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New Escapist Column! On “Guardians of the Galaxy” as the MCU’s Best Exploration of Loss…

I published a new column at The Escapist yesterday. With all the talk about how so much of the modern Marvel Cinematic Universe is about “loss”, it seemed like a good opportunity to take a look back at Guardians of the Galaxy.

The Marvel Cinematic Universe is not a machine that is designed to deal with concepts like loss head on. After all, most of its major departures were down to contract negotiations rather than narrative priorities. Characters are often resurrected, and losses are often temporary. This is what makes Guardians of the Galaxy so compelling. Director James Gunn understands that the Marvel Cinematic Universe is a space into which the audience and characters escape to avoid dealing with loss, even if it haunts them still.

You can read the piece here, or click the picture below.

New Escapist Column! On the Meaninglessness of “Godzilla vs. Kong”…

I published a new In the Frame piece at The Escapist this evening. With the release and success of Godzilla vs. Kong on HBO Max and in cinemas last week, it seemed like a good opportunity to take a look at the film’s aggressive rejection of meaning. Godzilla vs. Kong is not a movie particularly concerned with subtext or metaphor. It is not a parable for mankind’s confrontation of the unknown, the hunger for war that lurks in every human heart, or even the dangers of how mankind is treating the environment. Instead, it’s a movie about a giant monkey punching a giant lizard until one of them falls down. However, maybe there’s nothing inherently wrong with that, particularly following a year that has – for many people – been over-infused with meaning. You can read the piece here, or click the picture below.

New Escapist Column! On How the MonsterVerse Has Forsaken Awe and Wonder…

I published a new In the Frame piece at The Escapist yesterday. With the release of Godzilla vs. Kong, it seemed like a good opportunity to look at the film in the context of the larger MonsterVerse – in particular, Godzilla and Godzilla: King of the Monsters.

Godzilla vs. Kong is pure spectacle. The film features a host of impressive and showstopping sequences, including two major bouts between the title characters. However, there is something missing in all of this carnage. Like King of the Monsters before it, and like a lot of other modern blockbusters, there’s a curious lack of awe and wonder to the spectacle on display.

You can read the piece here, or click the picture below.

A smashing success?

New Podcast! The Escapist Movie Podcast – “Sound of Metal and the Oscars”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the tenth episode of the year, with a special guest Stacy Grouden, to talk about Sound of Metal and The Empty Man.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Escapist Video! “Godzilla vs. Kong – Review in 3 Minutes”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute feature film review to the channel, discussing Godzilla vs. Kong.

Non-Review Review: Godzilla vs. Kong

Godzilla vs. Kong is in some ways an anticlimax, and not just because it’s arriving on HBO Max rather than as a cinematic blockbuster.

Clocking in at under two hours, Godzilla vs. Kong is technically the shortest entry in the Warner Brothers “Monsterverse” series. It comes in a few minutes shy of Kong: Skull Island and well short of both Godzilla and Godzilla: King of the Monsters. This is strange, given that Godzilla vs. Kong is nominally supposed to be the triumphant climax of this shared universe, the event towards which everything has been building. It’s strange that this clash of titans should up feeling so small.

That sinking feeling.

To be fair, there is a strong sense of an attempted course correction about Godzilla vs. Kong, especially in response to the overcrowded cacophony of King of the Monsters. In many ways, Godzilla vs. Kong is a smaller and more contained movie than King of the Monsters, notably hinging on three core monsters rather than an entire menagerie. It’s also to the credit of director Adam Wingard that Godzilla vs. Kong is a tighter, more contained and more focused film with a greater sense of internal coherence.

Unfortunately, though, there’s very littler surprise or wonder to be found in this titanic throwdown.

Continue reading

New Escapist Video! On “Justice League” and the Triumph of Art Over Content…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the release of Zack Snyder’s Justice League, it seemed like a good opportunity to take a look back at the theatrical release of Justice League. In particular, the differences between the two cuts and the way in which the theatrical cut was a cynical plot to erase any distinct identity from the film and reduce it to empty superhero “content.”

New Escapist Column! On Zack Snyder’s DCEU as a Joyride Through Comic Book History…

I published a new In the Frame piece at The Escapist this evening. With the release of Zack Snyder’s Justice League last week, it seemed like a good opportunity to dig into the movie’s portrayal of Superman.

One of the more interesting aspects of Snyder’s work on Man of Steel, Batman v.s Superman and Zack Snyder’s Justice League is the sense in which it offers a capsule account of a certain stretch of comic book history, effectively dramatising the characters’ journey from the “dark ‘n’ gritty” comics inspired by Watchmen and The Dark Knight Returns to the more aggressively and pointedly reconstructionist work of Grant Morrison on stories like Justice League or Final Crisis.

You can read the piece here, or click the picture below.

New Escapist Column! On “Zack Snyder’s Justice League” and Superman as an Inspiration…

I published a new In the Frame piece at The Escapist this evening. With the release of Zack Snyder’s Justice League last week, it seemed like a good opportunity to dig into the movie’s portrayal of Superman.

Snyder’s portrayal of Superman has always been controversial among more hardcore fans of the character, particularly in Man of Steel and Batman v. Superman: Dawn of Justice. There are those who claim that Snyder misunderstands the Man of Steel, and that his films fail to grasp the most compelling aspect of his character. Instead, Zack Snyder’s Justice League offers a fascinating and rounded view of the superhero, one not defined by nostalgia for past iterations – but instead by hope for the generations inspired by him.

You can read the piece here, or click the picture below.

New Escapist Column! On “Zack Snyder’s Justice League” as a Superheroic Reconstruction….

I published a new In the Frame piece at The Escapist this evening. With the release of Zack Snyder’s Justice League, it seemed like a good time to talk about the film.

In particular, it’s interesting to look at Zack Snyder’s three films as a set, and to chart the journey through deconstruction from Man of Steel through Batman v. Superman and into the final reconstruction. Zack Snyder’s Justice League is essentially a reconstruction of these iconic characters and a celebration of the potential of these comic book characters.

You can read the piece here, or click the picture below.