Universal Pictures have just sent on this inside look at Pitch Perfect, the acapella-themed musical comedy that will be arriving in cinemas in October. We’re big fans of both acapella and Anna Kendrick here at the m0vie blog, so it’s pretty safe to say we’re on board for it. Check out the feature below.
Filed under: Movies | Tagged: A cappella, Anna Kendrick, arts, Brittany Snow, Mike Tompkins, Musical theatre, Pitch Perfect, Rebel Wilson | Leave a comment »
I actually have a bit of a soft spot for Hannibal. I think the key to enjoying and appreciating Ridley Scott’s 2001 serial-killer film is to realise that it’s a fundamentally different animal to The Silence of the Lambs, to the point where it isn’t really a sequel – despite featuring many of the same characters and considerably fewer of the same actors. Those expecting a faithful follow-up or conclusion will be disappointed, as will those who fell in love with Jonathan Demme’s delightfully understated The Silence of the Lambs. Even the title character here seems to lack the complexity he demonstrated in that earlier instalment, instead acting like the villain of a slasher film cast in the unlikely role of an anti-hero.
Still, despite these flaws, Hannibal is quite entertaining (if far too uneven and unsatisfying) on its own terms.
She looks good enough to eat…
Filed under: Non-Review Reviews | Tagged: Belvedere, Bolton, Bryan Fuller, Clarice Starling, Federal Bureau of Investigation, film, Florence, god, hannibal, hannibal lecter, Jesus, laurence fishburne, Lecter, Movie, NBC, non-review review, review, Starling | 4 Comments »
I have the pleasure of catching a rather wonderful screening of The Silence of the Lambs last week. It was a fantastic evening, not least because I got a chance to finally see the film on the big screen for the first time. However, it occurred to me on watching it that Hannibal Lecter was much more compelling as a character here than he would eventually become. With the (very debatable) exception of Brett Ratner’s Red Dragon, Lecter’s subsequent film appearances feel like they are missing some vital component. I like Hannibal more than most, but I think the character suffers when promoted to lead. The less said about Hannibal Rising, the better. I am more than a little wary about the upcoming television show, even if it does star Mads Mikkelsen. What happened? When did Lecter become so toothless?
Filed under: Movies | Tagged: anthony hopkins, Caroline Dhavernas, Crawford, Federal Bureau of Investigation, hannibal, hannibal lecter, Hugh Dancy, Jack Crawford, Lecter, Mads Mikkelsen, NBC, red dragon, Silence of the Lamb | Leave a comment »
We’re big fans of Neil Gaiman’s Sandman here at the m0vie blog. It’s genuinely one of the masterpieces of the medium, and the perfect book to recommend to somebody who wants to see the very best work in the medium. There has been talk of adapting the story for film before, and I remember having nightmares about the damage that could have been done to it by an industry that hears “comic book” and thinks “superhero.” At one point Gaiman apparently read “not only the worst Sandman script I’ve ever seen, but quite easily the worst script I’ve ever read” attached to the project.
Filed under: Comics, Movies | Tagged: art, comic book, concept art, coraline, Gaiman, henry selick, JillThompson, neil gaiman, sandman, twitter, Warner Bros | 4 Comments »
Shadow Dancer is a taut, intelligent, sophisticated thriller. In a way, James Marsh’s film is more notable for what it doesn’t say, than what it does. Long passages of the film go by in relative silent, with the an economy of language to communicate information to the audience. It’s quite heartening how much faith Marsh seems to have in his viewers, that the film never feels the need to burden itself with awkward exposition, instead trusting the actors and the surroundings to tell the story. You won’t find a thriller this year that thinks more highly of its audience.
“Have you seen ‘The Informant!’…? Good, because this is going to be a lot less light-hearted.”
Filed under: Non-Review Reviews | Tagged: Andrea Riseborough, arts, Belfast, Clive Owen, Colette, Downing Street Declaration, film, James Marsh, John Major, ken loach, Marsh, Movie, non-review review, Northern Ireland, review, Shadow Dancer, Tom Bradby, Troubles, Wind That Shakes The Barley | 4 Comments »
I genuinely think that Gattaca is an unsung modern science-fiction classic. Andrew Niccol also wrote the screenplay for The Truman Show at the same time, another science-fiction masterpiece of the nineties, and another film way ahead of its time. I wonder if The Truman Show eclipsed Niccol’s work on Gattaca. It’s certainly a far more conventional science-fiction feature film, with a decidedly retro-futuristic aesthetic to it, and a slightly more earnest approach to its central themes. Still, I think that Gattacais a film that has held up remarkably well since its release and deserves a great deal more praise and attention than it really gets.
