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Doctor Who: The Next Doctor

This is nonsense.

That’s one word for it.

Complete and utter wonderful nonsense. Very very silly.

– The “Doctors”

The Doctor Who Christmas special is an annual institution on this side of the Atlantic. Every Christmas Day for the last five years, Christmas dinner has been followed by a sit down to catch up with David Tennant’s time-travelling hero in the yuletide season. These episodes are generally well-constructed popcorn fodder with huge setpieces, great performances, some clever ideas and fairly straightforward plotting – they generally can’t compare to some of the more adventurous episodes of the series. The Next Doctor continues this trend – while it lacks the blockbuster feel of The Voyage of the Damned or the intimacy of The Christmas Invasion, it benefits from added pathos. It isn’t the best episode the show has given us (it isn’t even the best of the season of ‘specials’ produced), but it is a solidly entertaining hour-long programme.

Do too many Doctors spoil a special?

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Caprica (Pilot)

Part of me wonders how a prequel television show is supposed to work. It’s worrying that the only other example which springs to mind is Star Trek: Enterprise, which suffered from failing to explore its premise for three years before finally engaging with the mythos in time to be resoundingly cancelled. I wonder whether I can sit down and watch a prequel day-in and day-out. In a way, no matter how good the show is, it has been spoiled for you. No matter how sharp a left turn the writers may stick into a particular episode, you just know they’ll have to straighten it out down the line. The very premise for Battlestar Galactica is a spoiler for Caprica: mankind is wiped out by the robotic Cylons, former soldiers and slaves who rose up and rebelled. As a result, there’s no suspense when Daniel Grayson finds himself up for a government contract or attempts to crack A.I. – unless the series is a gigantic red herring (and, though I wouldn’t put it past the creators, it is far too early to show their hand if it is), we know that his actions will create robotic killing machines made just a little too perfect.

Oh, the lawyer and the computer genius should be friends... oh, the lawyer and the computer genius should be friends...

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Green Lantern Concept Art: Purple John Travolta Bikers From Oa!

You have to feel more than a bit sad for DC Comics – at least when it comes to their film adaptations. Their one on-going franchise at this particular moment is in limbo as we await news on the sequel to The Dark Knight. Superman has been sent back into temporary retirement after Superman Returns. Aside from the long-planned Green Lantern, the only other original DC movie we’ve heard about are rumblings concerning sequels and prequels to Watchmen – ironically perhaps the one project we don’t want. On the other hand, Marvel just rebooted their most successful franchise, have a sequel to a breakout hit coming out soon, have announced principle photography with Kenneth Branagh on another and will soon be announcing the cast of yet another – all building to a climax in 2012. And, against this, DC have… Green Lantern. Okay, admittedly I’m really excited about it, because the character has been on the rise of late and I’m glad to have a DC film that doesn’t feature Batman or Superman, but something struck me about the recently released concept art: doesn’t Sinestro look more than a little bit like John Travolta in Battlefield: Earth?

Somebody shares an intergalactic stylist...

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Non-Review Review: The Man With Two Brains

Remember when Steve Martin was funny? I know, it was a long time ago, but think really hard. Remember when he was churning out consistently entertaining and amusing comedies which skirted the line of brilliance? Before he became the straight man to Alec Baldwin in It’s Complicated? The Man With Two Brains is a such a comedy. I’m not sure it’s consistent enough to justify the description ‘classic’, but ‘vintage’ fits it best. A vintage Steve Martin comedy.

And brains to spare...

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Daredevil: Yellow (Review)

The rest of the story you know too well. It’s been told a lot of ways, with many other people in my life, but this is the way I choose to remember it when I think of you.

– Matt Murdock

The first part of Tim Sale and Jeph Loeb’s informal ‘colours’ trilogy (Spiderman: Blue and Hulk: Grey being the rest of it), Daredevil: Yellow has a lot going for it beyond the two talents behind a trilogy of iconic Batman stories (Haunted Knight, The Long Halloween, Dark Victory). Cynics would describe it as the last classic that Loeb wrote. The truth is that it offers a wonderful eulogy for the carefree comic book stories of old, simple and ridiculous fare with simple storylines and clear-cut good guys and bad guys. It’s a nostalgia trip – which means it isn’t quite as compelling as the duo’s work on Batman – but it does lend the collection a nice feel to it. If you are in anyway interested in the olden days of comic books without the retro-post-modernism that typically accompanies such fare, this is the story for you.

