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Modern Movie Meloncholia: Why “Nostalgia” Can Be a Dirty Word…

Do you know what I hate? I hate it when people ask, completely seriously, “why don’t they make movies like [insert classic here]?” anymore, or whenever anybody goes on about the “mindless franchise trash”that Hollywood pumps into cinemas year-in and year-out. It tends to happen quite frequently, when you hear movie commentators or viewers discuss the latest crop of empty and disappointing summer blockbusters, with the default position seeming to be an attack on modern Hollywood as an institution, bemoaning the decline of movie-making standards and an unchallenged assertion that old movies are – undeniably – better. I’m not arguing that Hollywood can’t do better, but I find this fixation on things past to be quite disconcerting – and, I’d suggest, rather depressing. Why are we more focused on what Hollywood was rather than what it could be?

Frankly my dear, I think it's a depressing outlook...

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A Gilda Caged: Thoughts on the Movies We Label “Classic”…

I had the pleasure, a while back, of attending a screening of Gilda being hosted by the Irish Film Institute. The black-and-white forties noir-tinted thriller is somewhat warmly regarded among film historians, and one of those movies you label as a “classic” without any real hesitation. However, as I emerged from the cinema, I found myself wondering how such a film would be received were it released today. I honestly wonder what we would make of these “classics” if they didn’t have the word “classic” to hide behind.

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Alien Nation: What the Aborted Superman Returns Opening Sequence Tells Us About Bryan Singer’s Man of Steel…

I’ve already talked a great deal about Superman Returns and why the movie doesn’t really work as a Superman story, but I was still fascinated to get a glimpse at the aborted $10m dollar opening sequence that never made it to the final cut, but only wormed its way onto the internet today. The clip is well-made and there’s no doubt that it was abandoned fairly late in the process, almost ready to fit in Bryan Singer’s epic story about the Man of Steel. It’s fascinating what the clip tells about how Singer sees his protagonist, and how the clip bolsters his own take, while demonstrating some of the more fundamental flaws with his vision.

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Non-Review Review: Signs

You know what? Even though history and experience has retroactively soured the movie, with M. Night Shyamalan’s career entering freefall and Mel Gibson’s personal problems clouding his career, I kinda like Signs. In fact, I’d go so far as to argue that the movie represents Shymalan’s last good film. That said, it’s a well-constructed and engaging little thriller that is, unfortunately, hugely flawed. Some of these flaws are so fundamental that they’re hard to ignore, but I think that this movie was the last time that Shyamalan demonstrated a real organic talent and skill for film making.

Shine a light on it...

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Movie Fest…

I’m a big fan of the guys over at movies.ie, who have always been generally all-round awesome. This summer, the weekend of 13th and 14th August, they are organising their own movie festival in Ireland promising to be a real treat for fans of pop cinema. On top of all the clips and trailers from this year’s Comic Con (shown on a big screen, the way they are meant to be seen), they also have some nice preview screenings for upcoming movies, including  the Irish premiere of Fright Night (which my better half may be looking forward to based solely off the promise of half-naked David Tennant) and Cowboys & Aliens. I’m planning on picking up my tickets at the weekend. You can see more details, including the confirmed line-up so far, here. It’s always nice to see something like this happening here, and I have to admit that I am genuinely looking forward to it.

Daniel Craig is some cowboy...

 

Non-Review Review: The Lincoln Lawyer

I’m a sucker for a good old-fashioned criminal law ethical dilemma. I honestly think it was Primal Fear that sent me rushing off to law school, with its wonderful twisty plot about the relationship between innocence and guilt, lawyer and client in the criminal justice system. The Lincoln Lawyer isn’t quite as strong, but it’s certainly a worthy addition to one of the oft-ignored crime drama subgenres, anchored in superb central performances and a powerful little hook.

He rests his case...

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Non-Review Review: No Strings Attached

If ever there was a movie that demonstrated that you need more than a single great idea to make a good movie, I think No Strings Attached is really it. It basically takes the conventional romantic comedy and reverses the traditional gender roles that have ben reinforced for centuries. Instead of an emotionally-needy woman being paired with a commitment-phobe man, this time we see a free-and-easy lady hooking up with a guy who simply wants more. In fairness to it, it’s a nice way to distinguish the comedy conceptually from the standard rom-com template, but the problem is that it’s executed in the most mundane and half-interested fashion ever, substituting vulgar and crass jokes for actual humour and development.

Is she stringing him along?

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Pottering Away: Reflections on the Harry Potter franchise…

It’s quite strange, considering a movie series as opposed to its independent constituent elements. It seems like in taking in the broad tapestry of adventure allows the viewer a completely different appreciation for the story being told, especially when measured against considering each individual film on its own terms. With the Harry Potter series finally ending, I had an excuse to go back and dig through the old DVDs, watching each and every instalment in the series as a means of saying one final goodbye. However, despite the fact that some of the films may have been less impressive than others, or the fact that the plots didn’t always flow consistently from one film to the next, I still think that the eight films taken in their totality represent a rather wonderful accomplishment for all involved.

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Non-Review Review: Harry Potter and the Philosopher’s (Sorcerer’s) Stone

So, here we are, back at the beginning. The first movie in the eight-movie cycle about the boy wizard with the distinctive glasses. Harry Potter – “the boy who lived”, as he is described – and his eventful six-year stay at Hogwarts, with one final story to wrap it all up. To be honest, the first movie does benefit a lot from the movies that followed, giving the film a lot of retroactive weight as you can see the plot threads thrown out and suggested to be developed later – the countless little set-ups deployed by Rowling to pay off down the line. Which is handy, I suppose, because otherwise the instalment feels just a little bit too slow and convoluted for its own good.

The series has a bit of difficulty getting off the ground...

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Non-Review Review: Harry Potter and the Half-Blood Prince

Harry Potter and the Half-Blood Prince represents a fairly significant improvement in quality from Harry Potter and the Order of the Phoenix. It seems the movie franchise is finally getting a handle on this sort of serialised story-telling, as the movie serves more as a collection of sub-plots leading into Harry Potter and the Deathly Hallows than it does as a story in its own right. However, there’s a sense that the series is getting a bit better at balancing all the competing demands for screentime, and it even manages to explain the title mystery, albeit in a slightly off-hand manner (almost as an after-thought).

Storm clouds are gathering over Hogwarts...

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