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Non-Review Review: Gattaca

I genuinely think that Gattaca is an unsung modern science-fiction classic. Andrew Niccol also wrote the screenplay for The Truman Show at the same time, another science-fiction masterpiece of the nineties, and another film way ahead of its time. I wonder if The Truman Show eclipsed Niccol’s work on Gattaca. It’s certainly a far more conventional science-fiction feature film, with a decidedly retro-futuristic aesthetic to it, and a slightly more earnest approach to its central themes. Still, I think that Gattacais a film that has held up remarkably well since its release and deserves a great deal more praise and attention than it really gets.

A face in a crowd…

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Non-Review Review: Total Recall (2012)

Len Wiseman’s Total Recall is a total mess. While the film features some superb production design and some passable action sequences, with an obvious affection for the design of contemporary science-fiction classics, the direction is muddled,the pacing is awkward and the script is constantly tripping over itself. At one point it’s suggested that the lead might have had has memory scrambled during a muddled recall session, the result of procedure started and yet not quite finished. In many ways, that feels a lot like what happens here – a choppy, uneven and unsatisfying movie that is a result of a muddled production and post-production process. “We can remember it for you,” an advertisement for the Rekall service boasts, homaging the classic short story that inspired the film. Unfortunately, they omitted “wholesale”, which is about the only price I could recommend this at.

Where’s your head at?

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Non-Review Review: Prometheus

Prometheus is an impressive science fiction thriller. Indeed, its weakest link is its attempt to “line-up” with Scott’s original Alien, as its own interesting ideas end up caught up in an attempt to throw knowing winks and nods towards an overly eager audience. “look! green gooey possibly acidic blood!” the movie seems to cry or “gee! that illustration looks familiar!” The problem is that these feel like distractions from a plot that is compelling and fascinating when explored on its own merits. Still, it feels like a worthy science fiction film in its own right, a fitting hybrid of Scott’s Alien with his Blade Runner, daring to pose interesting existential and philosophical questions about humanity’s place in the universe.

David is a piece of work…

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Prometheus Second Trailer (& International Trailer)

How far would you go to get your answers? What would you be willing to do?

– David

Ridley Scott’s Prometheus is getting gradually closer and the mystery seems to be unfolding a bit. These two trailers give a bit more background information on his latest science-fiction epic, and even hint at the possible link to Alien that the direct (and his cast and crew) have been so coy about. Those wishing to go in completely blind might want to skip them, but they can only raise anticipation. My own anticipation can’t get much higher. It’s my third most anticipated movie of the year (behind The Dark Knight Rises and Django Unchained), so it can’t climb too much further.

Anyway, here’s the second American trailer:

And here’s the international trailer which is a bit slower but has a bit more back story:

The Quatermass Experiment (2005) (Review)

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. I’ll have some thoughts on the service at the end of the month, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

The Quatermass Xperiment was a very important place in the history of genre television. Originally airing as a six-part drama on the BBC, the 1953 adventure serial demonstrated that televised science-fiction could be written for adults. Written by Nigel Kneale, the show had a major influence on the genre not only at home (inspiring Doctor Who), but also internationally (allegedly paving the way for 2001: A Space Odyssey and Alien). In 2005, as part of BBC 4’s “TV on Trial” season, a remake of the classic serial was commissioned, with one especially fascinating facet: it would be broadcast live.

Man of science...

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Non-Review Review: The Hunger Games

The Hunger Games is a solid science-fiction action movie that brushes fleetingly with greatness. Borrowing liberally from various sources of science-fiction cult lore, director Gary Ross provides an efficient little adventure movie that alludes to depths it seems afraid to explore. The result is a stylish little film, one constructed with considerable style and technique. It keeps the audience interested for most of its two-and-a-half hour run time. The problem is that it feels like it should be so much more than it ultimately ends up being. It lacks the killer instinct that it needs to define itself as a truly exceptional piece of work.

Straight arrow?

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Non-Review Review: John Carter

I really enjoyed John Carter for what it was. In a way, the movie feels quite a bit like its lead character, a Confederate soldier yanked off Earth and dumped in another very strange setting. This movie feels like a seventies or eighties science-fiction epic, mercilessly plucked from the era of pulpy high-tech fantasy and transposed to a more cynical modern time. Whether or not you will enjoy John Carter will depend entirely on your taste for big-budget science-fiction epics. Those who favour a wry and self-aware approach to their wild interplanetary adventures will likely go home unsatisfied. However, those who can embrace an earnest and straight-faced adaptation of a science-fiction classic will find much to enjoy. You can guess which camp I fell into, even if I could acknowledge the movie’s significant shortcomings.

Warlord of Mars...

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Non-Review Review: Solaris

Can you tell me what’s happening here?

I could tell you what’s happening, but I don’t know if it would really tell you what’s happening.

– Chris Kelvin and Snow

Soderbergh’s Solaris is bold, challenging, brilliant, chaotic, unstructured, clever, obtuse, dense, frustrating, unsatisfying and fascinating. Frequently at the same time. The director’s adaptation of Andrei Tarkovsky’s incredibly dense science-fiction feature might not necessarily be for everybody, but there’s enough substance here for eager audience members to chew on. A film subscribing to the idea that less is more, it seems to take more joy in posing questions than in answering them. This will obviously frustrate those viewers who dislike that sort of ambiguity.

Well suited to this drama...

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A Long Time Ago: The Star Wars Prequels Did Not Ruin Your Childhood…

This weekend, Fox are beginning their process of re-releasing Star Wars into cinema, converted into 3D. I’m fairly agnostic on the idea. I like the idea of eventually being able to see The Empire Strikes Back again in the cinema,but I’m withholding judgment until I see the post-conversion 3D in action. Part of me does think that it’s a mistake to begin with Star Wars: Episode I – The Phantom Menace, if only because it’s the weakest entry in the franchise. I would have liked to see the re-release following the original release order. Still, the fact that the franchise is once again invading theatres seems to have stirred up a lot of underlying resentment, from the core fans who seem to have been struggling with Lucas’ three prequel films – many claiming that the writer and director’s decision to revisit the franchise has retroactively ruined their childhood viewing experiences. It seems that, to fans, the original trilogy are almost tarred by association.

To be entirely honest, it’s hard to take this argument in any way seriously.

Feel the power of the dark side...

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Warren Ellis’ Run on Ultimate Fantastic Four – Vol. 1-2 (Hardcover) (Review/Retrospective)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

I have to admit that I’m quite surprised to see Warren Ellis writing for a year on Ultimate Fantastic Four. You could make the case for Ellis – an avowed technophile – as perhaps the perfect author for a high-concept series like the Fantastic Four. It was Mark Waid who dubbed the family “Imaginauts” – explorers of the imagination, rather than superheroes or guys in costumes. In a way, given how skilfully Ellis handled Tony Stark’s technological transformation in Extremis, you might not have been unreasonable in expecting he’d prove a deft hand with Marvel’s first family. However, reading the twelve issues he wrote for the title, it’s hard to get a sense that Ellis was ever really giving it his all – although he does play around a bit, it never feels like he’s genuinely pushing things to the limit and playing with all the associated toys. In fact, quite a lot of his run feels like it’s playing it safe.

See, the Thing is...

Note: Ellis’ run on the title picks up after the initial six issues written by Brian Michael Bendis and Mark Millar, and so is split over the second half of the first hardcover and the first half of the second. The second hardcover is rounded off by a two-part Think Tank story from Mike Carey (who would take over as regular writer after Mark Millar) and an annual written by Millar. So this review/retrospective just covers the issues written by Ellis.

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