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Superman: The Man of Tomorrow Archives, Vol. 1 (Review/Retrospective)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Silver Age comic books are, by their nature, different from modern comics. It’s more than just evolving social norms, or even shifting artistic sensibilities. There’s a massive world of difference between a fairly average comic written in the mid-sixties and a similarly average comic produced today. While I’d be reluctant to describe the comics contained in Superman: The Man of Tomorrow Archives, Vol. 1 as “great” or “brilliant”, they have a certain charm or novelty to them. They feel alien and unique, as if offering a raw and unrefined sample of a mood that Superman has been chasing for the past two or three decades.

While I don’t think Batman was as well-served by the sixties as he was by later decades, there’s a surreal innocence to these comics which speak to Superman as a character. These are the comics that probably inspired Richard Donner’s Superman film, and though artists like Al Plastino, Curt Swan or Dick Sprang might not have drawn a Superman who resembled Christopher Reeve, it’s very easy to imagine him fitting in among these stories quite easily.

The Silver standard?

The Silver standard?

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Superman: Kryptonite Nevermore (Review/Retrospective)

To celebrate the release of The Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Comic book nostalgia is a funny thing, particularly when it comes to dealing with continuity. There’s a tendency to suggest that modern comics have lost their way, to suggest that modern reboots – both “hard” and “soft” – represent a break from the past and a gimmicky attempt to fix problems that are greatly exaggerated. However, while past reboots might not have enjoyed the same publicity as Flashpoint or Crisis on Infinite Earths, it is interesting to note that comic book creators have been reworking a retooling their creations for quite some time.

Indeed, almost every comic book character has been reimagined a couple of times before settling on their most successful portrayal. Sometimes those changes happen gradually – Superman’s evolution from a man who could leap tall buildings to a man capable of juggling planets – but others were quite sudden. The issues collected here, under the title Kryptonite Nevermore, represent one shift and decisive attempt to consciously “reboot” or “retool” Superman as a character, recognising that sometimes it’s necessary to do some radical reworking to update an existing concept.

A Superman story with bite!

A Superman story with bite!

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Alien Nation: What the Aborted Superman Returns Opening Sequence Tells Us About Bryan Singer’s Man of Steel…

I’ve already talked a great deal about Superman Returns and why the movie doesn’t really work as a Superman story, but I was still fascinated to get a glimpse at the aborted $10m dollar opening sequence that never made it to the final cut, but only wormed its way onto the internet today. The clip is well-made and there’s no doubt that it was abandoned fairly late in the process, almost ready to fit in Bryan Singer’s epic story about the Man of Steel. It’s fascinating what the clip tells about how Singer sees his protagonist, and how the clip bolsters his own take, while demonstrating some of the more fundamental flaws with his vision.

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