Daredevil's come on leaps and bounds from his early days...

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Calvin v. Hobbes – An Alternative Interpretation of Fight Club…

I am a sucker for a crazy movie conspiracy theory. Be it the possible identities of Keyser Soze or the fact that The Shining is about Native Americans or even whether Anton Chigurh (the unstoppable killing machine from No Country for Old Men) is actually an angel. I stumbled across a somewhat similar one a little while ago which has been out there a while (and I imagine most of you are familiar with). But, for those who aren’t, I thought I’d pass on my own favourite crazy movie theory of the moment: Fight Club is a sequel to the iconic comic strip Calvin & Hobbes. Edward Norton’s narrator is Calvin and Brad Pitt’s Tyler Durden is Hobbes. It actually makes sense.

"I am Jack's abandoned childhood friend..."

Note: In case that opening paragraph hasn’t given the game away, there are spoilers in here for the rather excellent Fight Club. I’m assuming anyone reading a detailed article on the movie has seen it (you’ve had ten years!), but – if not – consider yourselves warned that here there be spoilers.
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Are the Razzies Out of Touch?

People are probably still analysing and analysing the Oscar nominees announced yesterday. I’m still formulating my opinion on the bunch – generally it’s a safe selection, but a reasonable safe selection – I thought I’d take a look at the other great annual awards ceremony. No, not the Olympics. No, not the Golden Globes. No, not even the Winter Olympics. The Golden Raspberry Awards – or Razzies, as they are affectionately known – are announced at this time of year, typically stealing a tiny percentage of the Oscars’ thunder. This year they announced the day before and gave us an eclectic line-up. For those unfamiliar with the Razzies, the idea is celebrate the worst that exists in film. However, part of me wonders if the Razzies have escaped the scrutiny that has long been a part of analysing their bigger brother: are the Razzies out of touch with the common movie-goer?

They've even got a cool little statue thing going on!

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And The Oscar Nominees Are…

The Oscar nominees have just been announced. In the next few hours, in-depth analysis from all manner of sources will take place and discussions will begin on whether the conversion of the Best Picture Oscar to a ten horse race has made the nomination phase anymore exciting. I don’t think it has – we’ve all been talking about the big five like it were any other year – Up In The Air, Inglourious Basterds, Avatar, The Hurt Locker and Precious – and that doesn’t really seem to have changed. However, there’s been a whole heap of discussion about the remaining places on the list. Though that doesn’t exactly ‘shake up the Oscar race’. Once we get a taste for how the Oscars choose the next five (and I suspect it will be on the same basis as the first five), picking ten will seem as simple as picking five did. But I digress. Nominees and  preliminary analysis below. Note I’ll probably offer a more in-depth look at the race tomorrow.

It's that time of year again...

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Is Iron Man 2 a thematic successor to The Dark Knight?

As anyone who reads this blog is probably aware, we’re still eagerly awaiting news of any sort of announcement about Batman 3, the sequel to Christopher Nolan’s The Dark Knight that was rumoured to arrive this January. Be it that he was leaving or staying or what have you. Still, part of me wonders if there might be quite a significant amount of stuff in Iron Man 2 for those looking for a further exploration of the themes in the 2008 blockbuster. With recent discussions about the project and the first trailer, I can’t help but get the fantastic feeling that the second Iron Man movie may pick up and explore some of the wonderful threads which Nolan’s dark epic set up. That’s not to say that there isn’t reason to get excited for the film in it’s own right – Robert Downey Jnr! Sam Rockwell! Mickey Rourke! Jon Favreau! – but it’ll be interesting to see if the themes overlap or echo with the film’s 2008 summer rival as well.


Who says darker and edgier is the way forward?

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Tesco’s Finest Films Range?

This news story grabbed my attention last week. Apparently Tesco – yes, the provider of weekly shopping, credit cards, loans and cheap shots at homegrown retailers – will be entering the bright and glamourous world of show business. Will this be part of the finest or economy ranges?

I'm not even sure I'm kidding on this one...

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