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New Podcast! The Movie Palace – “Gilda”

It was a pleasure to join the great Carl Sweeney on his podcast The Movie Palace to discuss Gilda, Charles Vidor’s iconic postwar film noir which is possibly the most exciting movie ever made about tungsten monopolies. A psycho-sexual thriller about two men trying to forge a future in Buenos Aires and the woman who comes between them, Gilda remains one of the most enduring films of the late forties in large part due to Rita Hayworth’s central performance.

At the same time, Gilda occupies an interesting place in the film noir canon, never quite considered a classic in the style of Casablanca or The Maltese Falcon or Double Indemnity, but always respected by those with an appreciation for postwar American cinema. It’s certainly a film about which I have very mixed feelings, even if they aren’t quite as intense as those between Johnny and Gilda.

The Movie Palace is a podcast that takes an affectionate look at the Golden Age of Hollywood, with Carl talking about a classic film with a guest once a week. It was an honour to be asked on, even if I’ll concede out of the gate that I’m not anywhere near as familiar with the era of filmmaking as Carl is.  You can check out the episode here, back episodes of the podcast here, or just click the link below.

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A Gilda Caged: Thoughts on the Movies We Label “Classic”…

I had the pleasure, a while back, of attending a screening of Gilda being hosted by the Irish Film Institute. The black-and-white forties noir-tinted thriller is somewhat warmly regarded among film historians, and one of those movies you label as a “classic” without any real hesitation. However, as I emerged from the cinema, I found myself wondering how such a film would be received were it released today. I honestly wonder what we would make of these “classics” if they didn’t have the word “classic” to hide behind.

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