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On Second Thought: Alien (Director’s Cut)

To celebrate the release of Prometheus this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien: The Director’s Cut is a curious beast. It’s more of an alternate cut than a director’s cut of Ridley Scott’s iconic Alien. It actually runs a few seconds shorter than the original theatrical cut of the film, although it contains more than five minutes of different footage. While five minutes of footage can have a significant impact on the final cut of a film, I’d be hard-pressed to argue that they add considerable depth to Scott’s science-fiction masterpiece. Aliens: The Special Edition re-inserted scenes that expanded and developed the themes of Cameron’s sequel, while Alien³: The Assembly Cut offers a glimpse of a movie far different from the one released. In contrast, Alien: The Director’s Cut… doesn’t really do much of anything. It’s just an alternative to the theatrical edition.

Ship shape?

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Photos from the Jameson Cult Film Snatch (Cork) Screening…

Hi,

Just a quick one to start the week. The guys over at the Jameson Cult Film Club sent on some photos from their Cork screening of Snatch last week. I wasn’t able to attend, but I hear it was a good night for all involved. Anyway, I thought I’d share the pictures, and remind any film fans reading that the tickets are given away free to members who join via their website, here. Anyway, I hope everybody who went along enjoyed it, and congratulations to the team on taking the show on the road.

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The Sky is Falling: Skyfall & The Return of a Distinctly British Bond…

Country?

England.

– first lines of the trailer

I actually really liked the first trailer for Skyfall, released on-line last week. There were a lot of reasons for that: the fact it looks more stately than Quantum of Solace; the abundance of shots of Bond in a tux; the promise of incredible action paired with genuine character development. However, the most appealing facet of the trailer was the suggestion that this was a Bond who wasn’t ashamed to be British. Bond is a British icon, arguably a relic left over from the last days of the British Empire, but it seems like the past few films have been increasingly uncomfortable with that.

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Non-Review Review: Falling Down

Falling Down is something of a cult classic. It, along with Phone Booth, stands as proof that Joel Schumacher is actually a rather wonderful director, as much as his failures might occasional overshadow his accomplishments. Filmed in the midst of the Los Angeles riots, Falling Down manages to speak to a lot of the anger of urban living, as William “D-Fens” Foster takes out his frustration on an urban environment that has gone completely mad. Almost twenty years after it was originally released, Falling Down is still a potent little film.

The best D-FENS…

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Going Straight: Comedic Actors in Dramatic Roles…

New pictures from I, Alex Cross were introduced over the weekend. If you aren’t familiar with it, don’t worry – it’s an upcoming adaptation of an Alex Cross novel, the same series that gave us Morgan Freeman in Kiss the Girls and Along Came a Spider. While Along Came Spider wasn’t anything special, Kiss the Girls was a fairly decent nineties serial killer film, if not quite on the level of it obvious influences in The Silence of the Lambs and se7en. There were two surprises in these shots. The first was how incredibly freaky Matthew Fox looked – he looks pretty damn scary, so respect to Fox for pulling off that transformation. The second surprise was just how convincing Tyler Perry looked in the lead role. Perry is the latest in a long line of comedic actors looking to expand their range, and I can’t help but wonder why so many comedic performers tend to branch out so far.

Not a man you want to Cross…

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More Than You Embargoed For: Thoughts on Review Embargoes…

I know I’m a bit late on this one, but I’ve been thinking a bit about movie review embargoes of late. For those unaware, embargoes are those restrictions on when a reviewer can publish a review. They’re normally enforced by studios, limiting the publication of reviews to within a one week window of the movie’s release. I’ve had the fortune over the past few months to be invited to screenings of The Avengers and Pirates! In An Adventure With Scientists long before the window, and have held my review until it’s okay to publish. Still, I can’t help but feel a little uneasy at the prospect.

Nothing to get too Fury-ous about…

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Win! Moonrise Kingdom T-Shirts!

The lovely folks over at Universal Pictures Ireland have give us ten T-shirts to give away from the latest Wes Anderson release, Moonrise Kingdom. It premiered at Cannes last week, and it opens here on Friday. To be in with a chance to win, answer the question below.

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Non-Review Review: Rope

Rope occupies an interesting place in Alfred Hitchcock’s filmography. The director himself was less than fond of it, allegedly quite happy that it remained out of circulation for some time after its initial release. Jimmy Stewart has apparently been critical of his own performance in the film, although I think it’s a wonderful example of a beloved actor playing against type. In the years since, however, it has been somewhat re-evaluated. While most film fans would be hesitant to describe it as an unqualified success, it’s certainly a technically ambitious little film, and the tight script and set-up allow Hitchcock to indulge his knack for creating suspense.

I hope nobody choked with all those ten-minute takes…

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Righteous Fury: Nick Fury, The Avengers & Moral Ambiguity…

I had the pleasure of seeing The Avengers for the second time last week, to try to make sense of my opinion on it. I still think that it’s an impressive action movie, even if it is a fundamentally flawed one. Strangely enough, though, I confess to finding the character of Nick Fury completely and utter fascinating, arguably the most complex character in the script. The problem, however, is that his complex moral ambiguity is very clearly contrasted with the idealism of his team of superheroes. However, I’m not convinced that they win the argument.

How does he patch things up with the team?

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Non-Review Review: Men in Black 3

Men in Black 3 is a fine film. Like Men in Black and Men in Black 2, it’s a perfectly entertaining piece of popcorn entertainment if you’re willing to just go along with it. It’s not superb, it’s not exceptional, but it’s not bad either. It’s a decent movie. It manages to probably offer some better moments than the earlier two films, but these are averaged out by some painful deficiencies. You lose Tommy Lee Jones for most of the runtime, but you gain Josh Brolin. That’s a fairly reasonable trade, even if Brolin and Smith don’t share the same chemistry. You get the same wonderful production design, this time heightened by a sixties setting, but a plot that threatens to evaporate if you think about it too hard and any number of developments that are far too easy to predict. Nothing is truly fantastic, but nothing is exceptionally terrible. It just sort of is.

Putting the star in 69…

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