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Non-Review Review: The Ugly Truth

Who says sexism is dead? To look at the bulk of the romantic comedy genre, you wouldn’t know it. The subtext of any given mainstream big budget romantic comedy is that guys are stupid and unaware dinosaurs, while women are just the tiniest bit uptight and are neurotic in a mild and endearing manner. The Ugly Truth probably isn’t the worst offender – I felt much worse coming out of 27 Dresses, to be honest – but it is the most recent one I’ve seen.

It's a familiar dance...

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Non-Review Review: I Love You, Man

There’s a lot of potantial here. Guys and their friends typically relate differently than girls and their friends. And nothing interferes with a wedding quite like a guy and his best friend – even if both the marriage and the relationship with the best friend are a great idea. The problem is that I Love You, Man doesn’t go anywhere with its interesting notion and it insists upon tackling the question of how the sexes relate in the most immature way possible. This is the bromantic equivalent of Sleepless in Seattle rather than Chasing Amy or (500) Days of Summer.

A scooter made for two...

A scooter made for two...

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Non-Review Review: (500) Days of Summer

Romantic comedies generally suck. They’re predictable and formulaic. They don’t reflect the reality of relationships. They involved hackney cliché and coincidence. They never actually deal with any of the hurdles that real couples do. Sure, every once in a while there’s an exception like Chasing Amy or As Good As It Gets, but for the most part, I can’t stand the trite conventionalism of the romantic comedy genre. So, last night – as payback for dragging my girlfriend to District 9 – we saw (500) Days of Summer. Now I’m going to use four words I never saw myself using together in this combination: an innovative romantic comedy.

After the boys of Summer are gone...

After the boys of Summer are gone...

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