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New Escapist Column! On the Question of What Even is a Movie Anymore…

I published a new In the Frame piece at The Escapist this evening. Given the summer blockbuster season will see the release of Fast X, Spider-Man: Across the Spider-Verse and Mission: Impossible – Dead Reckoning, Part One, it seemed as good a point as any to ask a seemingly simple question with a surprisingly complex answer: what even is a movie these days?

In theory, it has always been relatively easy to define a film. Not only is that the name of the medium itself, it has always historically been a self-contained unit of narrative. There is a palpable difference between a film and a television show, or a film and a stage play. However, in recent years, those boundaries have become a bit more porous, and it’s come to feel just a little bit like blockbusters are just very long and very expensive instalments in long-runing television shows.

You can read the piece here, or click the picture below.

337. Spider-Man: Across the Spider-Verse (#19)

Hosted by Andrew Quinn and Darren Mooney, and with special guests Graham Day and Deirdre Molumby, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s Spider-Man: Across the Spider-Verse.

Sixteen months into his career as Brooklyn’s one-and-only Spider-Man, teenager Miles Morales is reunited with his old friend from another universe, Gwen Stacy. However, Gwen brings word of a team of multiversal spider-people headed by the mysterious Miguel O’Hara. Miles quickly discovers that things are not as he expects, and that membership of this team may come at too high a price.

At time of recording, it was ranked the 19th best movie of all time on the Internet Movie Database.

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New Escapist Video! “Spider-Man: Across the Spider-Verse is Sweeping Web-Slinging Wonder”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Spider-Man: Across the Spider-Verse, which was released in cinemas this weekend.

New Escapist Column! On the Unfulfilled Promise of “Into the Spider-Verse”…

I published a new piece at The Escapist this evening. With the premiere of Spider-Man: Across the Spider-Verse, it seemed like a good opportunity to consider the legacy of Spider-Man: Into the Spider-Verse five years after it was originally released.

The influence of Into the Spider-Verse can be keenly felt on animated films like The Bad Guys and Puss in Boots: The Last Wish. However, it’s strange that the movie has had no real impact on comic book adaptations. Despite early adventurous comic book adaptations like Hulk, Sin City or Scott Pilgrim vs. the World, the modern comic book blockbuster has demonstrated a lack of visual experimentation that feels very much like a betrayal of the source material. What’s the point in making a comic book movie if it can’t be as visually inventive?

You can read the piece here, or click the picture below.

New Escapist Column! On “Across the Spider-Verse” as a Superhero Empowerment Fantasy…

I published a new In the Frame piece at The Escapist this evening. With the release of Spider-Man: Across the Spider-Verse, it seemed like a good opportunity to delve into what the movie is about, particularly its relationship to other recent superhero movies.

After all, what is the point of superhero movies? What are they about? What purpose do they serve? In recent years, the superhero genre has come to be shaped by the language of militarism and law enforcement, treating superheroes as cops and soldiers who just happen to wear masks. Across the Spider-Verse is a film largely about grappling with the legacy of that trend, in which the central villains are “an elite strike team” of “all the best Spider-People” whose job it is to maintain the status quo, no matter how many innocent people suffer to maintain the established order.

You can read the piece here, or click the picture below.