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Non-Review Review: Celebrity

As I was watching Celebrity, one of Woody Allen’s mid-nineties efforts, two things ran through my head. The first was that the movie was clearly intended to explain why the director had given up on his life in America and moved overseas (sparking his creative rebirth with films like Match Point and Vicky Christina Barcelona). The second, and much more pressing, was the observation that it’s not really fair to write a character with yourself in mind and then expect Kenneth Branagh to step in and play that avatar as you. Not to diminish Branagh’s Woody Allen impression (it’s much better than one might expect), but it tends to draw attention away from the rest of the film.

Woody clearly thinks this Hollywood malarkey is bananas...

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Non-Review Review: The Way Back

The Way Back is an impressive technical accomplishment. Peter Weir has repeatedly demonstrated that he really is one of the very best directors working today, and that he’s a deft hand at establishing mood and atmosphere. The Way Back, the story of a prison escape from the coldest depths of Siberia, is packed with beautiful vistas – from mountains snuggled in clouds to endless desert to icy tundras – and it’s also efficient and effective. However, it seems to spend so much time on the scenery that it almost forgets about the characters.

They got snow where else to go...

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Non-Review Review: UHF

I like “Weird” Al Yankovic. I realise that there are many people out there who don’t find his pop song mash-ups like Another One Rides The Bus, Amish Paradise, Like Surgeon or White and Nerdy to be especially funny – and there are probably as many who find these riffs on popular tracks as insanely irritating. U.H.F. (perhaps better known as “the Weird Al Yankovic movie”) isn’t likely to change anybody’s opinion of the songwriter one way or the other. Which is to say that, while I could see quite a few flaws in it, it was smart and earnest enough that I ended up quite enjoyed it.

Gunning for the classics...

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Non-Review Review: How To Train Your Dragon

How To Train Your Dragon is, at its core, the story of a boy and his dog. Except his dog happens to be a dragon. It is a well-cast, well-made and well-written little film that actually manages to have a lot more emotional depth than the majority of Dreamworks films, even if it doesn’t quite approach the wonderful sophistication that Pixar manage to produce about once a year. It’s big, it’s bold and it’s fun – a wonderfully crafted piece of family entertainment.

An all-time high for Dreamworks?

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Non-Review Review: Kung-Fu Panda 2

I think the original Kung-Fu Panda might be my favourite Dreamworks animated film. A lot of people go on and on and on about how that particular studio’s animation can be measured against that of their competitor Pixar, with arguments about intellectual and emotional maturity and sincerity. Some argue that the reason Pixar dominates their field is because they don’t treat animation as something just for children. Others suggest that they have a mathematical formula devised to break human hearts. Personally, the feeling I always got from Pixar films that I only fleetingly sensed in the work of Dreamworks, was that those creators were essentially making their dream movie – each and every Pixar film seems lovingly crafted according to a creative vision not based around the “rules” of the industry, but around good ideas and the kinds of stories those people like to tell (and like to hear). I think that is why the original Kung-Fu Panda worked so well, and also why Kung-Fu Panda 2 does such a great job as a follow-up.

They know kung-fu...

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Non-Review Review: X-Men – First Class

X-Men: First Class is easily the best thing to emerge from Bryan Singer’s X-Men movie franchise since X-Men II, all those years ago. Jane Goldman’s smart script and Matthew Vaughn’s confident direction help inject life back into the franchise that stirred up this current superhero blockbuster fad, providing one of the finest examples of the subgenre. Although the movie does occasionally veer a little bit too close to (and, once or twice, right into) camp, it’s also a clever, brave, bold and exciting action adventure, which provides the best characterisation of the series to date.

We've got it covered...

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Non-Review Review: The Adventures of Buckaroo Banzai Across the 8th Dimension

The Adventures of Buckaroo Banzai Across the 8th Dimension (try saying that ten times fast) is one of those quirky cult movies that has built up a rather large following in the twenty-five-odd years since its initial release. Not withstanding the wonderfully quirky title, the intentionally campy production design, and perfectly awesome cast, it’s easy to see why the movie may have found the niche which cherishes it so much. Unfortunately, it’s also possible to see to see why the movie never found its footing with a larger audience.

Not so fast, Buckaroo...

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Non-Review Review: US Marshals

Robert Downey Jr. apparently once described the film as “possibly the worst action movie of all time.” That’s quite a statement. Too be honest, it’s just a little bit sensationalist from the actor, but it still doesn’t mean that U.S. Marshals is a good film, even on its own merits. When it stands in the shadow of the movie it was intended to follow, the superb Harrison Ford adaptation of The Fugitive, it seems even weaker.

They had some neck making this film...

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Non-Review Review: The Hangover, Part II

“It happened again,” Phil whines over the phone to his buddy’s wife during the opening sequence of The Hangover, Part II. Of course it did, that’s the entire point of the sequel. The movie unashamed offers fans pretty much what they might expect from the sequel to a relatively high concept comedy: “more of the same.” That’s not necessarily a bad thing – moments of the film had me rolling around from side to side to side, attempting to figure out if it was hilarious or just plain wrong – but it does mean the film lacks a lot of the originality and sense of freshness that made the first one such a beloved comedy classic.

Bangkok Dangerous?

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Non-Review Review: Gentlemen Broncos

I’m going to be a bit of killer jo here and admit that I didn’t really “get” Napoleon Dynamite and Nacho Libre, so it’s no surprise that the latest movie from the creative team leaves me cold. That sort of overly understated sense of humour feels a bit old at this stage, as if we’ve seen it once too often. There’s a sense that the movie somehow recognises this, and decided to augment those awkward silences with incredibly gross and juvenile humour.

Grabbing the stag by the horns...

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