A face in a crowd…
Filed under: Non-Review Reviews | Tagged: Andrew Niccol, ethan hawke, films, gattaca, Genetic Information Nondiscrimination Act, Genetics, Jerome, Josef, jude law, Movie, Movies, non-review review, review, sci-fi, science fiction, uma thurman | 4 Comments »
One of the downsides to running a blog the way that I run a blog is that I don’t always have the opportunity to respond to news as it breaks. As such, in writing about the passing of director Tony Scott, pretty much everything that I would say has been said by the time I can publish this, and far more eloquently than I could ever hope to say it. Obviously, I never knew Tony Scott personally, so I won’t comment on the man himself – although the tributes from those who did know him are deeply moving. I knew Tony Scott as countless film fans knew the director, through his work. And that work meant a lot to me.
Filed under: Movies | Tagged: Beverly Hills Cop II, brad pitt, Crimson Tide, denzel washington, michael bay, quentin tarantino, ridley scott, San Pedro Los Angeles, Scott, tony scott, top gun, true romance | 6 Comments »
At its best, When the Lights Went Out feels like a cinematic throwback, almost like The Woman in Black. While The Woman in Black harked back to a period of classic British horror, the height of Hammer’s gothic schtick, When the Lights Went Out feels like an affectionate homage to the urban haunting movies of the seventies, like The Amityville Horror with a Yorkshire accent. Although the final third comes off the rails in a fairly massive way, there’s enough charm and nostalgia to keep When the Lights Went Out entertaining for most of its runtime. It’s not just the setting and the aesthetic that hark back to the seventies, but also the tone and the mood.
I hope she’s not left hanging…
Filed under: Non-Review Reviews | Tagged: Amityville Horror, Amityville New York, arts, Colin Wilson, daniel radcliffe, film, Hammer Film Productions, horror, Lutz, Movie, non-review review, pat holden, review, stephen king, when the lights went out, Woman in Black | 2 Comments »
It’s becoming a frequent complaint that there are “too many” superhero films. When Green Lantern crashed and burned last year, there were a rake of articles lauding it as “superhero fatigue.” Even before this summer kicked off, people were asking if “fatigue” had kicked in. Ignoring for a moment that The Avengers and The Dark Knight Rises are the two most successful films of the year, I’ve never quite understood that argument. There were, after all, three (or four, if you count the dire Ghost Rider: Spirit of Vengeance) superhero-themed blockbusters this year. Do audiences get “period drama fatigue” if more than four high-profile period dramas are released in a year? Are there widespread cases of “cop movie fatigue” if more than half-a-dozen movies feature a law enforcement official in a lead role? Is there a cap on the number of films that Ryan Gosling can produce, lest he inspire an epidemic of “Ryan Gosling fatigue”?
Twilight of the superheroes?
Filed under: Movies | Tagged: Amazing Spider-Man, art, avengers, batman, Christopher Nolan, Dark Knight Rises, DarkKnight Rises, Fatigue (medical), Fritz Lang, green lantern, katherine heigl, Movie, richard donner, Ryan Gosling, superhero, Superhero film | 17 Comments »
I had the pleasure, on Wednesday evening, of attending the Jameson Cult Film Club screening of The Silence of the Lambs. Any excuse to see Jonathan Demme’s masterpiece is worth taking up, but this was a wonderful night for two reasons. The first is that fact that although I am a huge fan of the film, I had never seen it before on a big screen. I’d only ever seen it on home media. The second reason is, as you might expect, that the guys and girls at the Jameson Cult Film Club really surpassed themselves in creating a powerfully immersive experience.
Filed under: Movies | Tagged: anthony hopkins, arts, Clarice, Clarice Starling, Demme, film, hannibal lecter, jameson cult film club, jodie foster, Lecter, Memphis Police Department, Movie, Silence of the Lamb | 2 Comments »
