, along with behind-the-scenes peaks at The Suicide Squad and a tease of what Dwayne Johnson has lined up for Black Adam. As one might expect from the DC Extended Universe, the output varied dramatically in terms of both content and tone. There was a lot to unpack.

You can listen to the episode here, back episodes of the podcast here, click the link below or even listen directly.

New Escapist Column! On “TENET” and the Return of the Discourse…

I published a new piece at The Escapist earlier today. With the release of TENET bringing life back to American multiplexes next week, it also seems to be resurrecting “the discourse.”

TENET is the first major theatrical release of the summer. It is the first such release since Birds of Prey. There have been direct-to-video releases like Hamilton or Greyhound or Palm Springs. However, none of these have managed to catch the conversation in a way that a big theatrical release does. For the first time in almost half a year, there is a movie that strangers can shout at one another about on the internet. TENET has not even been released in American cinemas, but it is already generating highly charged shouting matches.

This is simply how people talk about films these days, with intensely impassioned positions and aggressive stances, stakes on the moral high ground and narratives predetermined. In hindsight, the six months without a release large enough to spark such online debate, the pandemic offered something of a reprieve from the shouting and the screaming. I missed cinemas, but I did not miss “the discourse.”

You can read the piece here, or click the picture below.

 

New Escapist Review! “The New Mutants”…

Normally, I would review The New Mutants for this blog. However, given the state of the pandemic in the United States, The Escapist did not feel comfortable asking its writers to attend cinema screenings. As I am based in a country that is dealing with the crisis (relatively) well, I have stepped into the gap to provide written reviews for movies not receiving a streaming release.

This is unlikely to be a long-term dynamic, but I was flattered at the invitation and was happy to substitute in for this particular situation. This is a very unusual time. The review is much more conventional and concise than the reviews on this site, and even has a numerical score attached. I feel like a proper film critic. You can read the review here, or click the picture below.

197. The Circus – This Just In (#232)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Charlie Chaplin’s The Circus.

Desperately fleeing the authorities, a lovable tramp finds his way into the heart of a local circus. Initially struggling to find a place among the performers, the rogue strikes up a connection with the cruel ring master’s daughter. However, as a dashing tightrope walker vies for her affections, can the tramp strike the perfect balance?

At time of recording, it was ranked 232nd on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: I’m Thinking of Ending Things

“There is no objective reality,” explains Jake late in I’m Thinking of Ending Things. “You know there’s no colour in the universe, right? Only in the brain.”

This seems to be as close to a thesis statement at I’m Thinking of Ending Things dares to offer. Charlie Kaufman’s latest work is a dense and surrealist exploration of the fragility of memory and identity, and the blurred boundaries that exist between the inside and the outside. The story is relatively simple. A young woman accompanies her boyfriend on a trip to have dinner with his parents. She needs to get home, but there is a snow storm. As the couple journey into rural America, things begin to slowly but surely unravel.

Snow escape.

There’s been an abundance of cinema recently about the collapse of time and reality, the sense of a universe folding into itself – Palm Springs, TENET, Bill and Ted Face the Music. These films are made all the more uncanny for having been produced long before the current global pandemic unravelled our sense of space and time, but seem to speak perfectly to it. That anxiety that all of history is happening at once and that “cause” and “effect” are unmoored as reality itself contorts and bends.

I’m Thinking of Ending Things stands apart from these other films, as one might expect of a Charlie Kaufman project. I’m Thinking of Ending Things has a greater interiority. The film seems to unfold in vast snowy wilderness, but it seems just as accurate to suggest that it unfolds in the writer’s imagination. Perhaps it isn’t time and reality that contort, but simply the protagonist’s understanding of these concepts. Then again, do these ideas exist in some absolute and objective form somewhere, or are they just concepts that people label so as to feel more comfortable?

Table discussion for later.

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New Escapist Column! On The Riddler….

I published a new In the Frame piece at The Escapist this evening. With DC’s Fandome event unveiling a new trailer for The Batman at the weekend, it seemed like a good time to take a look the Riddler.

The Riddler is an interesting character for a number of reasons. He is considered one of the most iconic Batman villains out there, but he’s also a character who is difficult to write; who disappears for extended periods of the Caped Crusader’s history. His prominence is largely due to the work of actor Frank Gorshin in Batman!, but Gorshin’s performance has gone on to be hugely influential on later iterations of the Joker. As a result, the Riddler occupies a strange place. He is the ghost of Batman’s Silver Age, which makes him an interesting antagonist for the modern Dark Knight.

You can read the piece here, or click the picture below.

Non-Review Review: Bill & Ted Face the Music

Bill and Ted Face the Music is a solid legacy sequel, if not a spectacular one.

The third Bill and Ted movie has been in the works for a long time. It has been gestating for years in various states, driven by the enthusiasm of writers Chris Matheson and Ed Solomon, and stars Keanu Reeves and Alex Winter. Bill and Ted’s Bogus Journey had the relative good fortune to arrive only two years after Bill and Ted’s Excellent Adventure, but Bill and Ted Face the Music emerges after a thirty-year gap in which the original films have gone from charming curiosities to bona fides cult classics.

Old friends.

This is to say that Bill and Ted Face the Music faces a challenge that is every bit as impossible as that facing the eponymous heroes. Providing a fitting capstone to a franchise that has grown from humble beginnings to legendary status is a monumental task, on par with trying to unite the world through music. Indeed, perhaps the smartest thing about Bill and Ted Face the Music is the way in which it recognises that the task it has set itself and its two leads is insurmountable.

Bill and Ted Face the Music is a charming film, one that largely coasts on the delightful ironic earnestness of its two lead protagonists and a sincere affection for all of its characters. It’s hard to resist Bill and Ted Face the Music, with its playfulness and its breezy sensibility. However, the film doesn’t entirely work. It struggles with pacing, it struggles to anchor its ensemble together, and it often feels like it is trying to do far too much within its modest (but nimble) eighty-minute runtime. Bill and Ted Face the Music won’t save the world, but might make it a little happier.

Music to my ears.

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